A s c rower (31 resultados)

Condición: Fair. Book is in Used-Acceptable condition. Used items may not include supplementary materials such as CDs or access codes. Pages and cover may have wear, tears, and stickers. Pages are may contain notes and highlighting.

Condición: very_good.

paperback. Condición: Very Good. Paperback--excellent condition.

Paperback. Condición: Good+. Exhibition Edition. 12.72 X 10.75 X 2.48 inches; 367 pages; color and B&W illustrations throughout the book. Moderate foxing on the top exterior edge of textblock. Faint. Few speckles on other edges. Very slightly cocked spine. Very Good condition otherwise. No other noteworthy defects. No markings.; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence.…

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Softcover. Condición: Fine. No jacket.

Soft cover. Condición: Very Good. 1st Edition. Oversized soft cover book (367 pages) llustrated with numerous color and b/w photographs/reproductions. Covers show moderate rubbing/scuffing. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULG2-Top) rareviewbooks.

hardcover. Condición: fine. 24 works illustrated, full page and in color, additional illustrations in black and white. 87 pages. Square 4to, pale gray cloth. New York: Van de Weghe Fine Art, (2003). A fine copy. Calder, Alexander (ilustrador).

Hardcover. Condición: New, still in shrinkwrap. White boards with black illustration and yellow spine lettering. 156 pp. Mainly illustrations in BW and color. Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder"--Well known for his signature mobiles and stabiles-it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miro, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 "Exposition surrealiste d'objets" in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it. This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miro, Max Ernst, Yves Tanguy, and Rene Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvelous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space. -Publisher's Description.…

Oversize Softcover. Condición: Very Good. An excellent copy, exhibition pamphlets laid-in.

Hardcover. Beige cloth boards with white stamped lettering. 86 pp. Mainly color illustrations. Catalog of an exhibition held at Van de Weghe Fine Art, New York, Feb. 22-May 23, 2003. Includes bibliographical references.

Hardcover. Condición: Near Fine. Summary: "This book is published on the occasion of the exhibition 'Calder-Picasso' organized by the Museum of Fine Arts, Houston, in partnership with the Calder Foundation, the Musee national Picasso-Paris and the Fundacion Almine y Bernard Ruiz-Picasso para el arte (FABA). The exhibition was shown at the Musee national Picasso-Paris from February 19 until August 25, 2019 then at the Museo Picasso Malaga from September 24, 2019 until February 2, 2020, the de Young, Fine Arts Museums of San Francisco, spring 2021, the High Museum of Art, Atlanta, summer 2021, and the Museum of Fine Arts, Houston, fall 2021." -- (Title page verso). 255 pages: illustrations (chiefly color), facsimiles, portraits; 30 cm.…

Hardcover. White boards with white, black, grey and red illustration and red and black lettering; 151 pp.; richly illustrated. Created on the occasion of an exhibition held at Pace Gallery in New York from September 14th to October 26, 2019. VG (Light shelf/edgewear to boards; interior is in excellent condition.).…

Condición: Very Good.

Softcover in printed cardboard box, 228 pages, new condition; book still sealed in glassine. Foreign shipping may be extra.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Copertina rigida. Condición: Discreto. Cm.28x29,3. Pg.264. Legatura in cartone editoriale. Numerose illustrazioni in nero e a colori nel testo. 2350 gr.

leg. cart. Condición: Buono (Good). ill. a colori e in bianco e nero in quarto leg. cart. pp. 264 Buono (Good) Buon es. Book.

Condición: New. Satisfaction Guaranteed or your money back.

rilegato. Condición: Fine. Volume in ottime condizioni. Copertina rigida illustrata. 24 ORE Motta Cultura, Milano. 2009. Pagine: 262. Illustrazioni in nero e a colori. Cm 30 (lunghezza) x 26 (altezza). Book.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. Cloth, 367 pages, illustrations (some colour); 30 cm. Catalogue of an exhibition held at the National Gallery of Art, Washington, 29 March to 12 July 1998 and San Francisco Museum of Modern Art, 4 September to 1 December 1998. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light shelfwear, protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Catalogue of a centenary retrospective exhibition of 265 objects by Alexander Calder, including sculptures, paintings, drawings and jewelry. Text of the catalogue is divided into five chronological sections each of which is accompanied by a detailed chronology. The exhibition emphasizes the artist's early career into the 1940s when he created his first mobiles, stabiles and standing mobiles. His monumental public scuptures from the last two-and-a-half decades of his career is the focus of the final section. The publication also includes an essay titled Staging Movement by Arnauld Pierre and a detailed exhibition history by Alexander S.C. Rower." - Publisher. Size: 4to. …

Corposo volume della mostra tenutasi a palazzo delle Esposizioni. Rilegato, con centinaia di foto, anche a piena pagina.

Gebundene Ausgabe. Condición: Neu. 125 S. : überw. Ill. ; 35 cm NEUBUCH ! Originalverpackte Neuware. 9783775740524 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 3137.…

Buch. Condición: Neu. Calder: Chess Knightmares | Jed Perl (u. a.) | Buch | Gebunden | Englisch | 2025 | Cahiers d'art | EAN 9782851173188 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Rower, Alexander S.C. ALEXANDER CALDER: Discipline of the Dance. 430 pages, including 200 color plates. 4to, cloth. Mexico City, RM/Fundacion Jumex, 2016.

Hardcover. Condición: New.

Rilegato. Condición: ottimo. Ottimo stato.

Condición: UsatoComeNuovo. Ril. in cart., cm 28,5x30,5, pp 263, tavv. e ill. a col. e b/n. - ISBN: 9788871795980.

Catalogo mostra Roma, Palazzo delle Esposizioni , 23 ottobre 2009 - 14 febbraio 2010 , rilegato, cartonato, formato 30x28 , pagine 264 , illustrato in nero e colori , ottime condizioni - 18358 9788864130088 2.

Couverture rigide. Condición: Très bon. Estado de la sobrecubierta: Très bon. Edition originale. Calder Scultore dell'aria A cura di Alexander S.C. Rower Editore: Federico Motta Editore, Milano (2009) ISBN 10: 8871795989 ISBN 13: 9788871795980 usato Rilegato Quantità: 1 EUR 50,00 Descrizione: Federico Motta Editore, Milano, 2009. cart. edit. ill. colori. Condizione: molto buono. Federico Motta Editore, Milano, 2009. Autore/i: A cura di Alexander S.C. Rower. cart. edit. ill. colori. 120 ill. b/n e colori n.t. ISBN 8871795989 9781859959213 9788871795980 (Cataloghi di Mostra)Roma (Palazzo delle Esposizioni, 23 ottobre 2009 - 14 febbraio 2010).A 25 anni di distanza dall'ultima esposizione dedicata all'artista americano in Italia, un volume monografico sull'opera di Alexander Calder, uno dei più acclamati e influenti scultori del nostro tempo, la cui illustre carriera ha attraversato tutto il XX secolo.Calder utilizza il suo genio innovativo per cambiare e rivoluzionare profondamente il corso dell'arte moderna, anticipando la performance art di oltre quarant'anni e dando vita, con la prima scultura cinetica, a un genere completamente nuovo.Famoso per il suo nuovo metodo di scolpire: curvando e torcendo un filo di ferro "disegna" figure tridimensionali nello spazio, elementi sospesi, astratti che si muovono e si bilanciano nel cambiare l'armonia (i cosiddetti mobiles).Il primo mobile è realizzato nel 1931 dopo l'incontro con Mondrian: Calder estrae dal quadro le forme, le linee verticali e orizzontali del pittore e le scolpisce, costruendo un sistema di ingranaggi a motore e mettendo così in movimento, una volta per sempre, l'arte astratta. Il progetto espositivo ed editoriale non ha precedenti per forma e dimensioni: la Calder Foundation mette a disposizione infatti l'intera collezione, composta da più di mille opere, dai primi dipinti a olio ai gioielli sino alle sculture di grandi dimensioni, tra le quali sono state selezionate le opere più significative, le quali verranno integrate con altre provenienti dai più prestigiosi musei del mondo, quali il Guggenheim, il MoMA, il Whitney di New York e la National Gallery di Washington. Alexander Calder (Lawnton, Pennsylvania, 22 luglio 1898) nasce da una famiglia di artisti.Nel 1919 si laurea in ingegneria e dal 1923 al 1926 frequenta la Art Students League di New York.Nel 1925, come freelance per la National Police Gazette, passa due settimane in un circo facendo una serie di schizzi, e proprio in tale periodo prende consistenza il suo affascinato interesse per quel mondo. Sempre nel 1925 realizza la prima scultura, e l'anno successivo diverse figurette umane e animali in filo di ferro e legno.Nel 1926 tiene la prima mostra di dipinti all'Artist's Gallery di New York. Nello stesso anno va a Parigi, dove frequenta l' Académie de la Grande Chaumière, espone al Salon des Indépendants, e nel 1927 inizia gli spettacoli nel suo circo in miniatura.Nel 1928 tiene alla Weyhe Gallery di New York la prima mostra di animali in fil di ferro e caricature; nello stesso anno conosce Joan Mirò, e comincia un'amicizia che durerà tutta la vita. In seguito divide il suo tempo tra la Francia e gli Stati Uniti.Nel 1929 la Galerie Billiet organizza la prima personale a Parigi; e l'anno successivo visita l'atelier di Piet Mondrian, un incontro che lo segna profondamente. E' infatti proprio in questo periodo che esegue le prime sculture astratte e nel 1931-32 introduce nelle sue opere elementi mobili: tali sculture sono denominate mobiles; quelle fisse si denomineranno stabiles. Dagli anni quaranta tutti grandi musei newyorkesi gli dedicano delle personali (nel 1943 il Museum of Modern Art, nel 1964-65 il Solomon R.Guggenheim Museum, nel 1976 il Whitney Museum of American Art). Non mancano premi e riconoscimenti: nel 1952 alla Biennale di Venezia vince. …