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Sinopsis
Book by Rosenthal Mark Serraller Francisco Calvo
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Reseña del editor
This delightful book places the artist within the context of Surrealism so that his achievement is more profoundly understood. Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder" - well known for his signature mobiles and stabiles - it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miro, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 "Exposition surrealiste d'objets" in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it. This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miro, Max Ernst, Yves Tanguy, and Rene Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvelous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space.
Biografía del autor
Mark Rosenthal is adjunct curator at The Menil Collection and author of Joseph Beuys: Actions, Vitrines, Environments (Menil/Yale 2004). Francisco Calvo Serraller is a scholar from Madrid. Alexander S.C. Rower is Alexander Calder's grandson.
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- EditorialYale University Press
- Año de publicación2005
- ISBN 10 0300114362
- ISBN 13 9780300114362
- EncuadernaciónTapa dura
- IdiomaInglés
- Número de edición1
- Número de páginas156
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The Surreal Calder
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Yale University Press, 2005
ISBN 10: 0300114362
ISBN 13: 9780300114362
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. Nº de ref. del artículo: M0300114362Z3
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The Surreal Calder
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Yale University Press, 2005
ISBN 10: 0300114362
ISBN 13: 9780300114362
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de America
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The Surreal Calder
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ISBN 13: 9780300114362
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Condición: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Nº de ref. del artículo: 4782952-6
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The Surreal Calder
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Yale University Press, 2005
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ISBN 13: 9780300114362
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Librería: ANARTIST, New York, NY, Estados Unidos de America
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Hardcover without dustjacket as issued, 156 pages; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra. Nº de ref. del artículo: ThCaYa20
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The Surreal Calder
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ISBN 13: 9780300114362
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Hardcover. Condición: As New. Hardback book (156 pages) illustrated with numerous color and b/w photographs/repdoductions - removed from shrink wrap to photograph. INTERNATIONAL SHIPPING MAY REQUIE ADDITIONAL CHARGE. Bookseller since 1995 (ULBDRM#3-R-TS-Down-Middle) rareviewbooks. Nº de ref. del artículo: RVB04192305
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The Surreal Calder
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Yale University Press, 2005
ISBN 10: 0300114362
ISBN 13: 9780300114362
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Librería: ANARTIST, New York, NY, Estados Unidos de America
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The Surreal Calder: The Menil Collection
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Yale University Press New Haven 2006, 2005
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ISBN 13: 9780300114362
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31.0 x 25.0cms 156pp colour illusts very good+ hardback (no dustwrapper as issued) This exhibition 'returns the artist to the midst of surrealism so that his achivement can be more profoundly understood'. Nº de ref. del artículo: 20615611
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The surreal Calder / Mark Rosenthal ; with a chronology by Alexander S.C. Rower
Publicado por
Houston, Tex. : New Haven ; London : Menil Collection, 2005
ISBN 10: 0300114362
ISBN 13: 9780300114362
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Original o primera edición
Librería: MW Books, New York, NY, Estados Unidos de America
Calificación del vendedor: 5 de 5 estrellas
First Edition. An exceptional harcover copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 156 pages; Physical description: 156 p. : ill. (some col.) ; 32 cm. Exhibition held at the Menil Collection, Houston, September 30, 2005 - January 8, 2006; San Francisco Museum of Modern Art, March 3 - May 21, 2006; The Minneapolis Institute of Arts, June 11 - September 10, 2006. Summary: Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder" - well known for his signature mobiles and stabiles - it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miro, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 'Exposition surrealiste d'objets' in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it. This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miro, Max Ernst, Yves Tanguy, and Rene Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvellous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space. Subjects: Calder, Alexander, 1898-1976 -- Exhibitions -- Criticism and interpretation. Surrealism -- United States -- Exhibitions. 2 Kg. Nº de ref. del artículo: 207863
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The Surreal Calder
Publicado por
Menil Collection, Houston, 2005
ISBN 10: 0300114362
ISBN 13: 9780300114362
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de America
Calificación del vendedor: 4 de 5 estrellas
Hardcover. Condición: New, still in shrinkwrap. White boards with black illustration and yellow spine lettering. 156 pp. Mainly illustrations in BW and color. Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder"--Well known for his signature mobiles and stabiles-it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miro, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 "Exposition surrealiste d'objets" in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it. This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miro, Max Ernst, Yves Tanguy, and Rene Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvelous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space. -Publisher's Description. Nº de ref. del artículo: 174578
Cantidad disponible: 2 disponibles
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The surreal Calder / Mark Rosenthal ; with a chronology by Alexander S.C. Rower
Publicado por
Houston, Tex. : New Haven ; London : Menil Collection, 2005
ISBN 10: 0300114362
ISBN 13: 9780300114362
Antiguo o usado
Tapa dura
Original o primera edición
Librería: MW Books Ltd., Galway, Irlanda
Calificación del vendedor: 5 de 5 estrellas
First Edition. An exceptional harcover copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap.; 8vo 8" - 9" tall; 156 pages; Physical description: 156 p. : ill. (some col.) ; 32 cm. Exhibition held at the Menil Collection, Houston, September 30, 2005 - January 8, 2006; San Francisco Museum of Modern Art, March 3 - May 21, 2006; The Minneapolis Institute of Arts, June 11 - September 10, 2006. Summary: Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder" - well known for his signature mobiles and stabiles - it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miro, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 'Exposition surrealiste d'objets' in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it. This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miro, Max Ernst, Yves Tanguy, and Rene Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvellous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space. Subjects: Calder, Alexander, 1898-1976 -- Exhibitions -- Criticism and interpretation. Surrealism -- United States -- Exhibitions. 2 Kg. Nº de ref. del artículo: 207863
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Cantidad disponible: 1 disponibles