a balis (32 resultados)

Journal of applied bacteriology 1977, 43, plaquette de 17,50x24,50 cm, 8 pages Très bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Hardcover. Condición: As New. Hardcover with DJ. Dutch Language.

First Edition, First Printing. A very good copy - overall clean, bright and structurally sound. We provide PROTECTIVE packaging. Photos of our books are always available upon request. SELLING USED AND RARE BOOKS ON ABE SINCE 1997 AND IN OUR STORE IN THE BERKSHIRES FROM 1987 TO 2015.

Soft cover. Condición: Good. French language. Lovely full page colour plates. Contents incl. plates remain crisp, clean and bright. Covers and half title page tanned and spotted.

Couverture souple. Condición: Bon. Petit in-4 broché(grand format),catalogue de l'exposition de juin-septembre 1961 à la Bibliothèque Albert I de Bruxelles,une vingtaine d'illustrations(photos et dessins anciens) dont plusieurs planches hors-texte en couleurs,80 pages,bon état.

Original publisher's sewn paperback, pictorial front- and backcover, small 4to: 88pp., 16 text-illustrations, 6 plates, description of 75 items, references, colophon. Text in French.

Original publisher's sewn cream paperback, pictorial frontcover, large 8vo: viij, 166pp. 32 plates, 10 text-illustrations, 146 books mentioned, bibliography, list of illustrations, table of contents. Exhibition Catalogue.

Soft cover. Condición: Very Good. No Jacket. Text in Dutch, some light wear to covers and spine, mainly edges and corners, internally in good condition, pages crisp and clear.

Encuadernación de tapa dura. Condición: Bien. Idioma inglés. Encuadernación de tapa dura, en símil piel de la editorial. Dimensiones: 24x17 - 293 pp. Sellos de biblioteca.

Condición: Good. Volume 18. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1550grams, ISBN:0199210411.

cloth, dustjacket shows some signs of use / shelfware. 302 pp. many ills. -good.

Paper Back. Condición: Very Good. No Jacket. 1st. 62pp.; SC string-bound; white w/sepia photo&title-gilt trim; rubbed&stained w/wear on edges&coners; clean,tight pgs. "A Story Whose Scene is Laid in New Mex ico and San Jose, California." one illus.

in-8 (18x25cm), relié-jaquette éditeur, 310p. Accrocs sur la jaquette, bon état. 306 reproductions NB de massacres, 9 cartes et 37 tableaux. NB. Les commandes et questions sont traitées dans les 24h, les expéditions reprendront le 13 juin. Tous les ouvrages de notre catalogue peuvent être consultés et retirés sous quelques jours à Saint-Gilles ou Paris, 5e arr. Merci de nous contacter.

Buch. Condición: Neu. Foley, Tim Ilustrador. Witch Hunt | The Cold War, Joe McCarthy, and the Red Scare | Andrea Balis (u. a.) | Buch | Gebunden | Englisch | 2024 | Roaring Brook Press | EAN 9781250246813 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Antwerp: Fonds Mercator, 1992. NEW in DJ, Enclosed in Publishers Slipcase as called for. First Edition, First Printing. Cloth. New/New. Folio - over 12" - 15" tall. Oversized Safely, Securely Packed.

Taschenbuch. Condición: Neu. Euro-Par 2020: Parallel Processing Workshops | Euro-Par 2020 International Workshops, Warsaw, Poland, August 24-25, 2020, Revised Selected Papers | Bartosz Balis (u. a.) | Taschenbuch | Lecture Notes in Computer Science | xv | Englisch | 2021 | Springer | EAN 9783030715922 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Paperback. Condición: Fair. 1. Gebruikt exemplaat Dutch Overzicht van de aanwinsten tussen 1974 en 1978 van de Koninklijke Bibliotheek Albert I.

Paperback, 296 p., ill., 210 x 297 mm. ISBN 9782503507316. This publication on Flemish painting deals with those elements of the social and intellectual context which played a role in the realisation of any work of art, the concrete steps taken within a workshop in preparing for the production of the work, and the production through to completion of the draft. Part One,Concept, deals with those elements of the social and intellectual context which played a role in the realisation of any work of art. This section therefore examines individual motivations and the intellectual background of artists and their patrons, as also their institutional context and working conditions. Part Two,Design, examines the concrete steps taken within a workshop in preparing for the production of a work of art. These include the use of study materials, such as collections of exempla, as well as the stages of work required to make exploratory sketches, the finished draft and thence its transfer to the definitive medium to be used. Part Three,Execution, focuses on the production through to completion of the draft on its support medium. This may be done by the artist himself, or through one or other method of sharing the work, such as the employing of assistants or specialists. Introduction by Frans Baudouin. I. CONCEPT Carl Van de Velde, Status quaestionis; Elisabeth McGrath, Personifying new ideas: the influence of books and humanism on the invention of allegorical figures; Fiona Healy, The satus of mythological painting in sixteenth- and early seventeenth-century Flanders; Jeffrey Muller, The use of art by confraternities in the St.Jacob's church, Antwerp; Christine Van Mulders, Peter Paul Rubens en Jan Breughel I: de drijfveren van hun samenwerking. II. DESIGN Arnout Balis, Status quaestionis; Jeremy Wood, Rubens as thief; Gregory Martin, The preparatory work for the Banqueting Hall ceiling; Anne-Marie Logan, Consistency and change in Rubens's preliminary drawings; Nora De Poorter, Seriewerk en recyclage: doorgedreven efficientie in het geroutineerde bedrijf vanJacob Jordaens. III. EXECUTION Hans Vlieghe, Status quaestionis; Kathelijne Van der Stighelen, Van zelfbeeld tot ezel: kunstenaarsalaam op 16de- en 17de eeuwse (zelf)portretten; Konrad Renger. New book. 0 g.

Leinen Leinen. Condición: Sehr gut. Mit zahlreichen Abbildungen, 301 Seiten, Zust: Gutes Exemplar. Mit original Schutzumschlag. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Deutsch Gewicht in Gramm: 2370.

Hardcover. Condición: As New. 30,7 x 25,5 cm - 318 pgs - origineel linnen met stofwikkel, in foedraal - gedetailleerde bespreking van 94 schilderijen, MET bibliografie per werk, gevolgd door een selectieve catalogus met bijna 400 werken - zeer goed geillustreerd - zeer goed ex.

Relie, toile bleu, dore sur les plats, dos orne de piece de titre dore, sous jacquette d' editeur illustre en couleur, 24,5x32,5cm, 242pp, illustre en couleur et n/b. ISBN 02010176. Ce premier volume de la serie Etudes ? est essentiel pour la connaissance du vitrail au XVIIe siecle. En effet, peu de vitraux de cette epoque subsistent sur le continent europeen et les cartons - modeles en grandeur reelle de ceux-ci - sont devenus extremement rares. Hormis la superbe collection de cartons des vitraux de Gouda aux Pays-Bas, les cartons de la cathedrale qui sont conserves aux Musees royaux d?Art et d?Histoire representent un des seuls ensembles conserves au monde. Ils ont fait l?objet, pour la publication, d?une documentation photographique complete. Une etude materielle tres minutieuse de ces dessins monumentaux a permis de retracer le mode de travail du concepteur (Theodore Van Thulden), la facon dont les dessins parvenaient au realisateur (Jean De Labaere), la transposition des dessins sur le verre, et bien sur la technique et le style du concepteur, la technique de mise en oeuvre des verriere, et les liens importants entre celles-ci et l?art anversois contemporain (Rubens principalement). Corpus vitrearum: Belgique: etudes, n? 1. 777 g.

Antwerpen, 1989. 318 pp. 411b./w. ills. & 94 col. plates. Hardcover, d/j, slipcase.

Softcover/Paperback. 301 S. Einband gering berieben u. bestaubt, geringe Lesespuren am Buchrücken, Buchschnitt bestaubt NG01 3726365427 *.* Sprache: Deutsch Gewicht in Gramm: 2200.

Leinen Leinen. Condición: Sehr gut. Mit zahlreichen Abbildungen, 318 Seiten, Zust: Gutes Exemplar. Mit original Schutzumschlag. Mit original Schuber. Schneller Versand und persönlicher Service - jedes Buch händisch geprüft und beschrieben - aus unserem Familienbetrieb seit über 25 Jahren. Eine Rechnung mit ausgewiesener Mehrwertsteuer liegt jeder unserer Lieferungen bei. Wir versenden mit der deutschen Post. Sprache: Niederländisch Gewicht in Gramm: 2900.

Relie, plein-toile, titre dore sur le plat et dos, sous jacquette d' editeur illustre en couleur, avec emboitage d' editeur, 31x26cm., 302 pp., illustre en couleurs et n/b., bibliographie, index des peintres. Au Kunsthistorisches Museum de Vienne. Collection "Flandria extra muros". Dit boek biedt de gelegenheid te ontdekken met welke artistieke rijkdom Vlaanderen in de Weense collectie vertegenwoordigd is. Honderd meesterwerken zijn in kleur gereproduceerd, elk voorzien van een uitgebreid commentaar door een Vlaams of Oostenrijks kunsthistoricus. In de inleiding wordt de geschiedenis van de collectie geschetst. 2770 g.

318pp., rijkelijk geïllustreerd in kleur + 411 zw/w illustraties in fine, in de reeks "Flandria extra muros", 31cm., linnen uitgeversband, geïll. stofwikkel, in foedraal, goede staat, S83755.

linnen band met goudstempeling, geplastificeerde stofomslag, 310 x 260 mm., 322 pp., 500 illustraties waarvan 120 in kleur. foedraal ISBN 9789061532293. Flandria extra muros. Geeft een beeld van de verscheidenheid van het Vlaamse kunstbezit in de Amerikaanse musea. 100 Vlaamse schilderijen van de 15e tot de 17e eeuw werden afgebeeld in kleur en uitvoerig beschreven. Tweede gedeelte van het boek geeft een met zwart - wit - fotos geillustreerde inventaris van 400 Vlaamse schilderijen. Gedetailleerd overzicht van het over het hele gebied verspreide bezit.Art - Kunst 777 g.

Hardback, 406 pages , 145 b/w ill., 180 x 265 mm. volume II *NEW ISBN 9780199210411. Dr. Balis explores examines in the greatest detail Ruben?s paintings and drawings of hunting scenes and thereby throws a fascinating light on the society in which the artist lived, bringing the hunting scenes together for the first time in a definitve catalogue raisonne. Rubens may be said to have revived the genre of hunting scenes, a theme whose popularity had declined since the Middle Ages. Moreover, he enriched the courtly allusions and contemporary preoccupations. Dr. Balis explores this updating of the genre by examining in the greatest detail Ruben?s paintings and drawings of hunting scenes and thereby throws a fascinating light on the society in which the artist lived. This volume brings the hunting scenes together for the first time in a definitve catalogue raisonne that documents both the precedents for and the originality of Rubens?s development of hunting iconography, and argues that the prolific production of Flemish animal painters in the 17th century owes its very existence to Rubens?s example and his creation of a sympathetic audience. Both text and catalogue discuss the ever-important questions of what part Rubens himself played in the execution of these sometimes huge canvases, since he seems to have relied in some degree on the assistance of his studio or of specialized animal painters. Languages: English. 0 g.

Tentoonstellingscatalogus. Antwerpen, 's-Gravenhage & Brussel, Koninklijke Maatschappij der Dierkunde - Rijksmuseum Meermanno-Westreenianum & Koninklijke Bibliotheek, 1968. 25,5 x 18,5 cm. Orig. wrappers. Softcover. Illustr. in b/w. VIII, 165 pag. + lijst van bijgevoegde werken. [Bibliography Boeken over Boeken / Books on Books [Boeken over Boeken] Ornithology vogels / birds ].

Hardback,Languages: English , 2 vol., 856 p., 211 b/w ill. + 97 colour ill., 180 x 265 mm. ISBN 9781912554119. Rubens had a profound impact on the visual culture of his age. He was admired not only as a painter but also for his learning, for the knowledge of classical literature and imagery which he exploited so brilliantly in arresting and powerful pictures. Rubens was particularly drawn to allegory, to the use of personified figures, sometimes in combination with the gods of the ancient pantheon and certain humans (historical individuals), to express concepts, ideals and even political messages. A contemporary praised him for using in his allegorical compositions ?only symbols of Antiquity, thus popularising the coins and other monuments of the ancient world', but Rubens adapted ancient symbolism to new effect, with the aim of creating pictures whose essential meaning would be the more accessible for it. This volume presents works that Ludwig Burchard (1886?1960) planned to include in his catalogue raisonne under the heading ?Allegories and Subjects from Literature? It features some of the artist?s most celebrated paintings, as well as some lesser-known or recently discovered items. The themes range from nature?s abundance to the dangers of excess, from human love to political expediency, triumph and the celebration of religion. It includes masterpieces as diverse in tone as the Shivering Venus (Antwerp, Koninklijk Museum voor Schone Kunsten) and the Horrors of War (Florence, Palazzo Pitti), memorably described by a great historian as ?the immortal and unforgettable frontispiece to the Thirty Years? War? As well as an introduction to the subject, the catalogue provides extensive analyses of each work, revealing Rubens? literary and visual references. The circumstances surrounding the making and display of every item are investigated and considered alongside the artist?s own creative process, since knowledge of the intended context and the early viewing conditions of Rubens? works is so important to the understanding of their significance. Thus particular attention is paid to provenance, not only for the works themselves, but for the copies made after them. 3130 g.