1977 paris (30 resultados)

12mo., stiff pictorial wraps, softcover; black and white illustrations; light edgewear else a very good clean copy.

Softcover. Condición: VG-, some wear to extremities. Color wraps. 277 pp. 18 color, numerous bw plates. Text is entirely in French.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance; from the personal library of Professor Lloyd Austin, University of Manchester. Physical description; xii, 165 p. : ill. ; 24 cm. Notes; Catalogue of exhibition held at the Bibliothèque nationale, Paris [2 October-4 December, 1977]. Bibliography: p. xii. Subjects; Maurois, André (1885-1967) - Exhibitions. French literature - Maurois, André - Catalogues. Genres; Bibliography. Catalogue. Illustrated. 3 Kg.

fester Einband. 367 Seiten, O.Ln. mit O.SchU., 8° (Schutzumschlag mit einem hinterklebten Randeinriß) siehe Mängel, sonst guter Zustand.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance; from the personal library of Professor Lloyd Austin, University of Manchester. Physical description; xii, 165 p. : ill. ; 24 cm. Notes; Catalogue of exhibition held at the Bibliothèque nationale, Paris [2 October-4 December, 1977]. Bibliography: p. xii. Subjects; Maurois, André (1885-1967) - Exhibitions. French literature - Maurois, André - Catalogues. Genres; Bibliography. Catalogue. Illustrated. 1 Kg.

paperback. Condición: Fine. Catalogo di mostra, Kunsthalle Koln, 11 Giugno - 19 Settembre 1971. Testi di Helmut R. Leppien e Werner Spies. 60 ill. in nero e a colori. Bibliografia, elenco delle mostre, delle opere in collezioni pubbliche e di quelle esposte. Testo in tedesco . Cm 23x21. pp. 102. . Ottimo (Fine). . . . Book.

Softcover. Condición: Gut. 21x14 cm. Colección Persiles. 1a.ed. en castellano, revisada por el autor., 252 p., Rústicas son solapas. Sprache: Spanisch, Buen estado. Cubiertas: algo fatigadas; leves roces y tostadas. Interiores: sello de catalog. numérico de ant. propiet.; hojas ligeramente moteadas y tostadas. USADO / GEBRAUCHT / USED. La novela picaresca ha ocupado un lugar central en las preocupaciones de un hispanista tan agudo en calar en lo fundamental español como lo es Marcel Bataillon. Pícaros y picaresca reúne una serie de trabajos con un motivo próximo de unidad: esa original novela que es La Pícara Justina. Pero en el fondo se encuentra otra motivación más esencial: el descubrimiento de la originalidad literaria que anima las vidas de los pícaros novelescos y la entrada, por ese camino, en la vida y la sociedad española de los que se han llamado Siglos de Oro. Marcel Bataillon, partiendo de una erudición inteligente y fructífera, ha aclarado detalles mal entendidos de la novela: localización de lugares, circunstancias que rodearon su publicación, reacción que provocó en Cervantes, para descubrir su condición de "novela cortesana de 1605", e iluminar aspectos de las vidas de los pícaros Guzmán y Pablos, y, en general, hacer más claramente inteligible ese fenómeno que se viene llamando "picaresca española". [Extracto de texto de solapa] [Marcel Bataillon+Pícaros y picaresca+crítica literaria+estudios hispanistas]. ** 10% DESCUENTO/RABATT/DISCOUNT PRIMAVERA * excl. New German Books * * * * 17,10 (original price 19,00) **.

PARIS, Typographie de Firmin-didot & cie - 1978 -In-4 - broché - Portrait-frontispice - 20 pages - Très propre Institut de france - Académie des Beaux-Arts - Lue dans la séance du mardi 6 juin 1978 Livres.

paperback. Condición: Ottimo (Fine). Depliant della mostra alla Galleria del Cavallino, Venezia, 31 maggio - 14 giugno 1968. Testo di Victor Vasarely su tre pagine. Tre illustrazioni in bianco e nero. Nota biografica e fotografia dell'artista . Cm 20x19. pp. 8. . Ottimo (Fine). . . . Book.

paperback. Condición: Fine. Prima edizione (First Edition). Con un testo di Bruno Alfieri (Realismo di Vasarely) in italiano e 20 Tavole a colori e in bianco e nero e un ritratto fotografico dell'Artista . Cm 23,5x24,5. pp. 38. . Ottimo (Fine). . Prima edizione (First Edition). . Book.

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Couverture souple. Condición: Bon état. In-4 28 x 21,5 cm. Broché, titre en noir sur le dos et le premier plat de couverture illustré, non paginé [88] pp., illustratios en couleurs et en noir & blanc, catalogue, biographie. Exemplaire en bon état. Contient un choix de textes de Robert Motherwell.

Soft cover. Condición: Good. Estado de la sobrecubierta: Good. Trémois - 1972 - Or - (Catalogue de l'exposition Pierre-Yves Trémois présentée à la Galerie Attali, 1977). Complete with the inserted 8 page fold-out, the original mylar jacket is present but lacks a little piece at the head of the spine. Some discoloration, common with plastic dust jackets.

paperback. Condición: Fine. Edizione originale (Original edition). Saggio su Victor Vasarely di Michel Hoog (In francse e inglese), apparso sul numero 72, febbraio-maggio 1965 della rivista Cimaise.  Con 16 illustrazioni in bianco e nero e colori ed un ritratto dell'Artista in copertina. . Cm 27x22. pp. 16. . Ottimo (Fine). . Edizione originale (Original edition). . Book.

loose_leaf. Condición: Ottimo (Fine). Plaquette della 409ma Mostra del Naviglio, Milano, dall'8 al 18 dicembre 1964. Con un testo di Umbro Apollonio. Una tavola in bianco e nero. Biografia e fotografia dell'artista . 8vo. pp. 6. . Ottimo (Fine). . . . Book.

paperback. Condición: Ottimo (Fine). Catalogo della mostra organizzata a Bologna, Galleria de' Foscherari, 4-24 maggio 1968, in collaborazione con la Galleria La Bertesca di Genova. Testo di Germano Beringheli. 6 illustrazioni in bianco e nero. Nota biografica e bibliografia. In appendice il Notiziario di Pietro Bonfiglioli . 4to. pp. 12. . Ottimo (Fine). . . . Book.

Color wraps. 128 pp. Numerous color and bw plates. Text in French. VG-, some mild wear to extremities, including a crease on the front cover with a small white section (smaller than a dime) where the illustration has been rubbed away. Clean, bright body pages and solid binding.

bon état.

Paris, Guy Loudmer, 1977. In-4°, 29 x 21 cm, 239 lots . Bound in orig. imitation leather cased binding, tipped in colored illustration, b/w ills. ( bound by Firmin-Didot). With list of results.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leatherbound edition. Condition: New. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. Pages: 376. A perfect gift for your loved ones. Reprinted from 1977 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English Pages: 376.

In-8° (cm. 25x15,8), pp. XVIII, (2), 350, (2). Cartone edit., sprappetti marg. alla sovracc. ill. e alla fodera edit. trasp. Conservata la scheda edit. Allegata una sceda descrittiva dattiloscritta. FRIEDMANN, di formazione marxista (ma critico dell'URSS: "un exemple, mais pas un modèle"), partigiano, filosofo e lettore di Leibniz e Spinoza, analizzò il lavoro in fabbrica, fondò la sociologia umanista del lavoro e contribuì al superamento (attuato tra i primi in Italia dal grande OLIVETTI) dell'alienante catena di montaggio; in seguito studiò la comunicazione di massa. Opera aurea di gran respiro, ottimista sul futuro della tecnica, innovativa ed epocale.

paperback. Condición: Fine. Catalogo della mostra di Victor Vasarely alla Galerije Suvremene Umjetnosti, Zagabria, 19 aprile - 19 maggio 1968. Testi di Abojeni Oblici e Abraham A. Moles. Con 27 illustrazioni in bianco e nero e una   bella serigrafia originale di Victor Vasarely (cm 20,8x18,8) . Cm 21x20. pp. 36. . Ottimo (Fine). . Edizione originale di 1000 esemplari (Original edition of 1000 copies). . Edizione originale di 1000 esemplari (Original edition of 1000 copies). Book.

2. 20 x 25 cm, 95 pp with coloured & b/w ill., orig. wrappers, bibliography. (Exhibition catalogue of embroidery).

Condición: Ottimo (Fine). Litografia originale a colori su fondo nero, numerata e firmata a matita Esemplare prova d'artista (p.d.a.). Cm 77x62. . . Ottimo (Fine). . . . Book.

2. Paris, Expert Berès, 1977, in-4°, 179 lots, ca. 80 nn pp, b/w ills., sewn, orig. stiff wrapper. With manuscripts and scores by Paul Dukas and Ricardo Vinès.

2. Paris, petit In-4°, 24 x 18 cm, each vol. ca. 60 nn pp, 380 lots, 348 lots, 398 lots, broché, couvertures souple d'origine. (Série complete des ventes publique de sa collection).

Kein Einband. Condición: Gut bis sehr gut. Zeichnung "Unter den Linden", Pastellkreiden auf graubraunem Papier, Blick auf die Berliner Allee "Unter den Linden" im Winter, unten links signiert "Schreter", 36 x 45 cm unter Passepartout und gerahmt 56 x 62 cm. Sehr sauber und gut unter Glas gerahmt. Beiliegt ein ausführliches Gutachten von Katarzyna Lomnicka in Krakau von 2012 . Zygmunt Schreter war der Sohn von Max Schreter und seiner Frau Róza beide waren assimilierte Juden. Zygmunt studierte ab 1923 an der Akademie von Levin Funke und besuchte die freie Malakademie von Lovis Corinth in Berlin. Seinen Lebensunterhalt bestritt er mit Geigespiel in den Berliner Philharmonikern und im Theater von Max Reinhard. Nach dem Krieg blieb er in Berlin, wo er mit der russischen und jüdischen Auswanderungsgemeinschaft verbunden war. 1927 stellte er seine Werke erstmals unter Lódz aus, gefolgt von Ausstellungen 1932 und 1933. 1932 besuchte er erstmals Paris, wo seine Werke im Salon des Tuileries ausgestellt wurden. Er überlebte den 2.Weltkrieg im Untergrund in Paris. Die Lichtrefexe auf den Bilden sind dem Glas geschuldet. Signatur des Verfassers.

2. Paris, Giraud-Badin, 1977, in-4°, 182 lots , ca. 80 nn pp, sewn, orig. stiff wrapper.

Postkarte ( 14,5 x 10 cm) mit Motiv "La fenêtre du poète-Claire Goll" mit rückseitig in Tinte eigenhändiger Widmung, Empfehlung, Unterschrift signiert von Claire Goll "Für Rainer / in Freundschaft / CLAIRE GOLL".

"Atom Utopie / Mond ohne Dichter / Wälder ohne Bäume / Grenzstein ohne Strassen / Schutt ohne Geist / / Vögel ohne Lieder / Gärten ohne Lieder / Gärten ohne Blumen / Meere ohne Fische / Kreuz ohne Erlöser / / Kosmos ohne Erde / Skelette ohne Grab / Gott ohne Menschen / Liebe ohne Herren / / Claire Goll". - - - "Inmitten der Angst vor einem Nuklearschlag erfasste die Welt in den 1950er Jahren eine Euphorie für die zivile Nutzung der Kernkraft." (Michael Hesse. Frankfurter Rundschau 13.04.2023). - - - - Die deutsch-französische Schriftstellerin und Journalistin Claire Goll (geb. Clara Aischmann) war die Tochter eines jüdischen Hopfenhändlers, dessen Familie 1892 von Nürnberg nach München zog. Mit Yvan Goll ging sie 1919 nach Paris, wo beide 1921 heirateten. (Lexikon deutschsprachiger Schriftstellerinnen. München 1986).