1761 1807 (25 resultados)

Condición: New.

First edition (not stated). xvi, 394 pages. Hardcover; H 23.5cm x L 17.25cm. Dust jacket rubbed, scuffing and shallow chipping at spine ends with some scuffing at adjacent panel corners, flap fold ends nicked with light scuffing lengthwise; dj now presented in a mylar Brodart protector. Dark blue cloth with vibrant silver stamped spine lettering, spine head lightly bumped. Dark blue top edge; slight toning to fore-edge. Past owner's personal bookplate on front pastedown with blindstamp on half-title page. Else a still fairly crisp very good+ copy in a very good- dust jacket. ISBN 0870215256.…

Condición: New. In English.

souple. Condición: Assez bon. Imprimé par ordre de la Convention Nationale, 1 brochure in-8 en feuilles, De l'Imprimerie Nationale, 1792, 8 pp. Etat très satisfaisant. Martin & Walter, 23828 Langue: Français.

MORGENBLATT für gebildete Stände Nro. 213 mit Spruch von Friedrich Wilhelm Gotter vorweg (4 SS. kl. 4°) (ditoNro. 214 Kosegarten, 223 Goeckingk und 212 Schlegel, je Euro 15,-) (Jean Paul nannte ihn den reichsten Martial der Deutschen' (DBE)).

0. Sprache: Deutschu.

0. Sprache: Deutschu.

0. *** Am rechten Bildrand leicht angegraut. Sprache: Deutschu.

Condición: New. Print on Demand pp. 206.

Condición: New. Print on Demand pp. 206.

Condición: New. PRINT ON DEMAND pp. 206.

First Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Minor foxing. Remains particularly well-preserved overall. Library binding with some library marks remaining. Physical description: xvi, 189pages 17 cm. Subjects: Poetry. 19th century poetry. Scottish poetry. Drummond, George Hay (1761-1807). 1 Kg. …

3 VOLUMES BROCHES IN-8 (13,5 X 21 X 11 CENTIMETRES ENVIRON) DE (4) + 345 + (3), 246 + (2) ET (4) + VIII + 516 + (1) PAGES, COUVERTURE PAPIER ROSE MUETTE, D?ORIGINE. EDITION ORIGINALE PARUE EN 3 VOLUMES, LES DEUX PREMIERS A AMSTERDAM EN 1800, ET LE TROISIEME A PARIS EN 1802 (UNE SECONDE EDITION EST PARUE EN 4 VOLUMES EN 1804). PETITE GALERIE DE VER EN MARGE INTERIEURE DES PAGES 201-226 DUTOME 2, SANS AUCUNE ATTEINTE AU TEXTE. PLAT SUPERIEUR DE LA COUVERTURE DU TOME III DETACHEE, A REFIXER, SINON BON EXEMPLAIRE DE CET OUVRAGE « DANS SON JUS », TEL QUE PARU.…

First Edition. Near fine copy in the original gilt-blocked cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Minor foxing. Remains particularly well-preserved overall. Library binding with some library marks remaining. Physical description: xvi, 189pages 17 cm. Subjects: Poetry. 19th century poetry. Scottish poetry. Drummond, George Hay (1761-1807). 1 Kg. …

0. Schönes Blatt mit breitem Rand. Sprache: Deutschu.

0. Sprache: Deutschu.

Amsterdam, Holtrop Jun., 1795, 221 pag., gegraveerd titelvignet, 6 platen en 4 gegraveerde illustraties door A. Zurcher, contemporain karton, klein octavo, onafgesneden (16,2 x 10,2 cm.). = Titeluitgave van de editie 1793. Scheur in blad voorwerk A4.

- cut from an album.

0. Sprache: Deutschu.

Condición: Good. Engraving on wove paper. 30.5 x 21.7 cm. (plate); 35 x 23.7 cm. (sheet). Very Good. Sheet lightly toned, light surface soiling.

4to. pp. vi(incl. list of subscribers), [1 leaf], 81 [ie. 83: 1 leaf numbered *80 inserted after p. 80), 186. mezzotint frontis. portrait. contemporary sprinkled calf (joints cracked, some foxing to first leaves & portrait which has heavily offset onto title). First Edition. Opie's four lectures dealt with design, invention, chiaroscuro, and colouring. "With the exception of those of Sir Joshua Reynolds, no series of lectures emanating from the Royal Academy are better worth reading. Their views are original and just, and they contain much excellent criticism in language which is clear and vigorous. They are permanent contributions to critical literature." (DNB).…

Stipple engraving, by C.G. Playter, finished by R. Thew. A very fine copy of one of the greatest images from Boydell's magnum opus, illustrating the works of England's greatest dramatist. "This is Shakespeare on a grand scale, the Shakespeare of titanic emotion, of compelling gesture and vivid gaze. the greatest of the engravings. are by any standard powerful works with an inescapable emotional force behind them. They speak directly to us." (A.E.Santaniello. The Boydell Shakespeare Prints New York, 1979). Opie, a Cornish-born painter of great natural talent, was first brought to wide public attention by William Walcot ('Peter Pindar') and worked for a while in partnership with him. However, by the time the original for the present work was painted he was established in his own right and 'he was largely employed in painting pictures for the important illustrated works of the day. For Boydell's Shakespeare (1786-9) he painted Arthur supplicating Hubert, Juliet on her Bed surrounded by the Capulets, Antigonus sworn to destroy Perdita' (DNB), and this famous scene from Henry the Sixth, part Two, "The Conjuration". In 1786, the printseller John Boydell (1719-1804) 'embarked upon the most important enterprise of his life, viz. the publication, by subscription, of a series of prints illustrative of [the works of] Shakespeare, after pictures painted expressly for the work by English artists. For this purpose he gave commissions to all the most celebrated painters of this country for pictures, and built a gallery in Pall Mall for their exhibition. The execution of this project extended over several years. In 1789 the Shakespeare Gallery contained thirty-four pictures, in 1791 sixty-five, in 1802 one hundred and sixty-two, of which eighty-four were of large size. The total number of works executed was 170, three of which were pieces of sculpture, and the artists employed were thirty-three painters and two sculptors, Thomas Banks and the Hon. Mrs. Damer. It appears from the preface to the catalogue of 1789, and from other recorded statements of Boydell, that he wished to do for English painting what he had done for English engraving, to make it respected by foreigners.' (DNB). Cf. Santaniello, The Boydell Shakespeare Prints; Dictionary of National Biography. …

Monument in commemoration of the Synod of Dort, held from 13 November 1618 to 29 May 1619 in Dordrecht. The architectural monument is decorated with scenes of related events in other Dutch cities. On top, two roundels with depictions of baptism and marriage. Above a profile portrait of John Calvin, surrounded by putti. Title below: 'Gedenkstuk voor de Nederlandsche Gereformeerde Gemeentens.' Signed below: 'W. Kok inv et fecit.'; 'W. Houtgraaff Excudit.'; 'P. H. Jonxis sculps.' Inscribed: 'Proefdruk' in lower left corner. Numbered by pen '232', in lower right corner. Etching on paper, with margins; platemark: 587 x 448 mm; total: 640 x 484 mm; foxing in margins, frayed edges and tears in the margins. Muller 6129. …

The City Council Chamber at the City Hall in Amsterdam (stadhuis Amsterdam op de dam). The interior of the Chamber during a meeting of the town council. The City of Amsterdam is run by the city council and a college of aldermen. The council is the highest authority in the city and is responsible for all important decisions. Amongst other responsibilities, the council sets the city's annual budget.The painting in the center is Govaert Flinck's "Solomon's prayer for wisdom" commissioned for the chamber in 1658 and donated by the painter just before passing away. (see RKD record 271967).Titled at bottom in Dutch and French: 'De Raadkamer Op Het Stadhuis te Amsteldam, zo als de Vroedschap aldaar 's Jaarlyks op den 28ste January vergaderd is. / La Chambre de Conseil 'a l'Hotel de Ville d'Amsteldam, lorsque les Conseillers y sont assemblés annuellement au 28.me Janvier.' address at bottom: 'Te Amsteldam by J. de Jongh, Met Octroci van de Ed. gr. Achtb. Heeren Burgemeesteren en Regeerders der Stad'. Engraving and etching; trimmed within plate mark, total: 489 x 402 mm; epruve d'artiste [proefdruk]; light brown staining on the external margin and some creases on the surface; in passepartout. Nice impression. Not in Fredrik Mueller.…

Allegorical representation realized on the occasion of the treaty between the French Republic and William V, Prince of Orange-Nassau. All the stadholders of Holland are on a large decorated staircase; at the top of Willem I and at the bottom of Willem V.Willem V is escorted down the stairs by Frederick William II, king of Prussia and Bonaparte.Some important historical events are depicted on the steps. In the background a map of the Netherlands and on the left several sailing ships. At the top of the stairs is a painting of the covenant of the nobles and the beheading of the counts of Egmond and Horne.Under the picture, a seven-line caption in Dutch: "TAFFEREEL VAN HET STADHOUDERSCHAP IN DE NEDERLANDEN VAN A. 1565 tot 1802."Signed at bottom: "W. Kok del & sculp. / J.D. Jongh Excud."[NL] Overzicht van alle stadhouders in de Nederlanden, van Willem I tot en met Willem V. De stadhouders staan in chronologische volgorde op de treden van een grote trap in een paleis. Bovenaan Willem I die vermoord wordt door Balthasar Gerards. Daarna Maurits, Frederik Hendrik, Willem II met Andries en Cornelis Bicker als vertegenwoordigers van Amsterdam, Willem III en Willem IV. Na Willem IV volgen de voogden van Willem V: Anna en Lodewijk Ernst. Onderaan stapt tenslotte Willem V als laatste van de stadhouders van de trap af op een steen gemerkt Oranienstein, verwijzend naar Slot Oranienstein in Duitsland waarheen Willem vertrok, na het erkennen van de Bataafse Republiek als onderdeel van bepalingen van de Vrede van Amiens, op 27 maart 1802. Hierbij wordt hij geholpen door Napoleon I en Frederik Willem III. In het onderschrift een verklaring van de voorstelling in zes regels. Ets en gravure gemaakt door Willem Kok (1761-1807) en J. de Jongh (fl. 18th century). Etching and engraving on paper with margins; total: 530 x 413 mm; some dirt and smudges especially on the margins, where also traces of folding and damp stains are found; some very light foxing; F. Muller 5623.…