Pedro lasch (23 resultados)

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Pedro Lasch (ilustrador). …

Softcover, 112 pages; in English and Spanish; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover without dustjacket as issued, 86 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: New. No DJ. First Edition. This is a new hardcover first edition copy, no DJ, black spine.

Hardcover. Condición: new. Hardcover. An activist artist renowned for creating opportunities for social encounter and collaborationThis midcareer survey documents the first retrospective for US-based Mexican artist Pedro Lasch (born 1975), celebrated for his socially engaged artworks and experimental pedagogy. The catalog encompasses 13 series of works created from the 1990s to the present and features four key thematic axes: art as a tool, games, fiction and displacement. Lasch conceives of his work as a means to politicize form. He creates both objects and process-based artworks with the capacity to function as tools for consciousness-raising, to address the systems that underpin social, political and economic relations. His work occupies a space between engagement and autonomy, traditional genre and experimental process, as well as national identity and anarchist self-regulation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Softcover, 124 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. Pedro Lasch (ilustrador).

Condición: Fine. 124 pp., paperback, near fine. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Pedro Lasch (ilustrador).…

Hardbound. Condición: VG+. In parallel texts of Spanish and English, Black pictorial glossy paper on boards, [xvi] 112 pp, numerous color plates. From the book: A volume that beautifully documents Pedro Lasch's Black Mirror/ Espejo Negro installation, at the museum from 22 May 2008, to 18 January 2009. an astonishing installation combining works from our pre- Columbian collection with references to seventeenth and eighteenth-century Spanish painting and the mysterious and engmatic "black mirror," which resonated through both pre- and post-Conquest cultures.…

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Hardback. Condición: New. The provocative three-part project Black Mirror/Espejo Negro by the artist Pedro Lasch encompasses a museum installation, photographs of the installation, and this bilingual book, including many of the photos, the artist's statement, and critical commentaries. The project began as an installation commissioned by the Nasher Museum of Art at Duke University to accompany the exhibition El Greco to Velázquez: Art during the Reign of Philip III. In a gallery adjacent to the exhibit of Spanish Golden Age masterpieces, Lasch placed black rectangular mirrors on the walls, each with an image of a Spanish Renaissance painting behind it. Pre-Columbian stone and ceramic figures, chosen by Lasch from the museum's permanent collection of Meso-American art, stood on pedestals facing toward each mirror and away from visitors entering the room. Viewers were drawn into a meditation on colonialism and spectatorship when, on looking into the black mirrors, they saw the pre-Columbian figures, seventeenth and eighteenth-century Spanish priests and conquistadores, themselves, and the contemporary gallery environment. The book Black Mirror/Espejo Negro includes full-color reproductions of thirty-nine photographs of the installation, as well as the text that Lasch wrote to accompany it. In short essays, scholars reflect on Lasch's work in relation to current debates in art history and visual studies, race discourse, pre-Columbian studies, postcolonial theory, and de-colonial thought.Contributors. Srinivas Aravamudan, Jennifer A. González, Pedro Lasch, Arnaud Maillet, Walter Mignolo, Pete Sigal.…

Condición: New. In English.

Condición: New. 2010. Illustrated. hardcover. . . . . .

Condición: New.

Hardcover. Condición: Brand New. bilingual edition. 111 pages. 10.50x9.00x0.50 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condición: Brand New. bilingual edition. 175 pages. 10.50x8.50x0.75 inches. In Stock.

Condición: New. 2010. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. Nasher museum catalog following an installation by Pedro Lasch, where pre-Colombian sculptures were presented facing away from viewers, toward black mirrors, reflecting on the history of colonialism in the Americas.&Uumlber den Autor.

Hardback. Condición: New. The provocative three-part project Black Mirror/Espejo Negro by the artist Pedro Lasch encompasses a museum installation, photographs of the installation, and this bilingual book, including many of the photos, the artist's statement, and critical commentaries. The project began as an installation commissioned by the Nasher Museum of Art at Duke University to accompany the exhibition El Greco to Velázquez: Art during the Reign of Philip III. In a gallery adjacent to the exhibit of Spanish Golden Age masterpieces, Lasch placed black rectangular mirrors on the walls, each with an image of a Spanish Renaissance painting behind it. Pre-Columbian stone and ceramic figures, chosen by Lasch from the museum's permanent collection of Meso-American art, stood on pedestals facing toward each mirror and away from visitors entering the room. Viewers were drawn into a meditation on colonialism and spectatorship when, on looking into the black mirrors, they saw the pre-Columbian figures, seventeenth and eighteenth-century Spanish priests and conquistadores, themselves, and the contemporary gallery environment. The book Black Mirror/Espejo Negro includes full-color reproductions of thirty-nine photographs of the installation, as well as the text that Lasch wrote to accompany it. In short essays, scholars reflect on Lasch's work in relation to current debates in art history and visual studies, race discourse, pre-Columbian studies, postcolonial theory, and de-colonial thought.Contributors. Srinivas Aravamudan, Jennifer A. González, Pedro Lasch, Arnaud Maillet, Walter Mignolo, Pete Sigal.…

Hardcover. Condición: New. The provocative three-part project Black Mirror/Espejo Negro by the artist Pedro Lasch encompasses a museum installation, photographs of the installation, and this bilingual book, including many of the photos, the artistâs statement, and critical commentaries. The project began as an installation commissioned by the Nasher Museum of Art at Duke University to accompany the exhibition El Greco to Velázquez: Art during the Reign of Philip III. In a gallery adjacent to the exhibit of Spanish Golden Age masterpieces, Lasch placed black rectangular mirrors on the walls, each with an image of a Spanish Renaissance painting behind it. Pre-Columbian stone and ceramic figures, chosen by Lasch from the museumâs permanent collection of Meso-American art, stood on pedestals facing toward each mirror and away from visitors entering the room. Viewers were drawn into a meditation on colonialism and spectatorship when, on looking into the black mirrors, they saw the pre-Columbian figures, seventeenth and eighteenth-century Spanish priests and conquistadores, themselves, and the contemporary gallery environment. The book Black Mirror/Espejo Negro includes full-color reproductions of thirty-nine photographs of the installation, as well as the text that Lasch wrote to accompany it. In short essays, scholars reflect on Laschâs work in relation to current debates in art history and visual studies, race discourse, pre-Columbian studies, postcolonial theory, and de-colonial thought.Contributors. Srinivas Aravamudan, Jennifer A. González, Pedro Lasch, Arnaud Maillet, Walter Mignolo, Pete Sigal.…