Paris in the 1920s was teeming with Americans. Bon vivants seeking escape from Prohibition mingled with artists and intellectuals, all pursuing their dreams in the City of Light. The American Modemist Man Ray (1890-1976) spent the 1920s and 1930s in Paris, where experimental expression was flourishing. Man Ray in Paris vividly demonstrates, through Erin C Garcia's fascinating introduction as well as eighty-five black-and-white photographs, why Man Ray is still considered to be one of the most inventive and exciting artists of the twentieth century.
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Erin C. Garcia, former assistant curator in the Department of Photographs at the J. Paul Getty Museum, is an independent curator in San Francisco. She is the author of Photography as Fiction.
American artist Man Ray (1890-1976) spent the most productive years of his career, during the 1920s and 1930s, in Paris. While he considered himself a painter first and foremost, he also worked in a range of media including film, sculpture, and collage. However, it is for his achievements in the field of photography, from groundbreaking innovations to evocative, surrealist compositions and iconic portraits, that he is best known today. Man Ray arrived in Paris in 1921 full of creative energy. Inspired by Marcel Duchamp's "readymades"-mundane objects that became works of art in the context of the gallery- he spontaneously created an assemblage during a party by combining carpet tacks and an iron into a single work, which he later photographed and called Cadeau (Gift, 1921). Soon afterward, he began to experiment with cameraless photography and devised his Rayographs, abstract images produced by placing objects directly on photographic paper and exposing the composition to light. Man Ray swiftly became an influential figure in the city's avant-garde circles. Through his wide-reaching connections he made striking portraits of the many artists and luminaries working in Paris at the time, including Pablo Picasso, James Joyce, Jean Cocteau, Joan Miró, and Gertrude Stein.
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