work de friedlander lee (55 resultados)

First Edition. First edition. Oblong softcover. 91 pages. Features text by Keith F. Davis. Includes images by and information about Linda Connor, Ed Grazda, Richard Pare, Stuart Klipper, Mitch Epstein, Rosalind Solomon, Lois Conner, and Lee Friedlander. A very near fine copy in wrappers.

Cloth over boards. Condición: About fine. Estado de la sobrecubierta: About fine. First edition. Hardcover with complete Dj. Large sq. 4to. Unpaginated. 193 doutone plates. Clean, unmarked and square.

Hard cover. Condición: Very good. Estado de la sobrecubierta: Very good. Great condition. Jacket has Mylar covering. Inside edges are tanned but readability is not affected. Inside is clean and unmarked.

Hardcover. Condición: New. 1st Edition. First edition, first printing. Hardcover. Black matte paper-covered boards with tipped-in black-and-white plate and title stamped in gray on cover, with rust cloth-covered spine; no dust jacket as issued. Photographs by Lee Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches. New in publisher's shrink-wrap. From Nazraeli Press: "Witness Number 6 provides a portrait -- in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander -- of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS's Witness series." From the text by Maria Friedlander: "Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist.".

Exhibition invite that unfolds, 9 x 12 inches; very good condition; an unmailed copy.

Exhibition invite, 5 x 7 inches; very good condition; a mailed copy with address and postal marks on reverse.

Exhibition invite, 5 x 7 inches; very good condition; an unmailed copy.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first printing. Hardcover. Fine cloth, with debossed title, with dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Near Fine dust jacket (small closed tear at the upper rear dust jacket, else Fine). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work.".

Softcover. Condición: Fair. No Jacket. FAIR/NO DJ Former library book. Text clean and unmarked except for usual library tretments. Gray wraps with black lettering on cover in fair condition. Binding firm.

1. Auflage,. 193 sehr gute s/w-Abb., ohne Seitenzahlen, Zustand: erstklassiges, neuwertiges Exemplar. Fotografiert bei: Factory Valleys, Ohio; Gund, Cleveland; Cray, Chippewa Falls; MIT, Boston; Dreyfus, New York; Telemarketing, Omaha. Sprache: Englisch Gewicht in Gramm: 1400 31,0 x 30,0 cm, gebundene Ausgabe, dunkelgraues Leinen mit Blindprägung, Original-Schutzumschlag.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy to William Christenberry with address and postal marks on rear.

Gebundene Ausgabe. Condición: Neu. Neu Neuware; Rechnung mit MwSt.; new item; -'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist'. - from the text by Maria Friedlander. Witness Number 6 provides a portrait - in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander - of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS s Witness series. 96 pp. Deutsch.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana presents here 16 years of Americans at work. A collection of portfolios commissioned in part by art institutions and in part by company CEOs, At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers -- at work. Unpaginated ; 30 x 31 cm. First edition, first impression of 3000 copies. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear and tanning to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.

Gebundene Ausgabe. Condición: Neu. Neu Neuware; Rechnung mit MwSt.; new item; -'Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist'. - from the text by Maria Friedlander. Witness Number 6 provides a portrait - in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander - of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS s Witness series. 96 pp. Deutsch.

Leinen. Estado de la sobrecubierta: mit Schutzumschlag. Quart. Unpag. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX.

Hardcover. Condición: Very Good. 1st Edition. Gottingen: Steidl, 2002. 4to, unpaginated, original grey cloth stamped in blind. Very minor buckling to endpapers, else a NF copy in a lightly rubbed VG+ (-) jacket.

1. ed. Numerous illustrations on plates, unpaginated. Very fine copy. Dust jacket marginally rubbed, the book in mint condition. Sprache: Englisch Gewicht in Gramm: 0 4°, original cloth binding with dust jacket.

Hardcover. Condición: Fine. First edition. Square 4to. Unpaginated. Dust jacket over color printed boards. Still in publishers brown paper shipping wrapper. Signed on the half-title by Friedlander. A new copy.

Excellent condition for age. A tiny water stain on cover.

Condición: Gut. druckfrisches Exemplar, mint and fresh. Sprache: Englisch Gewicht in Gramm: 1500 4°, [84] S. : überw. Ill. , 31 cm, Olwd Ou.

Hardcover with dustjacket; unpaginated with 193 illustrations; as new condition; clean and crisp; signed "Lee Friedlander" on half-title page; no other internal marks. Foreign shipping may be extra.

Leinen. Estado de la sobrecubierta: mit Schutzumschlag. Quart. Unpag. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX - auf dem Vortitel von Lee Friedlaender signiert. Signatur des Verfassers.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardcover. Condición: Brand New. 96 pages. 12.25x12.00x0.75 inches. In Stock.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Fine cloth, with debossed title, with photographically illustrated dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Fine dust jacket (from Friedlander's personal archive). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work." Signed by Author. Signed.

Hardcover. Condición: New. 1st Edition. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Black matte paper-covered boards with tipped-in black-and-white plate and title stamped in gray on cover, with rust cloth-covered spine; no dust jacket as issued. Photographs by Lee Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches. New (from Friedlander's personal archive). From Nazraeli Press: "Witness Number 6 provides a portrait -- in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander -- of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS's Witness series." From the text by Maria Friedlander: "Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist." Signed by Author.

Condición: Good+. Interview with Lee Friedlander. 30 B&w photographs of his wife, Maria and the family. Contents clean and binding firm. 1st Edition. Condition: Good+. No dust jacket. Binding: Softcover. Crease to front corner. Some mild edge-wear.

Softcover. Condición: Very good. First edition. Small square quarto (10"). 45,(1)pp. Lettered cream wrappers, head & foot of front hinge rubbed. Illustrated with photographs (some nudity) on rectos, and mostly erotic etchings on rectos.

Nachwort Richard Benson. Göttingen: Steidl, 2002. OLn. m. OU. 192 S. m. s/w. Fotografien. - 31 x 30. * Neuwertig. - Text in Englisch. - Fabrikfotografien von 1979 - 1995 in Ohio, Cleveland, Chippewa Falls, Boston, New York und Omaha.