Rays laugh (50 resultados)

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.

Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: very_good. Book has little sign of wear or use.

Soft cover. Condición: Very Good. No Jacket. Crease to lower right front wrap/.

Paperback. Condición: Very Good +. None as issued. Clean, solid copy with unmarked text. Cover has mild wear to surface and corner tips. Binding is tight and square; no creases to spine or cover. We are unable to ship oversize books and multi-volume sets internationally.

Paperback. Condición: New.

Paperback. Condición: New. In 1996, a book of photographs by an unknown young British photographer was launched on to the London contemporary art market to immediate popular and critical success. The pictures were taken within the claustrophobic, chaotic interior of a Birmingham council flat where the photographer's father, Ray, an alcoholic, lived with Liz, his sedentary and occasionally violent mother, and his younger brother Jason.For the public, including cultured, art-loving viewers, the pictures were a shock: more intimate, more personal, more oppressive than the well-meaning photojournalistic study of working-class poverty to which they were accustomed. Some saw them as a betrayal - exposing unsuspecting family members to potential humiliation - but from Richard Billingham's point of view they made moral judgements and had no social or political purpose. He had taken them as reference images for his painting, and their lives as artworks were as much a result of the interventions of other editors and gallerists as of Billingham's own intentions.This reader traces the history of a body of work which remains as vital and provocative as on its first release, and whose story tells us much about the workings of art, publishing, and the politics of dissemination. Editor Liz Jobey charts the history in a new essay drawing on interviews with Billingham and all the primary protagonists of the work's emergence, including Michael Collins, Julian Germain, and Paul Graham. This is followed by an extensive selection of conversations and essays from 1996 to the present day, by writers including Charlotte Cotton, Gordon Burn, Lynn Barber, and Jim Lewis.…

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback / softback. Condición: New. New copy - Usually dispatched within 2 working days.

Paperback. Condición: Very Good. The inside cover has a gift inscription signed by the author (?) The cover has a light crease running down the front near the spine. 288 pages. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown. Size: Size D: 7"-8" Tall (177-203mm). …

Paperback. Condición: New. In 1996, a book of photographs by an unknown young British photographer was launched on to the London contemporary art market to immediate popular and critical success. The pictures were taken within the claustrophobic, chaotic interior of a Birmingham council flat where the photographer's father, Ray, an alcoholic, lived with Liz, his sedentary and occasionally violent mother, and his younger brother Jason.\n\nFor the public, including cultured, art-loving viewers, the pictures were a shock: more intimate, more personal, more oppressive than the well-meaning photojournalistic study of working-class poverty to which they were accustomed. Some saw them as a betrayal exposing unsuspecting family members to potential humiliation but from Richard Billingham's point of view they made moral judgements and had no social or political purpose. He had taken them as reference images for his painting, and their lives as artworks were as much a result of the interventions of other editors and gallerists as of Billingham's own intentions.\n\nThis reader traces the history of a body of work which remains as vital and provocative as on its first release, and whose story tells us much about the workings of art, publishing, and the politics of dissemination. Editor Liz Jobey charts the history in a new essay drawing on interviews with Billingham and all the primary protagonists of the work's emergence, including Michael Collins, Julian Germain, and Paul Graham. This is followed by an extensive selection of conversations and essays from 1996 to the present day, by writers including Charlotte Cotton, Gordon Burn, Lynn Barber, and Jim Lewis. This book coincides with the release of a new edition of Ray's a Laugh restoring Billingham's original vision for the book. \n\nDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, an idea, or another individual across an extended text. Explore the full series here.\n\n\n\nPaperback with flap\n12.5 x 19.5cm, 104 pages\n\nISBN 978-1-915743-36-7.…

paperback. Condición: New. Prima edizione (First Edition). Testi di Liz Jobey, con contributi di  Michael Collins, Julian Germain, Paul Graham, Charlotte Cotton, Gordon Burn, Lynn Barber e Jim Lewis. Fotografie a colori di Richard Billingham . Cm 19,5x12,5. pp. 160. . Nuovo (New). . Prima edizione (First Edition). . Nel 1996, un libro di fotografie di un giovane fotografo britannico sconosciuto è stato lanciato sul mercato dell'arte contemporanea di Londra con un immediato successo di pubblico e di critica. Le immagini sono state scattate all'interno di un appartamento popolare di Birmingham, claustrofobico e caotico, dove il padre del fotografo, Ray, alcolizzato, viveva con Liz, la madre sedentaria e a volte violenta, e il fratello minore Jason. Per il pubblico, compresi gli spettatori colti e amanti dell'arte, le immagini furono uno shock: più intime, più personali, più opprimenti del benintenzionato studio fotogiornalistico sulla povertà della classe operaia a cui erano abituati. Alcuni le hanno viste come un tradimento, esponendo gli ignari membri della famiglia a una potenziale umiliazione, ma dal punto di vista di Richard Billingham esse esprimevano giudizi morali e non avevano alcuno scopo sociale o politico. Le aveva prese come immagini di riferimento per la sua pittura e la loro vita come opere d'arte era il risultato degli interventi di altri editori e galleristi, oltre che delle intenzioni di Billingham stesso.Questa lettura traccia la storia di un'opera che rimane vitale e provocatoria come alla sua prima uscita e la cui storia ci dice molto sul funzionamento dell'arte, dell'editoria e della politica di diffusione. La curatrice Liz Jobey ne traccia la storia in un nuovo saggio che si avvale di interviste a Billingham e a tutti i principali protagonisti della nascita dell'opera, tra cui Michael Collins, Julian Germain e Paul Graham. Segue un'ampia selezione di conversazioni e saggi dal 1996 a oggi, scritti da scrittori come Charlotte Cotton, Gordon Burn, Lynn Barber e Jim Lewis. Questo libro coincide con l'uscita di una nuova edizione di Ray's a Laugh che ripristina la visione originale di Billingham.…

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This new edition of Rays a Laugh restores Richard Billinghams original vision for his ground-breaking and deeply personal photobook, including many unseen images and a distinct approach to sequencing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. In 1996, a book of photographs by an unknown young British photographer was launched on to the London contemporary art market to immediate popular and critical success. The pictures were taken within the claustrophobic, chaotic interior of a Birmingham council flat where the photographer's father, Ray, an alcoholic, lived with Liz, his sedentary and occasionally violent mother, and his younger brother Jason.For the public, including cultured, art-loving viewers, the pictures were a shock: more intimate, more personal, more oppressive than the well-meaning photojournalistic study of working-class poverty to which they were accustomed. Some saw them as a betrayal - exposing unsuspecting family members to potential humiliation - but from Richard Billingham's point of view they made moral judgements and had no social or political purpose. He had taken them as reference images for his painting, and their lives as artworks were as much a result of the interventions of other editors and gallerists as of Billingham's own intentions.This reader traces the history of a body of work which remains as vital and provocative as on its first release, and whose story tells us much about the workings of art, publishing, and the politics of dissemination. Editor Liz Jobey charts the history in a new essay drawing on interviews with Billingham and all the primary protagonists of the work's emergence, including Michael Collins, Julian Germain, and Paul Graham. This is followed by an extensive selection of conversations and essays from 1996 to the present day, by writers including Charlotte Cotton, Gordon Burn, Lynn Barber, and Jim Lewis.…

hardcover. Condición: New. Fotografie a colori di Richard Billingham . Cm 31x23,5. pp. 320. . Nuovo (New). . Nuova edizione Mack rivista e aumentata (New Mack revised and Augmented Edition). . Pubblicato per la prima volta nel 1996 con enorme successo, Ray's a Laugh di Richard Billingham è uno dei libri fotografici più significativi della fine del XX secolo, nonché un'opera fondamentale per la generazione dei giovani artisti britannici. Costituito da immagini molto intime della caotica casa dei genitori di Billingham piegati da alcolismo e povertà, il libro è stato realizzato negli anni Novanta insieme i curatori Michael Collins e Julian Germain. Questa nuova edizione restituisce per la prima volta la visione originale di Billingham su questo suo lavoro profondamente personale. Include numerose immagini inedite e un approccio alle sequenze influenzato dalla formazione pittorica dell'autore.La pubblicazione di questa nuova edizione è accompagnata da Ray's a Laugh: A Reader, a cura di Liz Jobey, che ripercorre l'avvincente storia del libro dalla "scoperta" di Billingham all'Università di Sunderland, passando per la candidatura al Turner Prize, fino all'attuale edizione rielaborata. Nuova edizione Mack rivista e aumentata (New Mack revised and Augmented Edition).…

Hardcover. Condición: Near fine. Estado de la sobrecubierta: fine. First thus. Books on Books No 18. Reproduces the Scalo 1996 first edition of this seminal work. 55 plates (including one previously unpublished). With essay to rear by curator Charlotte Cotton. Parr & Badger, The Photobook: A History, Volume II. A small bump to hd of spine, otherwise appears all but unused.…

Hardcover. Condición: new. Hardcover. This new edition of Rays a Laugh restores Richard Billinghams original vision for his ground-breaking and deeply personal photobook, including many unseen images and a distinct approach to sequencing. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Soft cover. Condición: Good. The pages are unmarked, in very good condition and tightly bound. No creasing but some sunning on the spine. Soft crease at the top corners of the front and rear covers of this lightly read book. Mailed the same or next working day in a cardboard book box.

Hardcover. Condición: Very Good. Former library book in very good condition. 112pp with colour photographs.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. In great shape, clean text, tight binding, no stickers, Dust jacket wrapped in mylar.

Hardcover. Condición: As New. No Jacket (As issued). 1st Edition Thus. In stock in Ireland - PICTORIAL HARDBACK - very good condition - boards are clean and tight - spine is uncreased and the spine text is clear - page block is clean and tidy - 2024 edition - This new edition of Ray's a Laugh restores Richard Billingham's original vision for his ground-breaking and deeply personal photobook, including many unseen images and a distinct approach to sequencing.…

Hardcover. Condición: New. Signed by the Photographer, This signed edition includes a slip signed by the artist and glued into the inside back cover.\n\nFirst published in 1996 to enormous acclaim, Richard Billingham's Ray's a Laugh is one of the most significant photobooks of the turn of the twentieth century, as well as a cornerstone work of the Young British Artists generation. Formed of starkly intimate images of Billingham's often chaotic parental home under the heavy effects of alcoholism and poverty, the book was produced in the 1990s with editors Michael Collins and Julian Germain. This new edition restores Billingham's original vision for his deeply personal work for the first time. Including numerous unseen images and a distinct approach to sequencing inflected by Billingham's training as a painter: it constitutes a 'director's cut' and reintroduces a vital and consistently challenging work for a new era.\n\nThe publication of this new edition is accompanied by Ray's a Laugh: A Reader, edited by Liz Jobey, which traces the book's compelling history from Billingham's 'discovery' at Sunderland University, through his Turner Prize nomination, to the present reworked edition. \n\nEmbossed linen hardcover\n23.4 x 31cm, 320 pages\n\nISBN 978-1-915743-32-9.…

Hardcover. Condición: Near Fine. Book is in near fine condition. 112pp with colour photographs.

Condición: Good. Good in a Good dust jacket; Hardcover; Dust jacket is heavily rubbed and edge-worn with one minor edge-tear, but is overall good and intact, and has not been price-clipped (Now fitted with a new, Brodart jacket protector); Moderate wear to the boards; Unblemished textblock edges; The endpapers and text pages are all clean and unmarked; Excellent binding; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 1.7 lbs; Photo illustration to the dust jacket with title in white lettering; 1996, Distributed Art Publishing Inc; 112 pages; "Ray's a Laugh," by Richard Billingham. …

Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Dust jacket placed in mylar for preservation. Moderate loosening to binding. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Acceptable. Secure packaging for safe delivery.

Hardcover. Condición: new. Hardcover. This new edition of Rays a Laugh restores Richard Billinghams original vision for his ground-breaking and deeply personal photobook, including many unseen images and a distinct approach to sequencing. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. Black cloth boards with white lettering to front and spine. One very small mark on front.

Hardcover. Condición: As New. 1st Edition. This is the larger reprinted version published in 2024 of the seminal & very influential book by Richard Billingham documenting his parents in their home environment. The book is signed and remains in the publisher's original combustible wrapping. Heavy book, so could incur supplementary charges for any overseas delivery. Signed by Author(s).…