Perception cognition music (94 resultados)
Abstracts (9th International Conference on Music Perception and Cognition: 6th Triennial Conference of the European Society for the Cognitive Sciences of Music)
Edited by Mario Baroni, Anna Rita Addessi, Roberto Caterina, Marco Costa
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Paperback. Condición: Good. Estado de la sobrecubierta: No Jacket as Issued. BV2 - A prima edizione paperback book in good condition that has some bumped corners, wrinkling, and crease, cocked, wrinkling, chipping and peeling on the cover edges and corners, writing on some inside pages, light discoloration and shelf wear. Abstra…cts (9th International Conference on Music Perception and Cognition: 6th Triennial Conference of the European Society for the Cognitive Sciences of Music), Alma Mater Studiorum, University of Bologna - Italy, August 22-26, 2006. 9.5"x6.75", 588 pages. Satisfaction Guaranteed. Size: 8vo - over 7¾" - 9¾" tall.
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Paperback. Condición: Very Good. The Psychology of Music (Cognition and Perception) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and loo…ked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.
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Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
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Hardback. Condición: New. Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne and the Université de Montréal, originally published in French.The book bridges the fields of music psychology, music theory, and musi…c analysis by way of a consideration of several aspects of music listening through the lens of cognitive psychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams depend on how the incoming information is organized. Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice. The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical event structures in listeners' minds. Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists, and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment. Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs.
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Hardcover. Condición: new. Hardcover. Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Universite Paris-Sorbonne and the Universite de Montreal, originally published in French.The book bridges the fields of music psychology, music theo…ry, and music analysis by way of a consideration of several aspects of music listening through the lens of cognitivepsychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams dependon how the incoming information is organized.Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice. The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical eventstructures in listeners' minds. Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists,and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment. Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs. Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Universite Paris-Sorbonne and the Universite de Montreal, originally published in French. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardback. Condición: New. Perception and Cognition of Music: The Sorbonne Lectures presents revised and updated materials delivered in four distinguished lectures at the Université Paris-Sorbonne and the Université de Montréal, originally published in French.The book bridges the fields of music psychology, music theory, and musi…c analysis by way of a consideration of several aspects of music listening through the lens of cognitive psychology. Auditory grouping processes play a role in organizing the continuous incoming sensory information into events, streams of events, and segments of streams that form musical units. Perceived properties of events and streams depend on how the incoming information is organized. Special attention is given to timbre as an understudied musical parameter, which can be a strong structuring force and form-bearing element in music through orchestration practice. The development of systems of abstract knowledge built on different musical parameters within a given culture focuses on the cognitive processing of pitch systems and structures and their role in the mental representation of hierarchical event structures in listeners' minds. Finally, given that music is a temporal art par excellence, the temporality of music listening is explored through a collaborative project involving a composer, psychologists, and musicologists around the conception and creation of a musical work and the perception and affective response it engenders in a live-concert experiment. Each chapter concludes with elements for reflection to expand the necessary transdisciplinary approach that music scholarship needs.
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hardcover. fest gebunden. Condición: Sehr gut. 461 p. In very good condition. ISBN: 0863774520 Sprache: Englisch Gewicht in Gramm: 878.
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