Native muse (45 resultados)

Hardcover. Condición: Good.

Paperback. Condición: Very Good. Pages unmarked, clean. Binding firm. Surface and edge wear.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good-. First Edition. Volume I only.

1982. North America, Native Americans, Art. Museum of the American Indian, 95 p., very good to good+ paperback.

Hardcover. Condición: Very Good. hardback in very good condition. signed & inscribed by author. no dust jacket. Signed by Author(s).

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. DJ has stain on front, closed tears & edge wear, ship by MediaMail. Inscribed by Author(s).

Paperback. Condición: Very Good +. Tight, and unmarked save for ex libris label. Next to no wear or soiling to white card wrappers. Spine creased.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Very Good +. Estado de la sobrecubierta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy. (Volume 1).

Hardcover. Condición: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDName ffep else very good.

Paperback. Condición: Very Good. FIRST THUS. First Edition Thus, First Printing. Not price-clipped. Published by E P Dutton, 1976. Octavo. Paperback. Book is very good. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.…

Hardcover. Condición: Very Good. 1st Edition. [Vol 1 Only] VG, unmarked HB; DJ-VG.

Hardcover. First edition. 465pp. Near new condition, covers bright, text clean and binding tight in a like dust jacket which is now in a clear protective mylar sleeve.

Unknown Binding. Condición: Very Good. NAL/Dutton. Unknown Binding. Very Good.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

hardcover. Condición: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. First edition. Fine in very good dust jacket with a few small tears around the extremities.

Condición: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Schwarzfuss-Indianer Winteranzug Karl-May-Museum Radebeul nach 1965 postalisch nicht gelaufen.

Softcover. Condición: Very Good. First paperback edition. 453pp. A bit of curling, creases on the spine, very good.

Condición: Fine. RUA10707928.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 376 | Sprache: Englisch | Produktart: Bücher | Hellenistic poets opted and were very likely expected to deal meaningfully, and perhaps competitively, with the tradition they inherited. They also needed to secure the goodwill of actual or potential patrons. Apollonius, the author of a novel heroic epic, eschews references to literary polemics and patronage. Callimachus often adopts a polemical stance against some colleagues in order to suggest his poetic excellence. Theocritus chooses a third way, which has not been investigated adequately. He avoids antagonism but ironizes the theme of poetic excellence and distances himself from the tradition of competitive success. He does not cast his narrators as superior to predecessors and contemporaries but stresses the advantages and merits of colleagues. This rejection of conceit is connected with a major strand in Theocritean poetry: the power of word, including song, to provide assistance to characters in distress is a major open issue. Language is versatile and potent but not all-powerful. Song gives pleasure but is not a panacea while instruction and advice are never helpful and may even prove harmful. Most genuine pieces are ambiguous and open-ended so that the aspirations of characters are not presented as doomed to failure.…

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Hellenistic poets opted and were very likely expected to deal meaningfully, and perhaps competitively, with the tradition they inherited. They also needed to secure the goodwill of actual or potential patrons. Apollonius, the author of a novel heroic epic, eschews references to literary polemics and patronage. Callimachus often adopts a polemical stance against some colleagues in order to suggest his poetic excellence. Theocritus chooses a third way, which has not been investigated adequately. He avoids antagonism but ironizes the theme of poetic excellence and distances himself from the tradition of competitive success. He does not cast his narrators as superior to predecessors and contemporaries but stresses the advantages and merits of colleagues. This rejection of conceit is connected with a major strand in Theocritean poetry: the power of word, including song, to provide assistance to characters in distress is a major open issue. Language is versatile and potent but not all-powerful. Song gives pleasure but is not a panacea while instruction and advice are never helpful and may even prove harmful. Most genuine pieces are ambiguous and open-ended so that the aspirations of characters are not presented as doomed to failure.…