don quijote mancha de cervantes saavedra, Ejemplar firmado (18 resultados)

Orig.Leinen geb. gr.8° (guter Zustand) 1055 S. mit Zeichnungen von Gerhart Kraaz, ( von Gerhart Kraaz auf Vs.Bl. signiert ) schöne Ausgabe des Don Ouijote.

Early nineteenth century American signed binding. VOLUME III ONLY of a five volume set. i-viii, 1-350 pages. Hardcover: H 18.75cm x L 12cm. Mid-nineteenth century half leather binding; spine leather darkened but decorated with five raised bands delineating six compartments; spine's dark brown title label and green volume# label retain bright gilt lettering; shallow wear/scuffing at spine ends; marbled paper over boards with scuffed leather corners. All edges marbled. Marbled endpapers; large mid-20th century geometric personal bookplate of Little Rock, Arkansas collector Warren Baldwin on front pastedown with early 19th century small circular purple ticket "Bound by Akerman, Providence." discreetly affixed at top left (likely Providence, Rhode Island bookbinder and bookseller Charles Akerman, 1812-1879; ticket's style and type is very much in the style of early 1800s British binders; binding itself reflects work typically seen in Edinburgh and London shops rather then contemporary American efforts so perhaps there is some possibility that the Akerman ticket should be in his role as a bookseller than bookbinder; Brown University's archival collections indicates that Akerman took on an apprentice in 1854 so obviously he was already well established but clearly was too young to be binding books in 1822 when this specific volume was published). Warren Baldwin ink stamp dated "190-" at top of page 1; a few pencil markings amongst text with some foxing and scattered small stains. Binding is firm.

Hardcover. Condición: Fine. Ricart, Enric c. - illustrator Ilustrador. translated and introduced by John Ormsby -- number 1,441 of 1,500 copies, both volumes are signed by the illustrator, spines of both volumes are lightly faded --this is usually described as sun-faded, but it's probably due to the cloth or glue used, otherwise in fine condition with a worn, numbered slipcase. Signed by Illustrator(s).

Walter Crane Ilustrador. xii, 245, [1] pp. Color frontispiece, title-page, 10 full-page color plates and 19 half-page b/w illustrations to text by Walter Crane. Publisher's cream paper-over-boards, titled in gilt on front cover and spine, decorated trade edition covers and spine bound-in at front; small tear at lower spine, else fine in custom cloth chemise and slipcase No. 97 of 100 copies on Japanese vellum signed by Edward A. Parry.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Slipcase, no jacket. Ricart, Enric Ilustrador. Limited Edition. Two quarto volumes in near fine condition, bound in cloth-backed decorated boards. Red cloth spines, mildly sun-faded, with gilt title and volume numbers. Bookplate of St. Mary of the Woods College Library. Deckled edges. Translated and with an introduction by John Ormsby. Illustrated with many full-page wood engravings by Enric C. Ricart. Numbered limited edition, #1114 of 1500, signed by the illustrator. Original slipcase in fair condition, with 1"-1.5" closed tears along three of the open-facing edges, and abrasions along top and on sides. Signed by Illustrator(s).

Hardcover. Condición: Near fine. Limited Edition. Large octavo. 8.75 x 11 in. 506 pp.; 527 pp. Translated by John Ormsby. Near fine in the original decorative boards with brick-hued cloth bindings that have mild fading, and a fair slip case that has wear and tear along the edges and the title block. The bindings are firm and the pages are clean and free of foxing or other marks. Each volume contains the original glassine wrappers, as well as glassine insert on the title pages. From a limited edition of 1,500 copies, of which this is copy No. 523. Each copy is signed by the illustrator. This set includes the original mailer sent out to LEC members, dated Setember 1933. Heavy volumes, the size and weight of this copy may require additional shipping costs.

Decorative Boards. Condición: Very Good. Enric C. Ricart Ilustrador. A solid example of the 1933 1st thus, complete in 2 volumes and slipcase. #957 OF 1,500 COPIES ISSUED SIGNED BY THE ILLUSTRATOR ENRIC C. RICART at the limitation AND "PRINTED ON GUARRO PAPER BY OLIVA DE VILANOVA IN BARCELONA". Both volumes tight and VG in their patterned dark and yellow boards over red cloth, with mild darkening along the spines and a very small closed tear along Vol. 1's spine crown. Quartos, deckled fore and bottom-edges, wonderful etched illustrations throughout by Enric C. Ricart. The 2 volumes housed within a Good only example of the publisher's printed slipcase, with the top panel missing and light wear along the bottom-edges and at the foot of the spine. Still though, presentable and very functional in its protection of the 2 volumes.

Hardcover. Condición: Near Fine. Illustrated by Enric C. Ricart Ilustrador. There are some chips to the glassine covers, but they have preserved their purpose of protecting the decorated boards and cloth spine with bright gilt lettering. ; A Rare set, 2 volumes, in Near Fine condition. Limited edition, number #138 out of 1500 signed by the illustrator. Glassine covers for both volumes. Slipcase is in Very Good condition - some minor shelf wear, intact, with paper label on spine and #138 at bottom. Tissue guards for each plate. Deckled pages. A heavy set. Because of weight or size of some books, additional postage may be required. We will notify you if it is necessary to charge you an additional amount. You will then have the option of cancelling the order. ; Wood block print; 4to 11" - 13" tall.

CERVANTES SAAVEDRA, Miguel de Ilustrador. First English edition of the unauthorized fifth book of Don Quixote, by the author of the unauthorized second book. Translation is attributed to Brigg Fountine. Presentation copy from the translator on title-page of volume one which reads "From the translator to Mrs Esdaile by Brigg Fountaine Esqr". Three twelvemo volumes (7 x 4 inches; 177 x 101 mm). [2], 4, xliv, 219, 300-340; [2], 4, 286; [2], 4, 233, [1, blank]pp. We could find no other copies of this at auction. Contemporary speckled calf, rebacked with most of original spines. Boards tooled in gilt. Spines stamped in gilt and lettered in blind. Board edges tooled in blind. Top edges dyed brown, others speckled red. With some rubbing to boards and corners. Some occasional light foxing. Previous owner Edmund Esdaile, decedent of the recipient of the inscription's modern ink signature and notes to front free endpaper of each volume. Overall a very good set. "Brigg Fountaine, Esq., who died in 1825, in his 82nd year, was well learned in the ancient and modern languages, and passionately fond of music. In 1805 he published a translation of Don Quixote." (Genuki Norfolk). "Don Quixote was first printed in Madrid in 1605. It was an immediate successâ "the first edition quickly sold out, and new ones were printed both in Spain and throughout Europe. When Cervantes wrote the 1605 Don Quixote, it was not at all clear that it would be the first of a two-volume set. At the end of the frame story- a pseudo-historical, metafictional narrative of how this 'true' tale came to light- a scholar has uncovered documents concerning Quixote's continued adventures and hopes to eventually publish them. However, Cervantes's final words are forse altro cantera con miglior plettro, or, 'perhaps someone else will sing with a better plectrum [pick for a musical instrument]." This could be interpreted as an invitation for another author to continue Quixote's story. Nine years later, someone did: Segundo Tomo del Ingenioso Hidalgo Don Quixote de la Mancha was released in 1614, authored by an Alonso Fernandez de Avellaneda- a nom de plume whose identity remains a mystery to this day. Given the ambiguity of the novel's conclusion, the passage of several years with no sequel, and the lucrative endeavor that a second Quixote book was sure to be, it's understandable that another writer would throw his hat into the ring. However, the book's unauthorized nature and its preface's personal attacks on Cervantes earned the ire of Don Quixote's creator and eventually the disparaging label of 'the False Quixote.'Unbeknownst to Avellaneda, Cervantes was writing his own Quixote continuation, which he finished the following year. His Part II contains several references to Avellaneda, none of them kind. Cervantes learned from his 1605 mistake and closed out his Part II with no room for further sequels. Not only does he kill Quixote, he has a notary arrive to corroborate it. Not surprisingly, the demand for Avellaneda's novel has not held up well over time, though Nabokov, of all people, found it to have some merit, suggesting it was 'kinder' and 'more humane' than Cervantes's version, which he deemed brutal and cruel. Cervantes's two parts were frequently reprinted and were first translated into English in 1612 and 1620, respectively. Avellaneda's text, on the other hand, was not translated until much later, in 1705, so it received the misleading descriptor 'Third Volume.'" (The Case of the False Quixote By Meredith Mann, NYPL). HBS 68981. $1,500.

A lovely copy of this miniature edition. Contemporary brown leather Simier of Paris signed Cathedral Binding, with profuse gilt decoration and armourial crest to the boards. Gilt design, titles and windmill to the spines. This binding is identical to one part of the British Library Charles Ramsden Collection of Signed Bindings. (See BL Shelfmark c150k11) A little rubbing to the bindings, with slight loss of gilt, but overall, in excellent condition. The hinges have been professionally restored at some point, in a way that is barely noticeable. Marbled end papers. Illustrated with 11 plates engraved by E Stalker (including Frontis) and a folding hand-colored map. Complete. Half title to each volume, and an engraved title on glossy paper, and a second engraved title. Vol. 1 has a frontispiece portrait of Cervantes, (portrait of Cervantes engraved by E. Stalker after José del Castillo's design). and 5 engraved plates. It ends with the beautiful miniature hand coloured map, showing Don Quixote s travels. Volume 2 offers 5 engraved plates. Inside, the books are in very good condition, but with a little darkening and moderate foxing to the pages. Still a very nice copy. This was the second edition of Don Quijote by Ferrar. The first was in one volume, this edition allowed better line spacing, and two extra plates. Originally issued in paper wrappers, this luxurious binding adds greatly to the attractiveness of this work. Nb. Many sources quote STAKKER as the engraver, but a close look at the engravings shows that it is E. STALKER. Christies commented in a recent auction that Ferrer was a great admirer of Cervantes and paid 30,000 francs in order to produce the first edition in miniature which includes his dedication to Cervantes after the title page. Collation: XX, 352, [ii], Map., XII, 378 pages. 125 by 80mm (5 by 3¼ inches). Palau, 25059; Rius, 89; Suñé, 96; Quixotes collector's manual, no. 41.1.

in-16 (8 X 12,5 cm), plein veau marron, dos à nerfs orné de filets et de deux fleurons dorés et mosaïqués en maroquin rouge et olive, large décor doré à la cathédrale sur les plats, portant au centre l'effigie en buste de Don Quichotte, dentelle dorée intérieure et sur les coupes, tranches dorées. 2 feuillets liminaires + XVII + 616 pages et 1 feuillet. Reliure signée Simier, relieur du Roi. (Quelques minimes rousseurs éparses). Rare première édition en un volume par Didot en caractères minuscules aux frais de Joaquin Maria de Ferrer, ancien président des Cortès. Elle est illustrée d'un portrait de l'auteur, d'un titre gravé sur bois, d'une carte à double page des voyages de Don Quichotte, et de 8 planches hors texte, sur chine monté,(9 gravures sur acier gravées par Stalker, d après l édition de 1797 de l'imprimerie royale). Les reliures à la cathédrale de Simier sont célèbres, spécialement sur ces petits Don Quichotte qui en sont revêtus. Très belle reliure romantique en superbe état de René Simier, qui fut « relieur du roi » sous la Restauration, et un petit bijou de typographie. Henrich, 79. Ford Lansing, p. 9. Brunet I-1750. Palau 52051. Rius 79. Suné 86. N°93 cat.Bardon .

2 vols. Large 4to. (29.5 x 22.5 cm). pp.xxxii+[2]+372; xii+398. Later calf spine over marbled boards, spines with gilt-ruled raised bands, gilt decorated compartments, and gilt lettering, sprinkled edges dyed yellow. 69 copper-engraved plates comprising a portrait of Cervantes by George Vertue as frontispiece to "The Life of Cervantes" and 68 numbered plates mostly most by Gerard van der Gucht after John Vanderbank. "Undoubtedly one of the noblest sets of engravings ever executed for Don Quixote" (Ashbee 39). Light rubbing to binding, some light toning and occasional light spotting, generally an excellent set. Jarvis's "major literary undertaking was an English translation of Cervantes' Don Quixote. Published posthumously first in 1742 and frequently reprinted, it is generally acknowledged as being close in spirit to the original" (ODNB). The superb engravings are mostly signed by John Vanderbank (1694-1739), painter and draughtsman. They were first used in the 1738 quarto edition of Don Quixote issued by the Tonsons in the original Spanish.

Wrappers. Condición: Good copy. ills Ilustrador. 4to. 276 pp. Firmado por Salvador Dalí: Dalí. 1965. Ofrecemos solo la segunda parte. Signed and dated by Dali, we offer only the second part.

Illus. by Tony Johannot, 9.5 x 6", 3/4 mottled calf, marbled boards and matching end papers, teg, 434, 534, 538pp, hinges a little loose, chipped and worn, covers rubbed with a slight edge stain on vol. 1 cover. EACH VOLUME BOLDLY INSCRIBED AND SIGNED BY MRS. HENRY FORD "Compliments of." AND ALSO SIGNED BY HENRY FORD. Wonderful presentation set from the Fords with a total of 6 signatures!.

First Edition. First Edition. Two volumes. Folio (17 x 12 inches). Extremely scarce in the Ashendene full pigskin binding which Ashendene procured W. H. Smith to expertly bind (signed on rear lower dentelle of volume two in gilt pallet: "Bound by W. H. Smith and Son," An impressive binding with five large raised bands extending slightly onto covers forming a triangle, six large raised bands and two extending out at top and bottom, six panels, two of which contain gilt-stamped lettering. Printed in Ptolemy type, designed for its first use by Emery Walker, in black and red, double column, shoulder notes in red, chapter headings in red beneath chapter numbers in black, two three-quarter page borders, 18-line and smaller initial capitals or opening words in a stylized black-on-white leaf and tendril pattern, designed by Louise Powell and cut on wood by W. M. Quick and G. H. Ford. All edges untrimmed. One of 255 copies, this in the original pigskin binding (Hornby 36). An aesthetic masterpiece. Im fine condition. Very scarce.

Encuadernación de tapa dura. Condición: Como Nuevo. Libro antiguo de coleccionista Don Quixote de la Macha de Miguel de Cervantes Saavedra ilustrado por Salvador Dalí. Unico ejemplar en todo el mundo firmado, datado, y con dibujo original de Salvador Dalí. Este libro esta encuadernado en tela, ilustrado con dibujos en blanco y negro y color por Salvador Dalí. Firmado por el autor.

Hardcover. Condición: Very good. First Illustrated Edition in English. Folio. 18], 616 [i.e. 612], [3] pp. A7 (3rd and 6th l. signed: A2), c2, B-R4, S3, T-2O4, 2P3, 2Q-4I4, 4K2. Translated by John Phillips. With copper-engraved frontispiece & 8 copper-engraved plates, each bearing two images. 19th century full calf, spine tooled & lettered in gilt, gilt inner dentelles; bound by J. Larkin. Plain endpapers. A very good copy. Light rubbing to the calf, frontispiece and title page expertly and nearly invisibly inlaid in paper frames with no loss of text, two of the plates with fore-edges remargined; minor, mostly marginal, foxing and soiling within. Overall a very attractive copy in a lovely example of the binder's art. Laid in are two 19th century manuscript notes from the Rev. Samuel Martin Mayhew of St. Paul's Vicarage to a Mr. Hopkins discussing the volume and translation. .

Engraved frontis. port. of Cervantes by Virtue, several engraved head-pieces, & 67 engraved plates. xxiii, [8], [xxv]-xxxii, vi, [2], 90, [14] (first leaf a blank), 355 pp.; xii, 388 pp. Two vols. Large 4to, cont. speckled calf (joints very expertly repaired), spines gilt, brown & green morocco lettering pieces on spines. London: J. & R. Tonson & R. Dodsley, 1742. First edition of this esteemed translation and a wonderful association copy; this set belonged to Edward Gibbon and bears his bookplate in each volume. Gibbon was known for the wide range of his reading and he refers to this work in several of his letters and writings. He clearly liked this text; he owned an Ibarra edition in Spanish (1782), two editions of Smollett's translation (1755 and 1770), and the present edition. Jarvis (1675-1739), was a portrait painter and translator. A part of the literary circle of Addison, Pope, and Swift, his stylized portraits of society ladies were very fashionable. Jarvis advised Sir Robert Walpole in forming his art collection and was appointed king's painter in 1723. "His major literary undertaking was an English translation of Cervantes' Don Quixote. Published posthumously in 1742 and frequently reprinted, it is generally acknowledged as being close in spirit to the original."-ODNB. The superb engravings are mostly signed by John Vanderbank (1694-1739), painter and draughtsman. They were first used in the 1738 quarto edition of Don Quixote issued by the Tonsons in the original Spanish. The 90 pages in Vol. I print the first English translation of Mayans & Siscar's important Life of Cervantes. Fine and handsome set with his fine armorial bookplate in each volume. Minor rubbing and wear to extremities.