Bringing opera life operatic acting (16 resultados)

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Librería: HPB Inc., Dallas, TX, Estados Unidos de AmericaHPB Inc.
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EUR 10,65
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hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

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Librería: ThriftBooks-Reno, Reno, NV, Estados Unidos de AmericaThriftBooks-Reno
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EUR 14,26
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Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
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EUR 14,26
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Hardcover. Condición: Fair. No Jacket. Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

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Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
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Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de AmericaThriftBooks-Atlanta
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EUR 14,26
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Hardcover. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
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- Primera edición
Librería: Books by White/Walnut Valley Books, Winfield, KS, Estados Unidos de AmericaBooks by White/Walnut Valley Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Muy bueno
EUR 19,01
Envío por EUR 4,17Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good. 1st Edition. Prentice-Hall, Englewood Cliffs, NJ. 1968. Hardcover. 5th Printing by Line Number. Book is tight, square, and unmarked. Book Condition: Near Fine; small bump to head; small bump to rear board fore edge; light soiling to text block top. DJ: Very…Good +; slight toning to spine; light bumping to head and tail. Black cloth boards and spine with bright white lettering on the spine and front board. 424 pp 8vo. This book is designed primarily for persons planning operatic careers either as singers of as directors of operatic productions. It stresses the interdependence of drama and music and discusses opera from the viewpoints of the singer, the stage director, and the intelligent listener. A clean very presentable copy in a Brodart mylar jacket.
Editorial: Appleton-Century-Crofts 1968
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Librería: Dorothy Meyer - Bookseller, Batavia, IL, Estados Unidos de AmericaDorothy Meyer - Bookseller
Contactar con el vendedorVendedor de 4 estrellasCondición: Usado - Bueno
EUR 9,77
Envío por EUR 6,11Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardcover. Condición: very good. Estado de la sobrecubierta: good. no additional printings listed . NOT an ex library book. 424 pages. Dust jacket has 1/4" chip, 1/2" tear, rubbing on black background.

Editorial: Appleton-Century-Crofts, New York 1968
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- Primera edición
Librería: North Books: Used & Rare, Manchester, NH, Estados Unidos de AmericaNorth Books: Used & Rare
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EUR 27,15
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Hardcover. First Edition. 8vo. 424pp. NEAR FINE in Very Good dust jacket. The book itself shows marginal shelf rubbing at the edges, otherwise is Fine/As New. The dust jacket shows slight shelf rubbing at the edges, some rubbing marks, head and heel of spine lightly chipped, otherwise is bright, colorful and distinct. As picture…d.
Más imágenesEditorial: Appleton-Century-Crofts
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- Firmado
Librería: ThriftBooksVintage, Tukwila, WA, Estados Unidos de AmericaThriftBooksVintage
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EUR 36,20
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Hardcover. Condición: Good. Estado de la sobrecubierta: Fair. Dust jacket in acceptable condition. SIGNED and inscribed by the author. Shelf and handling wear to cover and binding, with general signs of previous use. *** Signed by author, Boris Goldovsky *** Dust jacket torn and parts missing along spine, protected in a mylar co…ver for preservation. Pages are clean. Binding is secure. Secure packaging for safe delivery. signed and inscribed by author.

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- Primera edición
- Firmado
Librería: monobooks, Waterford, MI, Estados Unidos de Americamonobooks
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EUR 58,83
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Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. 1st Edition. First edition 1968, first printing, numbers line starts with 1. Inscribed to named person and signed by Author on ffep, dated 1975 Hardcover with DJ. Condition fine, square tight and clean book, no names no underlinings no highlights, no bent page co…rners, not a reminder, covers with very slightly bumped corners, no edgewear. DJ very good with slight shelfwear and edgewear, couple of very small tears at corners, no chips, not clipped. 8vo. 424 pages, index. Signed by Author(s).

Librería: -OnTimeBooks-, Phoenix, AZ, Estados Unidos de America-OnTimeBooks-
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EUR 19,68
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Condición: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipp…ed with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.
Más imágenesEditorial: New York: Appleton-Century-Crofts, (1968). (1968). 1968
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- Firmado
Librería: Blue Mountain Books & Manuscripts, Ltd., Cadyville, NY, Estados Unidos de AmericaBlue Mountain Books & Manuscripts, Ltd.
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 45,26
Envío por EUR 5,05Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Very good. New York: Appleton-Century-Crofts, (1968)., (1968). Very good. - Octavo, 9-1/2 inches high by 6-1/4 inches wide. Hardcover, bound in gray cloth, titled & decorated in white & gilt on the front cover and the spine, in a pictorial black dust wrapper. The dust jacket is rubbed with minor chipping to the head o…f the jacket's spine. x, [iv] & 424 pages, with musical notations. Very good. Presentation copy, inscribed & signed by the author Boris Goldovsky on the title page to Arthur B. Foye. The recipient, Foye, was a partner in Haskins & Sells, an international public accounting firm.
Más imágenesEditorial: Appleton-Century-Crofts, New York 1968
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- Firmado
Librería: Argosy Book Store, ABAA, ILAB, New York, NY, Estados Unidos de AmericaArgosy Book Store, ABAA, ILAB
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 45,26
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hardcover. Condición: very good. very good(-). Illustrated. x + 424 pages, 8vo, cloth, d.w.; cloth lightly rubbed at corners and spine ends, dust wrapper worn, dust wrapper worn, chipped along edges. New York: Appleton-Century-Crofts, (1968). A very good copy in a very good(-) dust wrapper. Presentation copy signed by author on…front free endpaper.

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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 96,67
Envío por EUR 6,11Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

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Librería: Wonder Book, Frederick, MD, Estados Unidos de AmericaWonder Book
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EUR 130,09
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Condición: Good. Good condition. Acceptable dust jacket. (Opera, Theater) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Editorial: New York, Appleton-Century-Crofts, 1968 1968
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Librería: Steven Wolfe Books, Newton Centre, MA, Estados Unidos de AmericaSteven Wolfe Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 67,88
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, Goldovsky, Boris, 1908-2001. Bringing opera to life. Operatic acting and stage direction. New York, Appleton-Century-Crofts, 1968, later printing, x, 424pp., worn dust-jacket chipped and frayed around edges, very good gray cloth, lightly scuffed foredge. INSCRIBED and SIGNED on front endpaper: April 1970 / For Helen Price / wi…th best wishes / Boris Goldovsky. CONTENTS: The language of the theater. The singer as actor ; Making the mechanics of performing automatic ; Thinking in character ; Developing the character ; La Traviata, act II : scene between Violetta and Father Germont ; Making thoughts and emotions visible ; Dramatic expressiveness ; Techniques of the proscenium stage - The language of music. Energy and mood ; informative devices ; Musical timing ; Musical form - The motivations of operatic characters. Reasons and urges ; The influence of music ; Motogenic ideas ; Repeated words and sentences ; Analysis of motivations in two operatic scenes ; Motivations and movement patters - Operatic pantomimes. Cavalleria rusticana : pantomime for Santuzza's entrance ; Don Carlo : pantomime preceding the aria "Ella giammai m'amò" ; The abduction from the seraglio : pantomime preceding the aria "Martern aller arten" ; The telephone : Ben's pantomime during Lucy's first aria ; Don Giovanni : Donna Elvira's pantomime during Leporello's catalog aria - The singing actor. Enunciating the text ; Vocal disguises ; Aria stagings ; The barber of Seville, act I : Rosina's cavatina "Una voce poco fa" ; Carmen, act II : The card song ; Rigoletto, act II : scene and aria "Ella me fu rapita" ; The masked ball, Act II : Renato's recitaive and aria "Eri tu" ; Don Giovanni : Leporello's catalog aria - Achieving musical accuracy. What causes musical mistakes ; Musical beats, signals and landmarks ; Problems of timing and intonation ; Secco recitatives ; Problems involving tempo changes ; Harmless tempo changes ; Tempo changes which require adjustments ; Difficult tempo changes ; The realities of an operatic career - Operatic stage direction. The role of the stage director ; How a stage composition is developed ; The marriage of Figaro, act II : the countess' cavatina - Vocal ensembles and choral scenes. Different types of ensembles ; Scenes with soloists and a chorus ; Large choral scenes - Various problems of staging opera. Orchestral introductions ; Achieving variety in actions, groupings, and stage positions ; When music and drama seem mismatched ; Dance sequences ; Asides and mistaken identities - Imaginative staging. Elaborations ; Transpositions ; Extentions.