Beggars opera de hogarth william (13 resultados)

No Binding. Condición: Good. Postcard in Good condition, unmailed, with writing on reverse. Cards are sent in stiff mailers. Photo.

Soft cover. Condición: Fine. No Jacket. 1st Edition. Here is " 'Among the Whores and Thieves', William Hogarth and 'The Beggar's Opera' ", Published in 1997 by the Yale Center for British Art. David Bindman and Scott Wilcox were the editors, and the text consists of seven Monographs by various authors. The book, a stiff paperback Exhibition Catalogue, was published on the occasion of an exhibition at the Yale Center for British art held from February 1 through April 6, 1997. This is the First Edition, now Out of Print - OP. The Yale Center for British Art keeps a copy in their Reference Library. "John Gay's 'The Beggar's Opera' was the theatrical sensation of 1728. Its underworld of prostitutes and thieves burlesqued the heroic visions of history and mythology offered by the reigning form of the Italian opera, as its simple songs offered a popular alternative to the Italian opera's florid arias and recitatives. Between 1728 and 1731, William Hogarth painted at least five versions of the scene from 'The Beggar's Opera' in which the imprisoned highwayman, Macheath, stands between his two wives while they appeal to their fathers to save him from execution." [This was excerpted from the Yale Center for British Art's web page on the Exhibition, for which thank you!] CONTENTS : * Hogarth's Paintings of "The Beggar's Opera" --- by Christopher Swan * Inscrutible Space: Hogarth on Stage --- by Jennifer L. Roberts * "Voluti in Speculum" : Spectatorship in William Hogarth's "The Beggar's Opera" --- by Romita Ray * Hogarth's "Beggar's Opera" Paintings and the Italian Opera --- by Diane Waggoner * Hogarth and Early Eighteenth-Century Punishment --- by Wendie Schneider * Hogarth's "The Beggar's Opera" and the Ideology of the Country Party --- by Andrew Jacobson * Hogarth, Boydell, Blake, and "The Beggar's Opera --- by Jessica Todd Smith SERIES : Exhibition Catalogue EXHIBITION DATES : February 1 to April 6, 1997 PLACE : Yale Center for British Art TITLE : Among the Whores and Thieves, William Hogarth and 'The Beggar's Opera EDITORS : David Bindman and Scott Wilcox INTRODUCTION : David Bindman IMPRINT : Yale Center for British Art / Lewis Walpole Library PLACE : New Haven, CT DATE : 1997 STATUS : Out of Print - OP DETAILS : Oversize paper-bound Catalog; size = 7 1/2" x 10"; color-pictorial wraps, glued ( on front) - on rear cover the illustration is monochrome - title printed in black on spine and front cover; contains numerous illustrations (mostly by Hogarth) produced in monochrome; contains seven monographs, an Introduction, notes [bibliographic and otherwise], for each individual essay; the Catalog of the Exhibition; 112 pages. CONDITION -- This is a previously owned book that remains clean, tight, and attractive : IN FINE CONDITION WITH NEGLIGIBLE SIGNS OF HANDLING. William Hogarth (ilustrador).…

Condición: Good. Prospectus. 8vo. 4 pp., Very Good, Soft Cover, with shelf wear. Illustrations.

Condición: Fine. [4] p.: illustrations; 22 x 28 cm. Undated prospectus for a limited edition of 350 copies of Hogarth's seven versions of his painting which illustrates act 3, scene 11, air 5 of John Gay's The Beggar's Opera, which was published in 1965 by Harvard University Press and Yale University Press. The portfolio was designed by Roderick Stinehour and was to be printed by the Stinehour Press. In Fine Condition: clean and bright.…

No Binding. Condición: Very Good. Size: Sheet size 33 x 52 cm, Print images excluding letters 24.5 x 19 cm (Beggar's Opera) and 21 x 18 cm (British Stage) Condition: Very good condition, light line of dirt in margin of A Just View. The prints have never been framed. Published by: Baldwin Cradock and Joy, 1835-1837 (original engravings c1728 and c1724) These prints are both copies of early 18th century engravings which were both for many years attributed to William Hogarth, the great British satirical artist. The Beggar's Opera print is now considered not to be by Hogarth. The prints are close copies of the existing prints, the original copper plates having been lost, made probably about 1800. Both prints are satirical views of the management of British Plays. The Beggar's Opera print is from an engraving made in 1728, the year The Beggar's Opera was first performed. See Paulson, Hogarth's Graphic Works 1989, page 34. The other print is fully titled "A Just View of the British Stage, or Three Heads are Better Than One", and Hogarth's original was engraved in 1724. It includes an engraved explanation. Both prints are vicious and complex in their satire, and further details and explanation can be found online and in Paulson's book. This copy of the prints is from the 1827 Baldwin Cradock and Joy publication of Hogarth's works.…

Unframed Print. Condición: Very Good. Hogarth's drawings and satirical scenes blend bold narrative invention with sharp social commentary, capturing 18th century life through lively characters, moral drama, and brilliantly observed comic detail. Five original steel engravings, page size approx. 22 x 30 cms. Note; These are true Victorian impressions, now 156 years old, showing the fine, incisive line characteristic of steel engraving. THERE IS MORE THAN ONE PICTURE OF THIS ITEM TO SHOW YOU MORE DETAILS. Size: 22 x 30 cms. Category: Prints by William Hogarth; PRINTS : Antiquarian Interest; William Hogarth; PRINTS : Historic Interest; Cosmo Books : 29 years on ABE, 47 years taking care of customers. A bookseller you can rely on.…

Softcover. Condición: As New. Heath Edition 1822. This is an Antique Engraving Print of "The Beggars Opera" and "A Just View of the British Stage, or Three Heads are Better than One", designed and engraved by William Hogarth from the original plates as restored by Heath, 1822. Taken from "The Works of William Hogarth, from the original plates as restored by James Heath Esq. R.A; with the addition of many subjects not before collected: to which are prefixed, A Biographical essay on the Genius and Productions of Hogarth and Explanation of the Subjects of the Plates" Many of these plates were formerly in the possession of Alderman Boydell; others belonged to Mr T. Cook, (who himself copied many of Hogarth's engravings;) others were purchased at various sales. The images are in a central column upon the page, within plate mark sized 285 x 480 mm. The overall page is sized 475 x 630 mm. The engraving is in excellent condition. Why on Amazon do most sellers not describe their actual item? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley Bookshop & Gallery CAMBO & PBFA (now lapsed) members here in Leicester City Centre UK Why on Amazon do most sellers not describe their actual book? Buy with confidence and support a genuine Independent Bricks & Mortar Real Bookshop. We are Maynard & Bradley CAMBO & PBFA(now lapsed) members here in Leicester City Centre. Heath Edition 1822. Size: 480 x 630 mm. 1 pages. Item Type: Antique Print. Illustrator: William Hogarth. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Art & Design; Engraving; Britain/UK; 18th century; Pictures of this item not already displayed here available upon request. Inventory No: 50048. William Hogarth (ilustrador).…

Condición: Good. Etching and engraving wove paper. 25 x 28 cm (plate). Very Good.The plate was originally published by Jane Hogarth. This version is from the 1822 Heath Edition.Literature: Paulson 276.

Condición: Good. 2 engravings on thick wove paper. 7 1/2 x 9 3/4 inches and 7 inches x 8 1/4 inches. No longer attributed to Hogarth by Paulson: no. 9 at p. 34. Now to Sympson, Very good condition, some foxing. Printed by G. Woodfall for Baldwin and Cradock, from the original plates, from The Works of William Hogarth by John Nichols.…

Condición: Good. Etching and engravings wove paper. 58 x 44 cm (sheet). Very Good, light scattering of foxing in the margin areas.

Condición: Good. Two engravings on one sheet 23 x 16.25 inches.

Radierung von T. Cook nach W. Hogarth, um 1820, 19x24,5 cm.

London: Boydell and Company, c.1795. Oblong large folio on wove paper (plate mark 583 x 455 mm on sheet 650 x 490 mm). An exceptionally fine, dark impression on bright paper, with the original wide margins untrimmed. § Third and best state (of seven, see below) of the single plate Blake engraved for Hogarth's Works, first published by Boydell in 1790, this state appearing in the second, undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake's richly detailed rendition of Hogarth's painting showing the famous scene in which Macheath the highwayman stands chained, under sentence of death, between his two lovers, the jailer's daughter Lucy Lockit, and the lawyer's daughter, Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley, BB, 475 I. Essick, CBI, XX.…