William hogarth after (72 resultados)

Cloth. Condición: VG. No Jacket. None Stated. 516 pp, b/w illustrations, the book and contents are solid and clean, the pages are lightly browned on the edge, the top of the page edges is gilded, the upper right corner of the front free endpaper has been clipped, the covers are tight and have light wear and soil. After Drawings of William Hogarth (ilustrador).…

Single sheet. Supplied with single sided sheet introduction to Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. A little spotting not affecting the image itself. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. Supplied with double sided sheet of the lines from Samuel Butler's satire on the Cromwellians and on the Presbyterian church written by a confirmed Royalist and Anglican. 26 x 20 cm.

Single sheet. To defend London from the 1745 Jacobite rebellion a vast Hanoverian army was billeted at Finchley. 26 x 20 cm.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Stated first edition, first impression with full number line. Some slight edge wear to top and bottom of jacket and spine, corners slightly rubbed and bruised, not price clipped (£20.00), no inscriptions, internally clean tight and square, overall a vg+ copy. 304pp, illustrated, map endpapers. THE THIEVES' OPERA tells the fascinating story of two men, Jonathan Wild and Jack Sheppard, who were as infamous in their time as Dick Turpin and the criminal underworld of early eighteenth century London which they inhabited. An elegantly written, engaging book of popular social history, illustrated with period engravings by Hogarth and others. Jacket after William Hogarth (ilustrador).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first impression with full number line. Some minuscule edge wear to top of jacket and spine, not price clipped (£18.99), no inscriptions, internally clean tight and square, overall a vg++ copy, looks unopened, unread. 204pp, illustrated. Mistress Peachum was Lavinia Fenton (Powlett, 1708-70), an eighteenth century actress who was the original Polly Peachum in John Gay's play 'The Begger's Opera' and became the Duchess of Bolton. Raised in a Charing Cross coffee house Lavinia nearly fell victim to the ambitions of her mother, who plotted the sale of her virginity to an elderly gentleman for two hundred pounds, but Lavinia was determined to live her life on her own terms. She became an actress, and though she was a newcomer to the stage when she was chosen to star as Polly, her combination of a sweet voice, a pretty face and a knowledge of the seamier side of London life made the role her own. Both Lavinia and the play were overnight sensations, but she enjoyed only a few months of fame before she caught the eye of the Duke of Bolton, a married, indolent and childless aristocrat. The Duke was determined to make her his mistress, and she agreed to elope with him, exchanging the rackety glamour of life as London's most celebrated actress for twenty years of retirement. Lavinia gave the Duke three sons, but when she was left a widow she chose her own way once more, and scandalously threw away their fortunes on her younger lover. Lisa Hilton's ebullient portrait of Lavinia Fenton's aspirational life is also a scintillating depiction of the age. With a cast of politicians and pickpockets, highwaymen and whores, it illuminates the relationship between the theatre and the social and political climate of eighteenth century London. Jacket after William Hogarth (ilustrador).…

Single sheet. Supplied with a single sided sheet of comment on the cartoon. 25 x 20 cm.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Stated first edition, first impression. SIGNED BY THE AUTHOR, IN BLACK PEN, ON TITLE PAGE. Some very slight edge wear to top and bottom of jacket and spine, not price clipped ($24.95), no other inscriptions, internally clean tight and square, overall a vg++ copy. 387pp. Realizing at the moment of his conviction for a crime he did not commit that someone is determined to see him dead and another to set him free, Benjamin Weaver works to expose a conspiracy with links to the coming election. Jacket by Beck Stvan after William Hogarth (ilustrador). Signed by Author(s). …

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first impression with full number line. Some slight edge wear to top and bottom of jacket and spine, spine faded, top corners slightly bruised, not price clipped (£25.00), no inscriptions, internally clean tight and square, overall a vg+ copy. 794pp, illustrated. The paintings and engravings of William Hogarth, the subject of this biography, have always been popular, but outside art history little is known about his life. He moved in the worlds of theatre, literature, journalism and politics, and found subjects for his work over the whole gamut of 18t -century London, from street scenes to drawing rooms, and from churches to gambling halls and prisons. Hogarth was made wealthy by his engravings for 'The Harlot's Progress', 'tThe Rake's Progress' et al, but remained highly critical of the growing gulf between the luxurious lives of the ruling elite and the wretched poverty of the masses. Swift described him as a 'pleasant rogue', and he numbered the likes of Pope and Horace Walpole among his friends. Quite a scarce book. Jacket and illustrations after William Hogarth (ilustrador).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. Revised Edition. First published in 1930, this is a first revised edition of 1956. Some edge wear to top and bottom of jacket and spine, corners slightly rubbed and bruised, considerable browning and spotting to back jacket, page fore edges and inside flaps, some spotting to prelims and endpapers, not price clipped (35/-), no inscriptions, internally cleanish, tight and square, overall a reasonable copy for its age. 249pp. Raymond William Postgate (1896-1971), was a socialist, author, journalist and editor, social historian, mystery novelist and gourmet, who founded the Good Food Guide. This is his biography of the radical journalist and politician John Wilkes (1725-97). Jacket after William Hogarth (ilustrador).…

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. First edition, first impression with full number line. Some slight edge wear to top and bottom of jacket and spine, corners very slightly rubbed, not price clipped (no published price), no inscriptions, internally clean tight and square, overall a vg+ copy. 418pp, illustrated. In 1732, a blasphemous burlesque of the Christian Atonement was published in England without comment from the government or the Church of England. In 'Hogarth's Harlot' Professor Ronald Paulson explains this absence of official censure through a detailed examination of the parameters of blasphemy in eighteenth century England and the changing attitudes toward the central tenets of the Christian Church among artists in this period. Discerning a profound spiritual and cultural shift from atonement and personal salvation to redemption, incarnation, and acts of charity and love, Paulson focuses on such influential factors as English anti popery and anti Jacobitism, as well as the ideas of the English Enlightenment. Offering imaginative and deeply informed readings of a wide range of artistic works, engravings by Hogarth, poems by Milton, Pope, Christopher Smart and Blake, plays by Nicholas Rowe and George Lillo, paintings and sculptures by Benjamin West, John Zoffany, Joseph Wright of Derby, and Louis François Roubiliac, and oratorios by George Frederic Handel, Paulson explores the significance of the medium in which artists produced 'sacred parody' and how these works both reflected and influenced attitudes toward the nature of Christianity in England. As England's faithful began to worry less about everlasting felicity in heaven and more about life on earth, these diverse artists provided them with new ways of thinking about both their spiritual and their social existence. Quite a scarce book. Jacket after William Hogarth (ilustrador).…

No Binding. Condición: Very Good. Size: Sheet size 33 x 52 cm, Print images excluding letters 24.5 x 19 cm (Beggar's Opera) and 21 x 18 cm (British Stage) Condition: Very good condition, light line of dirt in margin of A Just View. The prints have never been framed. Published by: Baldwin Cradock and Joy, 1835-1837 (original engravings c1728 and c1724) These prints are both copies of early 18th century engravings which were both for many years attributed to William Hogarth, the great British satirical artist. The Beggar's Opera print is now considered not to be by Hogarth. The prints are close copies of the existing prints, the original copper plates having been lost, made probably about 1800. Both prints are satirical views of the management of British Plays. The Beggar's Opera print is from an engraving made in 1728, the year The Beggar's Opera was first performed. See Paulson, Hogarth's Graphic Works 1989, page 34. The other print is fully titled "A Just View of the British Stage, or Three Heads are Better Than One", and Hogarth's original was engraved in 1724. It includes an engraved explanation. Both prints are vicious and complex in their satire, and further details and explanation can be found online and in Paulson's book. This copy of the prints is from the 1827 Baldwin Cradock and Joy publication of Hogarth's works.…

Hardcover. Condición: Good. BINDING: The two volumes are bound in half leather with gilt decoration to spine and gilt lettered label to each volume. CONDITION: Hinges cracked but covers holding; scuffing to covers; former owners name to front blank endpapers; the last two leaves of the first volume which contained the two plates: BEFOR & AFTER, have been stuck together without the plates. Occasional foxing, otherwise good. Illustrated with 86 Plates Plus Two Vignettes Title Pages (Without the Two Plates: Before & After). (ilustrador).…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 3rd Edition. First published as a two volume set in in 1965, this is a first impression of the reset and revised one volume third edition of 1989. SIGNED BY THE AUTHOR, IN BLACK BIRO, ON HALF TITLE PAGE. 479pp. Some edge wear to top and bottom of jacket and spine, some faint traces of sticky marks (coffee cup rings?) to front jacket, corners slightly bruised, some very faint spotting to page block and map endpapers, not price clipped (£150.00), no other inscriptions, internally clean tight and square, overall a vg+ copy. The third and substantially revised edition of Ronald Paulson's magisterial catalogue raisonne of all the engravings known to have been made or supervised by William Hogarth. With fabulous b&w plates of all the states of all the engravings. Indispensable to the art historian or dealer. A huge heavy book, extra postage may be required. Very scarce signed. Jacket and photoes after William Hogarth (ilustrador). Signed by Author(s).…

43.5x54.5 cm. Uncolored engraving in fair condition. Frayed and soiled at edges, bottom edge trimmed close, short tear at top of center fold into image, other short tears into edges have earlier mends. A restorable copy of a famous print, published on June 1, 1803 by G & J Robinson, depicting several members of the House of Commons, including James Oglethorpe and Archibald Grant, gathered in a room at the Fleet Prison for an investigation of Thomas Bambridge, warden of the prison, for the brutal treatment of prisoners, one of whom is shown at center wearing a punishment device, known as the collar, that fits around the neck and one or both hands. Another device, known as the sheers, is held by Grant, and another device, known as the skull cap, is held by Oglethorpe and two other committee members. Bambridge was subsequently tried at the Old Bailey for the murder of a prisoner and was acquitted.…

Condición: Good. Hand-colored engraving. 19 x 20 cm (sheet). Good, remains of glue along top sheet margin.

Condición: Good. Steel Engraving. 6.75" x 6". Good with light staining.

Condición: Good. Steel Engraving. 6.75" x 6". Good with light staining, perforations at margins.

No Binding. Condición: Near Fine. 1st Edition. Original Engraving, 22.5 X 14.8 Cm. Hogarth's Depiction Of The Imprisoned Wilkes, A Satirical Depiction Responding To Wilkes' Attacks On Hogarth In The North Briton. This Is The Original Print Of 1763, "W. Hogarth Del. 1763" And R. F" In Cursive Writing Just Beneath The Lower Corners Of The Image; Not The 1822 Reprint . Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album. Two Semicircular Dampstains At Top Edge.…

Condición: Good. Engraving. 12 x 7.5 cm (sheet). Good, light specks of foxing, minor surface soiling.

Condición: Good. Stipple and line engraving. 27 x 23.5 cm. (sheet). Very Good. Tape staining at top and bottom sheet edges. Book stitch holes at left and right sheet edges.