9798990629936 - movement research performance journal #57: work (6 resultados)
- Tapa blanda
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 17,01
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Issue 57 of the Movement Research Performance Journal (MRPJ) takes up the keyword work. Given that Movement Research has a history of being an organization of artists laboring for and with one another, we invited contributors to consider, revise, or push against questions like: how are thing…s working today? What is the condition of labor in the field of dance and performance? What does it mean to be or have a body that works, on which work is (or isnt) projected? How do idealizations of the laboring body and/or the ethos of collective practice relate to or obscure the lived experience of making dance works, working in dance, or balancing artistic production with the productive demands of ones so-called survival job? To work in dance (or the arts in general) is indisputably to be exploited. But the contributors to this issue both directly and obliquely take up the experience of working as both enervating and energizing (in often contradictory ways), and draw from their different experiences of working works uneven distribution across the globe, the abelism that belies works regimentation, and the on-going struggle to find solidarity among arts workers.More than thematically linked, the issues three sections also reflect a desire to address how this publication itself asks artists to work. Artist-run since 1990, the burden of administering a publication like the MRPJ was (perhaps) once outweighed by the promise of what this kind of project could do to shape the field of dance and performance. Today, that editorial and administrative labor dovetails all too well with what has become naturalized as an expectation of practicing artiststhat they write about what they are doing or want to do in grant applications, that they create content to be used both for educating and marketing to audiences, and that they develop a discourse that signifies the value of their work in relation to any number of fields other than dance.For Issue 57, the MRPJ editorial team (Josh Lubin-Levy, John Arthur Peetz, and Nicole Bradbury) gave the keyword work to three artists designated as Contributing Editors (nora chipaumire, Jerron Herman, and Alex Rodabaugh). nora, Jerron, and Alex were each invited to invite three to five other participants to join the discussion but also encouraged to pass on the administrative and editorial labor to the MPRJ staff.Issue 57 is only the beginning of thinking about how the structure of a journal on and by artists needs to adapt to an era in which content creation exists in overdrive. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 13,78
Envío por EUR 3,86Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
- Tapa blanda
Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 26,64
Envío por EUR 32,42Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Issue 57 of the Movement Research Performance Journal (MRPJ) takes up the keyword work. Given that Movement Research has a history of being an organization of artists laboring for and with one another, we invited contributors to consider, revise, or push against questions like: how are thing…s working today? What is the condition of labor in the field of dance and performance? What does it mean to be or have a body that works, on which work is (or isnt) projected? How do idealizations of the laboring body and/or the ethos of collective practice relate to or obscure the lived experience of making dance works, working in dance, or balancing artistic production with the productive demands of ones so-called survival job? To work in dance (or the arts in general) is indisputably to be exploited. But the contributors to this issue both directly and obliquely take up the experience of working as both enervating and energizing (in often contradictory ways), and draw from their different experiences of working works uneven distribution across the globe, the abelism that belies works regimentation, and the on-going struggle to find solidarity among arts workers.More than thematically linked, the issues three sections also reflect a desire to address how this publication itself asks artists to work. Artist-run since 1990, the burden of administering a publication like the MRPJ was (perhaps) once outweighed by the promise of what this kind of project could do to shape the field of dance and performance. Today, that editorial and administrative labor dovetails all too well with what has become naturalized as an expectation of practicing artiststhat they write about what they are doing or want to do in grant applications, that they create content to be used both for educating and marketing to audiences, and that they develop a discourse that signifies the value of their work in relation to any number of fields other than dance.For Issue 57, the MRPJ editorial team (Josh Lubin-Levy, John Arthur Peetz, and Nicole Bradbury) gave the keyword work to three artists designated as Contributing Editors (nora chipaumire, Jerron Herman, and Alex Rodabaugh). nora, Jerron, and Alex were each invited to invite three to five other participants to join the discussion but also encouraged to pass on the administrative and editorial labor to the MPRJ staff.Issue 57 is only the beginning of thinking about how the structure of a journal on and by artists needs to adapt to an era in which content creation exists in overdrive. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: Speedyhen, Hertfordshire, Reino UnidoSpeedyhen
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 12,12
Envío por EUR 48,06Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: NEW.
- Tapa blanda
Librería: Gazelle Books, Lancaster, LANCA, Reino UnidoGazelle Books
Contactar con el vendedorVendedor de 4 estrellasCondición: Nuevo
EUR 8,15
Envío por EUR 64,46Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 18 disponibles
Paperback. Condición: New. New Book, Direct from Publisher.
- Tapa blanda
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 14,16
Envío por EUR 61,05Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. Neuware.
