9788874391189 - baroque sculpture in rome: the art gallery series de angelini, alessandro (13 resultados)
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Librería: David's Books, ypsilanti, MI, Estados Unidos de AmericaDavid's Books
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Hardcover. Condición: Very Good. Gallery Of The Arts.
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Librería: WeBuyBooks, Rossendale, LANCS, Reino UnidoWeBuyBooks
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Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: As New. Unread book in perfect condition.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 19,23
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Condición: New.
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Librería: Timshala Books, Olathe, KS, Estados Unidos de AmericaTimshala Books
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EUR 16,56
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Hardcover. Condición: New.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. On the whole, when one thinks of seventeenth-century sculpture in Rome, one has in mind the wonderful and famous works of Gian Lorenzo Bernini, such as the Fountain of the Rivers or The Ecstasy of St. Theresa. The very idea of Roman baroque is commonly identified with the century's great genius. And ind…eed, the influence of Bernini's work on the sculpture and art in general of the period was, especially in Rome, decisive. However, this domination spread only during the second half of the seventeenth century, and less unequivocally than one might suppose. Other great sculptors, with personalities that were often very different from Bernini's, contributed to making the extraordinary proliferation of Roman statuary extremely complex and varied at that time.This book is aimed especially at students and museum visitors who would like to learn more about the topic and discusses the art in a straightforward and strictly chronological fashion. The narrative begins in the early decades of the seventeenth century with sculpture created by a motley and conspicuously cosmopolitan group of artists. Later, with the growing success of the great masters, commissions began to gravitate around Bernini, Alessandro Algardi, and François Duquesnoy. A new approach to Antiquity went hand in hand with a marked predilection for striking chromatic effects, borrowed from Venetian painting, and a desire to make a strong impact and achieve a particular tone, often with results of surprising originality. Taking the most up-to-date and best founded historiographic observations on the subject we have tried to highlight the workshop relationships between the great masters and the giovani, their pupils or occasional assistants, and in this way put into relief the experimental approach of some of these apprentices, such as Melchirro Caffà or Antonio Raggi, or the ability of certain others, for instance Ercole Ferrata, to fuse the most diverse influences. The book thus aims to show how marble and travertine were used throughout the century to create a whole army of statues that were positioned in the open and in churches, lending modern Rome its truly incomparable new face.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. annotated edition. 160 pages. 9.75x7.00x1.00 inches. In Stock.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Condición: As New. Unread book in perfect condition.
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EUR 19,97
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Librería: The Secret Book and Record Store, Dublin, DUB, IrlandaThe Secret Book and Record Store
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Hardcover. Condición: Good. Good condition, shelf wear.
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Librería: moluna, Greven, Alemaniamoluna
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Condición: New. A chronological survey of 17th-century Roman sculpture featuring masters such as Bernini alongside lesser-known important figures.KlappentextA fascinating chronological survey of seventeenth-century Roman sculpture featuring masters .
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 23,45
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Hardback. Condición: New. On the whole, when one thinks of seventeenth-century sculpture in Rome, one has in mind the wonderful and famous works of Gian Lorenzo Bernini, such as the Fountain of the Rivers or The Ecstasy of St. Theresa. The very idea of Roman baroque is commonly identified with the century's great genius. And ind…eed, the influence of Bernini's work on the sculpture and art in general of the period was, especially in Rome, decisive. However, this domination spread only during the second half of the seventeenth century, and less unequivocally than one might suppose. Other great sculptors, with personalities that were often very different from Bernini's, contributed to making the extraordinary proliferation of Roman statuary extremely complex and varied at that time.This book is aimed especially at students and museum visitors who would like to learn more about the topic and discusses the art in a straightforward and strictly chronological fashion. The narrative begins in the early decades of the seventeenth century with sculpture created by a motley and conspicuously cosmopolitan group of artists. Later, with the growing success of the great masters, commissions began to gravitate around Bernini, Alessandro Algardi, and François Duquesnoy. A new approach to Antiquity went hand in hand with a marked predilection for striking chromatic effects, borrowed from Venetian painting, and a desire to make a strong impact and achieve a particular tone, often with results of surprising originality. Taking the most up-to-date and best founded historiographic observations on the subject we have tried to highlight the workshop relationships between the great masters and the giovani, their pupils or occasional assistants, and in this way put into relief the experimental approach of some of these apprentices, such as Melchirro Caffà or Antonio Raggi, or the ability of certain others, for instance Ercole Ferrata, to fuse the most diverse influences. The book thus aims to show how marble and travertine were used throughout the century to create a whole army of statues that were positioned in the open and in churches, lending modern Rome its truly incomparable new face.
