9788323332602 - writing life: suffering as a poetic strategy of emily dickinson de smith, jadwiga; kapusta, anna (14 resultados)
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 17,43
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Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
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Librería: Midtown Scholar Bookstore, Harrisburg, PA, Estados Unidos de AmericaMidtown Scholar Bookstore
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EUR 17,97
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Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 26,47
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Condición: As New. Unread book in perfect condition.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 28,93
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Condición: New.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 31,29
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Paperback. Condición: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the…poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 35,09
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Paperback. Condición: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the…poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2013. Paperback. . . . . .
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 29,53
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Paperback. Condición: Brand New. 90 pages. 9.00x6.25x0.25 inches. In Stock.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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EUR 34,51
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Condición: New. pp. 92.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 34,02
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Condición: New. 2013. Paperback. . . . . . Books ship from the US and Ireland.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 29,08
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Condición: New.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 29,84
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Condición: As New. Unread book in perfect condition.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 36,91
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Paperback. Condición: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the…poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 29,09
Envío por EUR 76,04Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: New. The analysis of a selection of Emily Dickinson's texts confirms the notion that suffering occupies the principal position in the poet's work. Her poetry constitutes an example of a painful literary quest for subjectivity as well as an act of self-transcendence, which means that through her writing the…poet obtained conscious control over her personal anguish. By using pain as a poetic strategy she transformed her private biography into a literary text. In this way she became a model for coping with suffering and using it for self-examination and self-development. In Emily Dickinson's poems suffering creates a new language and a new outlook on the self and the world. During the investigation of her poetic texts three dimensions of suffering as a poetic strategy have been distinguished: suffering as a theme, suffering as a subversive force affecting the language, and suffering as a form of poetic expression. The critical tool used for this analysis was the theory of Julia Kristeva, who emphasises these elements as crucial in the interpretation of literary texts. The healing power of Emily Dickinson's poetry lies in her presenting that suffering also has the positive, empowering side.By displaying an astounding autonomy and showing an alternative way of existence the poet demonstrated that fulfilment can be understood in a very broad sense. Her poetry constitutes evidence that the creative processes can be used as psychotherapy for both the creator and the recipient.
