9786200638441 - lvbeet op130.133 dec.com: for string quartet and live electronics. score de popovici, fred (5 resultados)
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Librería: moluna, Greven, Alemaniamoluna
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EUR 22,14
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
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Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 23,25
Envío por EUR 70,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Taschenbuch. Condición: Neu. lvbeet op130.133 [.] | For String Quartet and live electronics. Score | Fred Popovici | Taschenbuch | Englisch | 2023 | GlobeEdit | EAN 9786200638441 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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EUR 24,90
Envío por EUR 23,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used… several procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven's music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric. 84 pp. Englisch.
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Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemaniabuchversandmimpf2000
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 24,90
Envío por EUR 60,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used sev…eral procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven¿s music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 84 pp. Englisch.
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 27,04
Envío por EUR 60,72Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This work is conceived as a de-construction ( as the French pholosopher J. Derrida defined it) of a famous score by Beethoven: the String Quartet op.130, including the Grosse Fugue, as its legitimate Finale.For this, the author used seve…ral procedures taken from electroacoustics and musical informatics, together with techniques found in generative grammars, particularly those free-of-context grammars (Chomsky sensu).With these complex tools he forged a series of sound organisms, from micro up to macro size(s).The entire score is a continuous series of transformations of different (micro)structures in Beethoven's music, that become the new sound organisms,mentioned above.The main aim of the present work is to avoid, in a radical manner, the teleological traditional rhetoric of the classical music, but permanently emerging from this rhetoric.
