9783936681369 - Sit in China: An Excursion through 500 Years of the Culture of Sitting de Fischer, Volker; Schulenburg, Stephan Von Der (18 resultados)

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread copy in mint condition.

Condición: Fine. Sealed / Unused. Two small rips on cover on spine of book otherwise fine.

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Hardback. Condición: New. Text in English and German. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum für Angewandte Kunst in Frankfurt presents a panorama of Chinese sitting culture through a period of five centuries. Exclusive, noble Ming chairs stand side by side with chairs of the 18th and 19th century used by the middle class of that time. Limited sitting sculptures by renowned artist designers such as Shao Fan, Freeman Lau, Kenneth Cobonpue, XYZ-Design and Ji Liwei, who is also in charge of the interior design of the Chinese pavilion at the book fair, are confronted with the bourgeois sofas and sitting of the Chinese middle class of today. The "Bastard Chairs" of migrant workers and the homeless, day-to-day seats improvised out of pure need and made of trash and leftover materials, are commented in the sitting contexts of celebrities: emperors and courtesans, politicians and pop stars, athletes and students of product design show how sitting was done formerly and is done today. It ranges from a man of letters from the Ming era to the Qianglong emperor on the throne to Mao and Nixon in characteristic armchairs in Mao's best room. The most famous contemporary Chinese artist, Ai Weiwei, will also be represented with an excerpt of his grandiose chair performance at the Dokumenta XII. Of course, product piracy, which -- as the typical Chinese dipping figure "Shanzhai" -- has mean-while adopted characteristics that define society, is also dealt with.

Condición: New. 2010. Bilingual. Hardcover. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum fur Angewandte Kunst in Frankfurt presents a panorama of Chinese sitting culture through a period of five centuries. Num Pages: 96 pages, 185 colour & b/w photos. BIC Classification: 1FPC; AKR; JFCD. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 309 x 253 x 12. Weight in Grams: 808. . . . . .

Condición: New.

Condición: New. 2010. Bilingual. Hardcover. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum fur Angewandte Kunst in Frankfurt presents a panorama of Chinese sitting culture through a period of five centuries. Num Pages: 96 pages, 185 colour & b/w photos. BIC Classification: 1FPC; AKR; JFCD. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 309 x 253 x 12. Weight in Grams: 808. . . . . . Books ship from the US and Ireland.

Hardcover. 95 S. Sehr guter Zustand. Buch weist leichte Lagerspuren auf. Sonst sehr gutes Exemplar. 9783936681369 Sprache: Deutsch Gewicht in Gramm: 821.

Hardcover. 95 S. Sehr guter Zustand. Buch weist leichte Lagerspuren auf. Sonst sehr gutes Exemplar. 9783936681369 Sprache: Deutsch Gewicht in Gramm: 1001.

Condición: New. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum fuer Angewandte Kunst in Frankfurt presents a panorama of Chinese sit.

Hardback. Condición: New. New Book, Direct from Publisher.

Buch. Condición: Neu. Neuware - Wie man sitzt, offenbart Privilegien, sozialenStatus, Macht und Tabus gleichermaßen. Parallelzur Präsentation des Ehrengastlands Chinaauf der Frankfurter Buchmesse 2009 zeigt dasFrankfurter Museum für Angewandte Kunst einPanorama chinesischer Sitzkultur über einenZeitraum von fünf Jahrhunderten. Exklusive,noble Ming-Stühle stehen neben Sitzen des 18.und 19. Jahrhunderts für die Mittelklasse jenerZeit. Limitierte Sitzskulpturen renommierterKünstler-Designer wie Shao Fan, Freeman Lau,Kenneth Cobonpue, XYZ-Design und Ji Liwei,der auch das Raumdesign des chinesischenPavillons auf der Buchmesse gestaltet, werdenmit den bourgeoisen Sofas und Sitzen der heutigenchinesischen Mittelklasse konfrontiert. DasPanorama reicht von den aus Abfällen und Materialrestengebastelten 'Bastard Chairs' derWanderarbeiter und Obdachlosen, aus purerNot improvisierte alltägliche Objekte, bis denSitzgelegenheiten von früheren und heutigenProminenten: Kaiser und Kurtisanen, Politikerund Popstars, Sportler und Studenten des Produktdesignszeigen, wie man früher saß undheute sitzt. Das reicht von einem Literaten derMing-Zeit über den Qianglong-Kaiser auf demThron bis hin zu Mao und Nixon in charakteristischenLehnstühlen aus Maos Empfangsraum.Daneben wird auch der prominenteste chinesischeKünstler der Gegenwart, Ai Weiwei, miteinem Ausschnitt aus seiner grandiosen Stuhl-Inszenierung auf der Dokumenta XII vertretensein. Selbstverständlich wird auch die Produktpirateriebehandelt, die inzwischen als typischechinesische Kippfigur 'Shanzhai' gesellschaftsdefinierendeZüge angenommen hat.Der international bekannte Architektur- undDesignhistoriker Volker Fischer war mehr als10 Jahre stellvertretender Direktor des DeutschenArchitekturmuseums in Frankfurt. Seit1995 baut er im Museum für Angewandte KunstFrankfurt eine neue Design-Abteilung auf; zusätzlichzu seiner Museumsarbeit lehrt er an derHochschule für Gestaltung in Offenbach Architektur-und Designgeschichte. Stephan von derSchulenburg studierte Kunstgeschichte, Philosophie,deutsche Literatur, Japanologie and Sinologiein München, Berlin, Tokio, Kioto und Heidelberg.Nach einem Praktikum im Linden-MuseumStuttgart wurde er 1990 Kurator derAsien-Sammlung im Museum für AngewandteKunst Frankfurt.

Condición: As New. Unread book in perfect condition.

Buch. Condición: Neu. Sit in China | Ein Streifzug durch 500 Jahre Kultur des Sitzens/An Excursion through 500 Years of the Culture of Sitting - Dt/engl | Volker/Schulenburg, Stephan von der Fischer | Buch | 96 S. | Deutsch | 2009 | Edition Axel Menges | EAN 9783936681369 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.

Hardback. Condición: New. Text in English and German. The way we sit simultaneously defines privileges, social status, power, and taboos. Parallel to the presentation of China as the guest of honour at the Frankfurt Book Fair 2009, the Museum für Angewandte Kunst in Frankfurt presents a panorama of Chinese sitting culture through a period of five centuries. Exclusive, noble Ming chairs stand side by side with chairs of the 18th and 19th century used by the middle class of that time. Limited sitting sculptures by renowned artist designers such as Shao Fan, Freeman Lau, Kenneth Cobonpue, XYZ-Design and Ji Liwei, who is also in charge of the interior design of the Chinese pavilion at the book fair, are confronted with the bourgeois sofas and sitting of the Chinese middle class of today. The "Bastard Chairs" of migrant workers and the homeless, day-to-day seats improvised out of pure need and made of trash and leftover materials, are commented in the sitting contexts of celebrities: emperors and courtesans, politicians and pop stars, athletes and students of product design show how sitting was done formerly and is done today. It ranges from a man of letters from the Ming era to the Qianglong emperor on the throne to Mao and Nixon in characteristic armchairs in Mao's best room. The most famous contemporary Chinese artist, Ai Weiwei, will also be represented with an excerpt of his grandiose chair performance at the Dokumenta XII. Of course, product piracy, which -- as the typical Chinese dipping figure "Shanzhai" -- has mean-while adopted characteristics that define society, is also dealt with.