Isbn: 9783936681178 - new museums in spain: neue museen in spanien (20 resultados)

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4°, Ppbd. m. SU. 200 S., mit 277 Farbabb. u. Zeichnungen. Neuwertiges Ex. / Fine Copy // Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O. Gehry`s Guggenheim Museum in Bilbao. But there are not just the international stars who have contributed to this success. Spanish architects in particular have designed unique museums that have changed the look of whole towns. One example is the Museo de Arte Contemporáneo de Castilla y León in León in Castille, built by the Madrid architects Mansilla+Tuñon. ISBN: 9783936681178 Sprache: Englisch Gewicht in Gramm: 1303.…

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Buch. Condición: Neu. Neuware - Spanish museum architecture has experienced amarked upturn since the 1990s, helping even smalltowns off the tourist beaten track to acquire extraordinarymuseum buildings. This is expressedmost visibly without a shadow of a doubt in FrankO. Gehry's Guggenheim Museum in Bilbao. Butthere are not just the international stars who havecontributed to this success. Spanish architects inparticular have designed unique museums thathave changed the look of whole towns. One exampleis the Museo de Arte Contemporáneo de Castillay León in León in Castille, built by the Madridarchitects Mansilla + Tuñon. Rafael Moneo, whorecently completed the annexe for the Museo delPrado in Madrid is still the undisputed leading figurein Spanish architecture, but in the meantimearchitects like Mansilla + Tuñon, who trained underMoneo, are attracting attention internationally aswell as in Spain, and so are young talents whohave just left architecture school and are successfullydesigning museums.Spanish architects use a wide variety of formallanguages. And yet there are some characteristicsthat apply to them all: they have never been interestedin the Postmodernism games; many of themvalue reinterpreting regional building traditions in amodern way; they are also sensitive to special featuresof the existing topography. Kenneth Framptonsaid in this context that Spanish architectureessentially runs counter to the globalization tendenciesthat are increasingly reducing architecturalform to a comfortable aesthetic product.The present book, which is also suitable as amuseum guide, shows that this tendency is particularlyconspicuous in the new museums. It confirmsthe world-class nature of Spanish architecture,recorded from Rafael Moneo's early MuseoNacional de Arte Romano in Mérida to Herzog &de Meuron's new CaixaForum art gallery in Madrid.Klaus Englert studied philosophy and German.He was academic adviser to the Zollverein developmentcompany in Essen. He has worked forseveral years as free-lance culture correspondentand architecture critic for the Süddeutsche Zeitung,the Neue Zürcher Zeitung and the Frankfurter AllgemeineZeitung.…

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Gebunden. Condición: New. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O. Gehry`s Gugg.

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Condición: Gut. 260 Seiten Buch aus der Sammlung von Dr. Dieter Bartetzko, inkl.16 S. deutsche Texte, leichter Rauchgeruch, leichte Gebrauchsspuren, innen sauber, Schutzumschlag und Seiten lichtrandig H2 Sprache: Englisch Gewicht in Gramm: 1310 30,4 x 24,8 x 1,8 cm, Gebundene Ausgabe.

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Hardback. Condición: New. Text in English and German. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O Gehry's Guggenheim Museum in Bilbao. But there are not just the international stars who have contributed to this success. Spanish architects in particular have designed unique museums that have changed the look of whole towns. One example is the Museo de Arte Contemporáneo de Castilla y León in León in Castille, built by the Madrid architects Mansilla + Tuñon. Rafael Moneo, who recently completed the annexe for the Museo del Prado in Madrid is still the undisputed leading figure in Spanish architecture, but in the meantime architects like Mansilla + Tuñon, who trained under Moneo, are attracting attention internationally as well as in Spain, and so are young talents who have just left architecture school and are successfully designing museums. Spanish architects use a wide variety of formal languages. And yet there are some characteristics that apply to them all: they have never been interested in the games Postmodernism plays; many of them value reinterpreting regional building traditions in a modern way; they are also sensitive to special features of the existing topography. Kenneth Frampton said in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable aesthetic product. The present book, which is also suitable as a museum guide, shows that this tendency is particularly conspicuous in the new museums. It confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Mérida to Herzog and de Meuron's new Calixa Forum art gallery in Madrid.…

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Condición: New. 2010. Hardcover. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This book confirms the nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Merida to Herzog and de Meuron's Calixa Forum art gallery. Num Pages: 200 pages, 277 colour & b/w illus. BIC Classification: 1DSE; AMG; WTHM. Category: (G) General (US: Trade). Dimension: 304 x 254 x 18. Weight in Grams: 1330. . . . . .…

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Cloth. Condición: New. Estado de la sobrecubierta: New. First Edition. Type: Book Spanish museum architecture has experienced a marked upturn since the 1990s, fired in part by the worldwide acclaim for Frank O. Gehry's Guggenheim Museum in Bilbao. Spanish architects have designed unique museums that have changed the look of whole towns, from Rafael Moneo's Museo Nacional de Arte Romano in Merida to the Museo de Arte Contemporaneo de Castilla y Leon in Leon in Castille, built by the Madrid architects Mansilla + Tunon. Moneo, who recently completed the annexe for the Museo del Prado in Madrid, may still be the leading figure in Spanish architecture, but architects like Mansilla and Tunon (who trained under Moneo), are now attracting attention internationally as well as in Spain, as are even younger talents who have just left architecture school. Spanish architects use a wide variety of formal languages, yet there are some characteristics that apply to them all: they are uninterested in Postmodernist games; the modern reinterpretation of regional building traditions is prominent in their practice; they are sensitive to particular features of the environment and topography. Kenneth Frampton observed in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable (yet formulaic) aesthetic product. This book, which makes an excellent museum guide, shows that this tendency is particularly conspicuous in the new museums, and confirms the world-class nature of new Spanish architecture. Klaus Englert studied philosophy and German. He was academic adviser to the Zollverein development company in Essen. He has worked for several years as free-lance culture correspondent and architecture critic for the Suddeutsche Zeitung, the Neue Zurcher Zeitung and the Frankfurter Allgemeine Zeitung. 199pp.…

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Condición: New. 2010. Hardcover. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This book confirms the nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Merida to Herzog and de Meuron's Calixa Forum art gallery. Num Pages: 200 pages, 277 colour & b/w illus. BIC Classification: 1DSE; AMG; WTHM. Category: (G) General (US: Trade). Dimension: 304 x 254 x 18. Weight in Grams: 1330. . . . . . Books ship from the US and Ireland.…

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Buch. Condición: Neu. Neue Museen in Spanien/New Museums in Spain | Dt/engl | Klaus Englert | Buch | 260 S. | Deutsch | 2010 | Edition Axel Menges | EAN 9783936681178 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu. …

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tapa blanda. Condición: 2ª Mano - Bueno. 2ª Mano. Edition Axel Menges. 2010. Idioma Inglés.Libro sin desprecintar. Ilustrado. Libro.

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Hardback. Condición: New. Text in English and German. Spanish museum architecture has experienced a marked upturn since the 1990s, helping even small towns off the tourist beaten track to acquire extraordinary museum buildings. This is expressed most visibly without a shadow of a doubt in Frank O Gehry's Guggenheim Museum in Bilbao. But there are not just the international stars who have contributed to this success. Spanish architects in particular have designed unique museums that have changed the look of whole towns. One example is the Museo de Arte Contemporáneo de Castilla y León in León in Castille, built by the Madrid architects Mansilla + Tuñon. Rafael Moneo, who recently completed the annexe for the Museo del Prado in Madrid is still the undisputed leading figure in Spanish architecture, but in the meantime architects like Mansilla + Tuñon, who trained under Moneo, are attracting attention internationally as well as in Spain, and so are young talents who have just left architecture school and are successfully designing museums. Spanish architects use a wide variety of formal languages. And yet there are some characteristics that apply to them all: they have never been interested in the games Postmodernism plays; many of them value reinterpreting regional building traditions in a modern way; they are also sensitive to special features of the existing topography. Kenneth Frampton said in this context that Spanish architecture essentially runs counter to the globalisation tendencies that are increasingly reducing architectural form to a comfortable aesthetic product. The present book, which is also suitable as a museum guide, shows that this tendency is particularly conspicuous in the new museums. It confirms the world-class nature of Spanish architecture, recorded from Rafael Moneo's early Museo de Arte Romano in Mérida to Herzog and de Meuron's new Calixa Forum art gallery in Madrid.…