9783846587188 - this distracted globe: the question of subjectivity in the postmodern renaissance and shakespeare's hamlet on stage and on screen de arvas, abdulhamit (5 resultados)
- Tapa blanda
Librería: preigu, Osnabrück, Alemaniapreigu
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 43,35
Envío por EUR 70,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 5 disponibles
Taschenbuch. Condición: Neu. This Distracted Globe | The Question of Subjectivity in the Postmodern Renaissance and Shakespeare's Hamlet on Stage and on Screen | Abdulhamit Arvas | Taschenbuch | 100 S. | Englisch | 2012 | LAP LAMBERT Academic Publishing | EAN 9783846587188 | Verantwortliche Person für die EU: preigu GmbH & Co. K…G, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu.
- Tapa blanda
- Impresión bajo demanda
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 49,00
Envío por EUR 23,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare s distracted Globe. Abdulhamit Arvas discusses Shakespeare s Hamlet…in relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet s postmodern film adaptations of Coronado and Almereyda versions in particular to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies. 100 pp. Englisch.
- Tapa blanda
- Impresión bajo demanda
Librería: moluna, Greven, Alemaniamoluna
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 41,05
Envío por EUR 48,99Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Arvas Abdulhamitobtained his BA in English Language and Literature from Hacettepe University,Turkey, and his MA in English from Eastern Michigan University as a Fulbright scholar. Currently, he is a PhD… candidate in English specializ.
- Tapa blanda
- Impresión bajo demanda
Librería: buchversandmimpf2000, Emtmannsberg, BAYE, Alemaniabuchversandmimpf2000
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 49,00
Envío por EUR 60,00Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare's 'distracted Globe.' Abdulhamit Arvas discusses Shakespeare's Hamlet in… relation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet's preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet's subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet's postmodern film adaptations-of Coronado and Almereyda versions in particular- to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 100 pp. Englisch.
- Tapa blanda
- Impresión bajo demanda
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 49,59
Envío por EUR 60,84Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book demonstrates how contemporary theories of subjectivity have their roots in early modern philosophical and literary arguments, particularly in Shakespeare s distracted Globe. Abdulhamit Arvas discusses Shakespeare s Hamlet in re…lation to the modernist idea of the autonomous self and the postmodernist idea of the decentered subjectivities to explore the notion of the self in early modern thought and to suggest how Hamlet s preoccupation with philosophical and rhetorical modes of self-display can be seen as anticipating certain postmodern theories. This work offers an interpretation for Hamlet s subjectivity from a postmodernist point of view which asserts that the play examines the very discursive formulation of the self and uncovers the fragility of the idea itself. In conjunction with these arguments, the book includes a close analysis of Hamlet s postmodern film adaptations of Coronado and Almereyda versions in particular to elucidate the early modern- postmodern relations. By offering new insights to the question of subjectivity and closely analyzing movie adaptations of Hamlet, this book is a contribution to discussions in Shakespeare and Shakespearean film studies.
