Isbn: 9783803032065 - hannah dougherty: the gartenhaus project and recent works / das gartenhaus projekt und aktuelle arbeiten, 2005/2006 (9 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized.

Paperback. Condición: new. Paperback. The Berlin-based American artist Hannah Dougherty's strong, evocative paintings, collages and installations are characterized by a dreamy, mythological feel, as much from her distinctive palette as from her retro, hybrid figures, which take their inspiration from children's book illustrations, comic strips and 1950s advertisements, with a little bit of Duerer and old school Encyclopedia Brittanica thrown in. In her recent Berlin installation, The Gartenhaus Project, Dougherty glued handwritten notes and scraps of paper like a 1939 Berlin butcher's bill and a Japanese train schedule to her paintings, mostly upside-down, so that they functioned as barely legible memorabilia. She also created a kind of "theater set" representation of an Arcadian suburb, complete with dramatic twilight-evoking spotlights, kitschy prefabricated garden houses, pots of artificial flowers, stuffed fox and deer, and prop-like, anthropomorphized wooden birdhouses--much more sinister than jolly, like dark little garden gnomes. This volume documents The Gartenhaus Project in full. The Berlin-based American artist Hannah Dougherty's strong, evocative paintings, collages and installations are characterized by a dreamy, mythological feel, as much from her distinctive palette as from her retro, hybrid figures, which take their inspiration from children's book illustrations, comic strips and 1950s advertisements, with a little bit of Durer and old school Encyclopedia Brittanica thrown in. In her recent Berlin installation, The Gartenhaus Project, Dougherty glued handwritten notes and scraps of paper like a 1939 Berlin butcher's bill and a Japanese train schedule to her paintings, mostly upside-down, so that they functioned as barely legible memorabilia. She also created a kind of "theater set" representation of an Arcadian suburb, complete with dramatic twilight-evoking spotlights, kitschy prefabricated garden houses, pots of artificial flowers, stuffed fox and deer, and prop-like, anthropomorphized wooden birdhouses—much more sinister than jolly, like dark little garden gnomes. This volume documents The Gartenhaus Project in full. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

Paperback. Condición: Brand New. bilingual edition. 72 pages. 11.00x8.00x0.25 inches. In Stock.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. The Berlin-based American artist Hannah Dougherty's strong, evocative paintings, collages and installations are characterized by a dreamy, mythological feel, as much from her distinctive palette as from her retro, hybrid figures, which take their inspiration from children's book illustrations, comic strips and 1950s advertisements, with a little bit of Duerer and old school Encyclopedia Brittanica thrown in. In her recent Berlin installation, The Gartenhaus Project, Dougherty glued handwritten notes and scraps of paper like a 1939 Berlin butcher's bill and a Japanese train schedule to her paintings, mostly upside-down, so that they functioned as barely legible memorabilia. She also created a kind of "theater set" representation of an Arcadian suburb, complete with dramatic twilight-evoking spotlights, kitschy prefabricated garden houses, pots of artificial flowers, stuffed fox and deer, and prop-like, anthropomorphized wooden birdhouses--much more sinister than jolly, like dark little garden gnomes. This volume documents The Gartenhaus Project in full. The Berlin-based American artist Hannah Dougherty's strong, evocative paintings, collages and installations are characterized by a dreamy, mythological feel, as much from her distinctive palette as from her retro, hybrid figures, which take their inspiration from children's book illustrations, comic strips and 1950s advertisements, with a little bit of Durer and old school Encyclopedia Brittanica thrown in. In her recent Berlin installation, The Gartenhaus Project, Dougherty glued handwritten notes and scraps of paper like a 1939 Berlin butcher's bill and a Japanese train schedule to her paintings, mostly upside-down, so that they functioned as barely legible memorabilia. She also created a kind of "theater set" representation of an Arcadian suburb, complete with dramatic twilight-evoking spotlights, kitschy prefabricated garden houses, pots of artificial flowers, stuffed fox and deer, and prop-like, anthropomorphized wooden birdhouses—much more sinister than jolly, like dark little garden gnomes. This volume documents The Gartenhaus Project in full. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: Sehr gut. Tadellos erhalten. - Um die Arbeit von Hannah Dougherty einzuordnen, bedarf es Vorstellungskraft und Fantasie. Es handelt sich weder um Surrealismus noch Pop-Art, und auch nicht um Post-Pop, wie oft angenommen wird. Mit dem Surrealismus teilen ihre Arbeiten den Hang, entgegengesetzte Realitäten miteinander zu verbinden prosaische Tiere wie Hirsch oder Esel besitzen zweifelsohne keine Flügel, geschweige denn die Fähigkeit zu fliegen. Außerdem teilt der teilweise fast klassische ikonographische Inhalt von Doughertys Arbeiten nicht die Begeisterung für Konsumerismus, feiert nicht Gemeinplätze und Konsum, wie es bei Pop-Art der Fall ist und ebenso wenig ist er ein direkter, ironischer Kommentar zu einem spätkapitalistischen Konsumerismus, wie ihn die Post-Pop-Bewegung zu verbreiten sucht. Was Doughertys Arbeiten auf jeden Fall mit diesen drei Bewegungen bzw. Kunstrichtungen verbindet, ist die Liebe zur und die Freiheit der Collage, sei es durch die Wiederverwertung gefundenen Materials, gefundener Bilder oder Ideen, bzw. durch die Umpolung dieser Ressourcen, sodass völlig andere und frei interpretierbare Bedeutungen entstehen. ISBN 9783803032065 Sprache: Deutsch Gewicht in Gramm: 550 Unpag. Mit zahlr., auch farb. Abb., broschiert. …

Paperback. Condición: New. The Berlin-based American artist Hannah Dougherty's strong, evocative paintings, collages and installations are characterized by a dreamy, mythological feel, as much from her distinctive palette as from her retro, hybrid figures, which take their inspiration from children's book illustrations, comic strips and 1950s advertisements, with a little bit of Durer and old school Encyclopedia Brittanica thrown in. In her recent Berlin installation, The Gartenhaus Project, Dougherty glued handwritten notes and scraps of paper like a 1939 Berlin butcher's bill and a Japanese train schedule to her paintings, mostly upside-down, so that they functioned as barely legible memorabilia. She also created a kind of "theater set" representation of an Arcadian suburb, complete with dramatic twilight-evoking spotlights, kitschy prefabricated garden houses, pots of artificial flowers, stuffed fox and deer, and prop-like, anthropomorphized wooden birdhouses--much more sinister than jolly, like dark little garden gnomes. This volume documents The Gartenhaus Project in full.…

Broschiert. Condición: Neu. 1., Aufl. 72 S. Neu. Ungelesen. Ein Rechnungsbeleg mit ausgew. MwSt. liegt der Lieferung bei. O_7.3 9783803032065 . Bei Mehrfachbestellungen bei uns, reduziert sich für Sie der Versandkostenanteil pro Titel. Sprache: Deutsch Gewicht in Gramm: 450.