9783039100620 - Prophets, Paupers or Professionals?: A Social History of Everyday Visual Artists in Modern Germany, 1850-Present (12) (German Linguistic and Cultural Studies) de Mc... (24 resultados)

Paperback. Condición: Very Good. Estado de la sobrecubierta: No Dust Jacket. German Linguistic and Cultural Studies, Volume 12. Paperback with light score to front lower leading corner. Covers are unmarked, pages are clean, and the text is clear. TH. Used.

Condición: New. pp. 238.

Condición: New. pp. 238.

Condición: New. pp. 238.

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Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New.

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Condición: New. Editor(s): Lutzeier, Peter Rolf. Series: German Linguistic and Cultural Studies. Num Pages: 238 pages. BIC Classification: 1DFG; AC. Category: (G) General (US: Trade). Dimension: 152 x 225 x 14. Weight in Grams: 334. . 2003. Paperback. . . . .

Paperback. Condición: new. Paperback. How did German visual artists relate to the broader society around them between the invention of the artist as genius and visionary, in the Romantic era of the nineteenth century, and the struggle to overcome pauperization and social marginalization through collective professionalization during much of the twentieth? The collective - if not always agreed - aspirations and expectations of artists in this long period are best reflected in the schools and academies that came to dominate their education, in their professional associations, and their strategies of marketing and economic well-being. Like members of other German learned professions, visual artists struggled to achieve autonomy from state, church, and other powerful social and economic forces while also raising and maintaining ever-evolving professional standards. Like other professions, they were forced also to make compromises with power and money, losing many battles in the process.The subjectivity of values surrounding art, the de facto economic status of artists as small entrepreneurs unable or unwilling to submit fully to corporate, bureaucratic, or union organization, and the practical inability to limit their numbers all conspired to undermine fully successful professionalization. By bringing the tools of social history to bear, this book sheds rare illumination on the little-known history of the many everyday German artists, rather than on the better-known works of the few. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Condición: New. Editor(s): Lutzeier, Peter Rolf. Series: German Linguistic and Cultural Studies. Num Pages: 238 pages. BIC Classification: 1DFG; AC. Category: (G) General (US: Trade). Dimension: 152 x 225 x 14. Weight in Grams: 334. . 2003. Paperback. . . . . Books ship from the US and Ireland.

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - How did German visual artists relate to the broader society around them between the invention of the artist as «genius» and visionary, in the Romantic era of the nineteenth century, and the struggle to overcome pauperization and social marginalization through collective professionalization during much of the twentieth The collective - if not always agreed - aspirations and expectations of artists in this long period are best reflected in the schools and academies that came to dominate their education, in their professional associations, and their strategies of marketing and economic well-being. Like members of other German learned professions, visual artists struggled to achieve autonomy from state, church, and other powerful social and economic forces while also raising and maintaining ever-evolving professional standards. Like other professions, they were forced also to make compromises with power and money, losing many battles in the process. The subjectivity of values surrounding art, the de facto economic status of artists as small entrepreneurs unable or unwilling to submit fully to corporate, bureaucratic, or union organization, and the practical inability to limit their numbers all conspired to undermine fully successful professionalization. By bringing the tools of social history to bear, this book sheds rare illumination on the little-known history of the many «everyday» German artists, rather than on the better-known works of the few.

Paperback. Condición: New.

Taschenbuch. Condición: Neu. Prophets, Paupers or Professionals? | A Social History of Everyday Visual Artists in Modern Germany, 1850-Present | Charles Mcclelland | Taschenbuch | Kartoniert / Broschiert | Englisch | 2003 | Peter Lang | EAN 9783039100620 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condición: new. Paperback. How did German visual artists relate to the broader society around them between the invention of the artist as genius and visionary, in the Romantic era of the nineteenth century, and the struggle to overcome pauperization and social marginalization through collective professionalization during much of the twentieth? The collective - if not always agreed - aspirations and expectations of artists in this long period are best reflected in the schools and academies that came to dominate their education, in their professional associations, and their strategies of marketing and economic well-being. Like members of other German learned professions, visual artists struggled to achieve autonomy from state, church, and other powerful social and economic forces while also raising and maintaining ever-evolving professional standards. Like other professions, they were forced also to make compromises with power and money, losing many battles in the process.The subjectivity of values surrounding art, the de facto economic status of artists as small entrepreneurs unable or unwilling to submit fully to corporate, bureaucratic, or union organization, and the practical inability to limit their numbers all conspired to undermine fully successful professionalization. By bringing the tools of social history to bear, this book sheds rare illumination on the little-known history of the many everyday German artists, rather than on the better-known works of the few. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -How did German visual artists relate to the broader society around them between the invention of the artist as «genius» and visionary, in the Romantic era of the nineteenth century, and the struggle to overcome pauperization and social marginalization through collective professionalization during much of the twentieth The collective - if not always agreed - aspirations and expectations of artists in this long period are best reflected in the schools and academies that came to dominate their education, in their professional associations, and their strategies of marketing and economic well-being. Like members of other German learned professions, visual artists struggled to achieve autonomy from state, church, and other powerful social and economic forces while also raising and maintaining ever-evolving professional standards. Like other professions, they were forced also to make compromises with power and money, losing many battles in the process. The subjectivity of values surrounding art, the de facto economic status of artists as small entrepreneurs unable or unwilling to submit fully to corporate, bureaucratic, or union organization, and the practical inability to limit their numbers all conspired to undermine fully successful professionalization. By bringing the tools of social history to bear, this book sheds rare illumination on the little-known history of the many «everyday» German artists, rather than on the better-known works of the few. 242 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -How did German visual artists relate to the broader society around them between the invention of the artist as «genius» and visionary, in the Romantic era of the nineteenth century, and the struggle to overcome pauperization and social marginalization through collective professionalization during much of the twentieth The collective - if not always agreed - aspirations and expectations of artists in this long period are best reflected in the schools and academies that came to dominate their education, in their professional associations, and their strategies of marketing and economic well-being. Like members of other German learned professions, visual artists struggled to achieve autonomy from state, church, and other powerful social and economic forces while also raising and maintaining ever-evolving professional standards. Like other professions, they were forced also to make compromises with power and money, losing many battles in the process. The subjectivity of values surrounding art, the de facto economic status of artists as small entrepreneurs unable or unwilling to submit fully to corporate, bureaucratic, or union organization, and the practical inability to limit their numbers all conspired to undermine fully successful professionalization. By bringing the tools of social history to bear, this book sheds rare illumination on the little-known history of the many «everyday» German artists, rather than on the better-known works of the few.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 242 pp. Englisch.