Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Añadir al carritoCondición: New.
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: ISD LLC, Bristol, CT, Estados Unidos de America
Original o primera edición
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: Revaluation Books, Exeter, Reino Unido
EUR 145,49
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Añadir al carritoHardcover. Condición: Brand New. 350 pages. 8.27x0.73x10.63 inches. In Stock.
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2025
ISBN 10: 2503618642 ISBN 13: 9782503618647
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 192,53
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Añadir al carritoHardcover. Condición: new. Hardcover. The European music world at the turn of the 19th to the 20th century was characterised by national ideas and nationalistic ideologies. But the reality of the music itself seems quite different: inspiration did not stop at national borders, and composers sought out poetic material and artistic goals outside the traditions of their homeland. It was often music critics and later music historians who put the works and their creators in a strict national context. In Eastern Europe, traditions of national music writing have been particularly well preserved, with effects that continue to this day. The texts in this volume attempt to suggest alternative readings, to reveal nationalistic stereotypes, and to place the music back in the transnational complexity and richness of its origins. This volume aims to reveal nationalistic stereotypes in the European Music at the turn of the 19th to the 20th century, and to place the music back in the transnational complexity and richness of its origins. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 211,23
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Añadir al carritoCondición: New.
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Añadir al carritoHardback. Condición: New.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 264,43
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2025
ISBN 10: 2503618642 ISBN 13: 9782503618647
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 326,28
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Añadir al carritoHardcover. Condición: new. Hardcover. The European music world at the turn of the 19th to the 20th century was characterised by national ideas and nationalistic ideologies. But the reality of the music itself seems quite different: inspiration did not stop at national borders, and composers sought out poetic material and artistic goals outside the traditions of their homeland. It was often music critics and later music historians who put the works and their creators in a strict national context. In Eastern Europe, traditions of national music writing have been particularly well preserved, with effects that continue to this day. The texts in this volume attempt to suggest alternative readings, to reveal nationalistic stereotypes, and to place the music back in the transnational complexity and richness of its origins. This volume aims to reveal nationalistic stereotypes in the European Music at the turn of the 19th to the 20th century, and to place the music back in the transnational complexity and richness of its origins. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Brepols N.V., Turnhout, 2025
ISBN 10: 2503618642 ISBN 13: 9782503618647
Librería: CitiRetail, Stevenage, Reino Unido
EUR 167,45
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. The European music world at the turn of the 19th to the 20th century was characterised by national ideas and nationalistic ideologies. But the reality of the music itself seems quite different: inspiration did not stop at national borders, and composers sought out poetic material and artistic goals outside the traditions of their homeland. It was often music critics and later music historians who put the works and their creators in a strict national context. In Eastern Europe, traditions of national music writing have been particularly well preserved, with effects that continue to this day. The texts in this volume attempt to suggest alternative readings, to reveal nationalistic stereotypes, and to place the music back in the transnational complexity and richness of its origins. This volume aims to reveal nationalistic stereotypes in the European Music at the turn of the 19th to the 20th century, and to place the music back in the transnational complexity and richness of its origins. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.