9782503583624 - opera and parody in paris, 1860-1900 (music and visual cultures, 2) de rowden, clair (13 resultados)
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Librería: The Compleat Scholar, Rochester, NY, Estados Unidos de AmericaThe Compleat Scholar
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EUR 81,12
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Paperback. Condición: New. New, still sealed in the publisher's shrink-wrap. Never opened, never read.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 125,50
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 127,91
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Paperback. Condición: new. Paperback. This study interrogates press caricatures and cartoons, staged revue and opera parodies to reveal the role they play within the Parisian theatrical, social and cultural sphere. From the beginnings of Wagner reception in Paris, through the heyday of opra-bouffe in the hands of that comic geni…us Herv, to the international operatic repertoire played on Parisian stages in the 1890s especially works by Verdi and Wagner performed during an increasingly tense nationalist climate alongside those by Massenet, Reyer and Saint-Sans this book examines the workings of parody which draws on opera for its subject material, its appeal, and for whom. Parodys repetition of dramatic and musical conventions is compounded by the abundance of revue shows on Parisian stages, by prolific authors such as Clairville, which deftly used well-known opera and operetta repertoire alongside the scie that popular tune given new words countless times over to create new yet familiar theatrical experiences. Indeed, by the 1890s, the words and musics of Faust, Carmen and Guillaume Tell in particular, held resonant value to signify the operatic. Aside from political caricature in which the figure of Wagner became embroiled, the ways in which parody brings together the high and the low to mock cultural norms, to neutralise alterity or innovation and refocus commentary onto internal, local, conventional and legitimised cultural products and debates becomes apparent. Opera and Parody in Paris, 18601900 thus uncovers a huge amount of primary and hitherto unpublished sources in an analysis of highly appealing intermedial materials that dominated Parisian print and stage culture in the late-nineteenth century. 21 b/w illus, 4 col illus, 15 musical examples & 15 b/w tbls. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 126,54
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Condición: As New. Unread book in perfect condition.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 133,15
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Condición: As New. Unread book in perfect condition.
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 135,20
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paperback. Condición: New. Special order direct from the distributor.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 140,31
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Condición: New. 2020. Paperback. . . . . .
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 152,01
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Condición: New.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 158,65
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Paperback. Condición: Brand New. 01 edition. 220 pages. 10.90x8.40x0.40 inches. In Stock.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 174,83
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Condición: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 151,49
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Paperback. Condición: new. Paperback. This study interrogates press caricatures and cartoons, staged revue and opera parodies to reveal the role they play within the Parisian theatrical, social and cultural sphere. From the beginnings of Wagner reception in Paris, through the heyday of opra-bouffe in the hands of that comic geni…us Herv, to the international operatic repertoire played on Parisian stages in the 1890s especially works by Verdi and Wagner performed during an increasingly tense nationalist climate alongside those by Massenet, Reyer and Saint-Sans this book examines the workings of parody which draws on opera for its subject material, its appeal, and for whom. Parodys repetition of dramatic and musical conventions is compounded by the abundance of revue shows on Parisian stages, by prolific authors such as Clairville, which deftly used well-known opera and operetta repertoire alongside the scie that popular tune given new words countless times over to create new yet familiar theatrical experiences. Indeed, by the 1890s, the words and musics of Faust, Carmen and Guillaume Tell in particular, held resonant value to signify the operatic. Aside from political caricature in which the figure of Wagner became embroiled, the ways in which parody brings together the high and the low to mock cultural norms, to neutralise alterity or innovation and refocus commentary onto internal, local, conventional and legitimised cultural products and debates becomes apparent. Opera and Parody in Paris, 18601900 thus uncovers a huge amount of primary and hitherto unpublished sources in an analysis of highly appealing intermedial materials that dominated Parisian print and stage culture in the late-nineteenth century. 21 b/w illus, 4 col illus, 15 musical examples & 15 b/w tbls. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: Mispah books, Redhill, SURRE, Reino UnidoMispah books
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EUR 243,58
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paperback. Condición: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
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Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AlemaniaBUCHSERVICE / ANTIQUARIAT Lars Lutzer
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EUR 239,90
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Condición: gut. Opera and Parody in Paris, 1860-1900 In deutscher Sprache. pages.
