9781960521118 - screen towers: the drive-in theater in america de fitch, steve (16 resultados)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: Book Bunker USA, Havertown, PA, Estados Unidos de AmericaBook Bunker USA
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EUR 28,90
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hardcover. Condición: New. *Brand new* Ships from USA.
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Librería: BargainBookStores, Grand Rapids, MI, Estados Unidos de AmericaBargainBookStores
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EUR 34,06
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Hardback or Cased Book. Condición: New. Screen Towers: The Drive-In Theater in America. Book.
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Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books
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EUR 34,21
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 34,23
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Condición: As New. Unread book in perfect condition.
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Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA
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EUR 46,57
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Hardback. Condición: New. Beginning in 1933 and expanding greatly after World War II, mid-century America saw a boom in the construction of large outdoor screen towers on which a projected movie image could be viewed from a parked car. This was the era of the drive-in movie theater, which saw the marriage of the automobile and t…he Hollywood movie. At its peak during the 1950s and 1960s more than 4,000 drive-in theaters dotted the American landscape, coast to coast.Starting in 1971, Steve Fitch traveled throughout the United States photographing many of these theaters, concentrating on the often stunning neon and painted murals that decorated the back, street-facing side of the tower that supported the white, rectangular screen. These dramatic murals often depicted scenes that related to the local history of the surrounding community, and they could be seen from many miles away. Working with black-and-white film, he mostly photographed at dusk or night, making striking images that captured the seductive beauty of these roadside monuments. Then, in 1980, Fitch began working in color with a large-format 8" x 10" view camera. Interested in the collecting and comparing possibilities of photography, he began to shift his emphasis to making pictures of the actual white screen itself and the inside spaces of the theater. By the early 1980s, many of the drive-ins were being abandoned or even torn down. The era of the drive-in theater was nearing its end, although today there remain about 300 operating drive-ins in America keeping alive the thrill of watching a movie outdoors, under the stars, in the comfort of one's car.
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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hardcover. Condición: New. Special order direct from the distributor.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 41,33
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Condición: As New. Unread book in perfect condition.
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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EUR 43,65
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Condición: New.
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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EUR 43,66
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Hardback. Condición: New. New copy - Usually dispatched within 4 working days.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 69,42
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Hardback. Condición: New. Beginning in 1933 and expanding greatly after World War II, mid-century America saw a boom in the construction of large outdoor screen towers on which a projected movie image could be viewed from a parked car. This was the era of the drive-in movie theater, which saw the marriage of the automobile and t…he Hollywood movie. At its peak during the 1950s and 1960s more than 4,000 drive-in theaters dotted the American landscape, coast to coast.Starting in 1971, Steve Fitch traveled throughout the United States photographing many of these theaters, concentrating on the often stunning neon and painted murals that decorated the back, street-facing side of the tower that supported the white, rectangular screen. These dramatic murals often depicted scenes that related to the local history of the surrounding community, and they could be seen from many miles away. Working with black-and-white film, he mostly photographed at dusk or night, making striking images that captured the seductive beauty of these roadside monuments. Then, in 1980, Fitch began working in color with a large-format 8" x 10" view camera. Interested in the collecting and comparing possibilities of photography, he began to shift his emphasis to making pictures of the actual white screen itself and the inside spaces of the theater. By the early 1980s, many of the drive-ins were being abandoned or even torn down. The era of the drive-in theater was nearing its end, although today there remain about 300 operating drive-ins in America keeping alive the thrill of watching a movie outdoors, under the stars, in the comfort of one's car.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 60,77
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Hardcover. Condición: Brand New. 136 pages. 10.50x12.00x10.51 inches. In Stock.
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Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de AmericaRarewaves USA United
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EUR 48,35
Envío por EUR 43,71Se envía dentro de Estados Unidos de AmericaCantidad disponible: 4 disponibles
Hardback. Condición: New. Beginning in 1933 and expanding greatly after World War II, mid-century America saw a boom in the construction of large outdoor screen towers on which a projected movie image could be viewed from a parked car. This was the era of the drive-in movie theater, which saw the marriage of the automobile and t…he Hollywood movie. At its peak during the 1950s and 1960s more than 4,000 drive-in theaters dotted the American landscape, coast to coast.Starting in 1971, Steve Fitch traveled throughout the United States photographing many of these theaters, concentrating on the often stunning neon and painted murals that decorated the back, street-facing side of the tower that supported the white, rectangular screen. These dramatic murals often depicted scenes that related to the local history of the surrounding community, and they could be seen from many miles away. Working with black-and-white film, he mostly photographed at dusk or night, making striking images that captured the seductive beauty of these roadside monuments. Then, in 1980, Fitch began working in color with a large-format 8" x 10" view camera. Interested in the collecting and comparing possibilities of photography, he began to shift his emphasis to making pictures of the actual white screen itself and the inside spaces of the theater. By the early 1980s, many of the drive-ins were being abandoned or even torn down. The era of the drive-in theater was nearing its end, although today there remain about 300 operating drive-ins in America keeping alive the thrill of watching a movie outdoors, under the stars, in the comfort of one's car.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 86,34
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Condición: New. 2025. hardcover. . . . . . Books ship from the US and Ireland.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 96,61
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Condición: New. 2025. hardcover. . . . . .
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 64,51
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Hardback. Condición: New. Beginning in 1933 and expanding greatly after World War II, mid-century America saw a boom in the construction of large outdoor screen towers on which a projected movie image could be viewed from a parked car. This was the era of the drive-in movie theater, which saw the marriage of the automobile and t…he Hollywood movie. At its peak during the 1950s and 1960s more than 4,000 drive-in theaters dotted the American landscape, coast to coast.Starting in 1971, Steve Fitch traveled throughout the United States photographing many of these theaters, concentrating on the often stunning neon and painted murals that decorated the back, street-facing side of the tower that supported the white, rectangular screen. These dramatic murals often depicted scenes that related to the local history of the surrounding community, and they could be seen from many miles away. Working with black-and-white film, he mostly photographed at dusk or night, making striking images that captured the seductive beauty of these roadside monuments. Then, in 1980, Fitch began working in color with a large-format 8" x 10" view camera. Interested in the collecting and comparing possibilities of photography, he began to shift his emphasis to making pictures of the actual white screen itself and the inside spaces of the theater. By the early 1980s, many of the drive-ins were being abandoned or even torn down. The era of the drive-in theater was nearing its end, although today there remain about 300 operating drive-ins in America keeping alive the thrill of watching a movie outdoors, under the stars, in the comfort of one's car.
