EUR 12,33
Cantidad disponible: 4 disponibles
Añadir al carritoPaperback. Condición: Fine.
EUR 12,06
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
EUR 19,24
Cantidad disponible: 1 disponibles
Añadir al carritopaperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
EUR 22,19
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback. Condición: Brand New. 95 pages. 9.00x9.00x0.50 inches. In Stock.
EUR 37,92
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. This first ever monograph in English on Olga Jevric offers a unique opportunity to discover the work of a remarkable Serbian artist whose long and distinguished career established her as the most significant modernist sculptor from the former Yugoslavia. Despite gaining widespread acclaim from her contemporaries both in Europe and the USA, economic, social and geopolitical upheavals meant that her work has been little seen outside Serbia in the past four decades. As a witness to the Second World War and its aftermath, Jevric sought to give voice to the spiritual roots, cultural foundation and social conditions of the war-torn environment in which her work developed. Through her materials - primarily a mixture of cement, iron oxide, rods and nails - she created distinctive forms that communicate the relationship between matter and void; weight and weightlessness; containment and release. Though many of her works are modest in scale, they have an immensely powerful presence. This collection of texts and images provides a range of perspectives on, and a thorough contextual overview of, Jevric's work from some of the UK's most influential sculptors, alongside prominent art historians from the former Yugoslavia. It was produced in celebration of Jevric's exhibitions at London art platforms PEER (28 June-14 September 2019) and Handel Street Projects (28 June-13 December 2019), along with the acquisition of nine of her sculptures by Tate Modern.
EUR 38,50
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. This first ever monograph in English on Olga Jevric offers a unique opportunity to discover the work of a remarkable Serbian artist whose long and distinguished career established her as the most significant modernist sculptor from the former Yugoslavia. Despite gaining widespread acclaim from her contemporaries both in Europe and the USA, economic, social and geopolitical upheavals meant that her work has been little seen outside Serbia in the past four decades. As a witness to the Second World War and its aftermath, Jevric sought to give voice to the spiritual roots, cultural foundation and social conditions of the war-torn environment in which her work developed. Through her materials - primarily a mixture of cement, iron oxide, rods and nails - she created distinctive forms that communicate the relationship between matter and void; weight and weightlessness; containment and release. Though many of her works are modest in scale, they have an immensely powerful presence. This collection of texts and images provides a range of perspectives on, and a thorough contextual overview of, Jevric's work from some of the UK's most influential sculptors, alongside prominent art historians from the former Yugoslavia. It was produced in celebration of Jevric's exhibitions at London art platforms PEER (28 June-14 September 2019) and Handel Street Projects (28 June-13 December 2019), along with the acquisition of nine of her sculptures by Tate Modern.
EUR 22,84
Cantidad disponible: 2 disponibles
Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
EUR 24,00
Cantidad disponible: 2 disponibles
Añadir al carritoCondición: New. In.
EUR 27,90
Cantidad disponible: Más de 20 disponibles
Añadir al carritoPaperback. Condición: New. This first ever monograph in English on Olga Jevric offers a unique opportunity to discover the work of a remarkable Serbian artist whose long and distinguished career established her as the most significant modernist sculptor from the former Yugoslavia. Despite gaining widespread acclaim from her contemporaries both in Europe and the USA, economic, social and geopolitical upheavals meant that her work has been little seen outside Serbia in the past four decades. As a witness to the Second World War and its aftermath, Jevric sought to give voice to the spiritual roots, cultural foundation and social conditions of the war-torn environment in which her work developed. Through her materials - primarily a mixture of cement, iron oxide, rods and nails - she created distinctive forms that communicate the relationship between matter and void; weight and weightlessness; containment and release. Though many of her works are modest in scale, they have an immensely powerful presence. This collection of texts and images provides a range of perspectives on, and a thorough contextual overview of, Jevric's work from some of the UK's most influential sculptors, alongside prominent art historians from the former Yugoslavia. It was produced in celebration of Jevric's exhibitions at London art platforms PEER (28 June-14 September 2019) and Handel Street Projects (28 June-13 December 2019), along with the acquisition of nine of her sculptures by Tate Modern.
EUR 22,83
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: New. This first ever monograph in English on Olga Jevric offers a unique opportunity to discover the work of a remarkable Serbian artist whose long and distinguished career established her as the most significant modernist sculptor from the former Yugoslavia. Despite gaining widespread acclaim from her contemporaries both in Europe and the USA, economic, social and geopolitical upheavals meant that her work has been little seen outside Serbia in the past four decades. As a witness to the Second World War and its aftermath, Jevric sought to give voice to the spiritual roots, cultural foundation and social conditions of the war-torn environment in which her work developed. Through her materials - primarily a mixture of cement, iron oxide, rods and nails - she created distinctive forms that communicate the relationship between matter and void; weight and weightlessness; containment and release. Though many of her works are modest in scale, they have an immensely powerful presence. This collection of texts and images provides a range of perspectives on, and a thorough contextual overview of, Jevric's work from some of the UK's most influential sculptors, alongside prominent art historians from the former Yugoslavia. It was produced in celebration of Jevric's exhibitions at London art platforms PEER (28 June-14 September 2019) and Handel Street Projects (28 June-13 December 2019), along with the acquisition of nine of her sculptures by Tate Modern.