9781908966483 - Camera Atomica: Photographing the Nuclear World (25 resultados)

Condición: good. Paperback Book.

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Condición: Good. Good paperback, bumped/creased with shelfwear; may have previous owner's name inside. Standard-sized.

Soft cover. Condición: Good. Some shelf wear to edges, corners and cover. Name inside. Text block clear and binding good. WR.

Paperback. Condición: Fine. 1st. 304 pages, illustrations (some colour), portraits; 25 cm. Published in conjunction with the exhibition Camera Atomica, Art Gallery of Ontario, 8 July 2014 to 25 January 2016. Firm binding, clean inside copy. *** "Photographs have a crucial place in the representation of the atomic age and its anxieties. This book examines narratives beyond the technological sublime that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds. The book proposes that the body is the site where the social environment interacts with the so-called atomic road: uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Co-published with the Art Gallery of Ontario to accompany a major exhibition there in 2014. Cameras have both recorded and - in certain instances - provided motivation for the production of nuclear events. Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E. Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons." - Publisher. *** CONTENTS: Acknowledgements, by John O'Brian; Introduction: through a radioactive lens, by John O'Brian; Photographing mushroom clouds in an age of risk, by John O'Brian; Uranium; Radiation. Posing by the cloud: U.S. nuclear test site photography in process, by Julia Bryan-Wilson; Hiroshima; Nagasaki. Hidden and forgotten Hibakusha: nuclear legacy, by Hiromitsu Toyosaki; The wrong sun, by Douglas Coupland; Text and protest. Through the lens, darkly, by Iain Boal & Gene Ray; Atomic photographs below the surface, by Blake Fitzpatrick; Visible and invisible. Radical contact prints, by Susan Schuppli; Atomic timeline. Size: 8vo. Collectible.

Softcover, 304 pages; good condition, heavy bump / tears to top of spine; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: new. Paperback. Photographs have a crucial place in the representation of the atomic age and its anxieties. Camera Atomica examines narratives beyond the 'technological sublime' that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds.The book proposes that the body is the site where the social environment interacts with the so-called 'atomic road': uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Cameras have both recorded and 'in certain instances' provided motivation for the production of nuclear events.Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E.Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons. All photographs, including nuclear photographs, have the capability to function affectively by working on the emotions and fascinating audiences.Through a wide range of visual documentation, Camera Atomica raises questions such as: what has the role of photography been in underwriting a public image of the bomb and nuclear energy? Has the circulation of photographic images heightened or lessened anxieties, or done both at the same time? How should the different visual protocols of photography 'scientific, journalistic, documentary, touristic, and artistic 'be understood'? A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand from some of the greatest nuclear events to ever happen. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. Photographs have played a crucial role in shaping perceptions of nuclear weapons and nuclear energy. In Camera Atomica, art historian John O'Brian explores the intimate relationship between photography and nuclear events to uncover how the camera lens has shaped public perceptions of the atomic age and its anxieties. Bringing together both vintage and contemporary photographs that have recorded and, in certain instances, provided motivation for the production of nuclear events, O'Brian travels through history - from the bombings of Hiroshima and Nagasaki in 1945 to the triple meltdown at Fukushima Daiichi in 2011. In this vivid volume, readers will encounter more than 200 images that simultaneously document and raise questions about the contradictory roles of photography during this period. Included are Hiromitso Toyosaki and Shomei Tomatsu's photographs of hibakusha (individuals exposed to radiation from atomic bombs), David McMillan's photographs at Chernobyl Nuclear Power Plant, and Sandy Skoglund's darkly humorous Radioactive Cats, along with photographs by Nancy Burson, Edward Burtynsky, Carol Condé and Karl Beveridge, Kenji Higuchi, Richard Misrach, Weegee, and many others.

Condición: New. A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand from some of the greatest nuclear events to ever happen. Editor(s): O'Brian, John. Num Pages: 304 pages, 256 colour and b/w illustrations. BIC Classification: AJCR; JWMN; THK. Category: (G) General (US: Trade). Dimension: 193 x 251 x 29. Weight in Grams: 1296. . 2015. Paperback. . . . .

Condición: New. 304.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand from some of the greatest nuclear events to ever happen. Editor(s): O'Brian, John. Num Pages: 304 pages, 256 colour and b/w illustrations. BIC Classification: AJCR; JWMN; THK. Category: (G) General (US: Trade). Dimension: 193 x 251 x 29. Weight in Grams: 1296. . 2015. Paperback. . . . . Books ship from the US and Ireland.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 304 pages. 10.00x7.50x1.25 inches. In Stock.

Condición: New. A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun.

Paperback. Condición: New. New Book, Direct from Publisher.

Paperback. Condición: new. Paperback. Photographs have a crucial place in the representation of the atomic age and its anxieties. Camera Atomica examines narratives beyond the 'technological sublime' that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds.The book proposes that the body is the site where the social environment interacts with the so-called 'atomic road': uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Cameras have both recorded and 'in certain instances' provided motivation for the production of nuclear events.Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E.Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons. All photographs, including nuclear photographs, have the capability to function affectively by working on the emotions and fascinating audiences.Through a wide range of visual documentation, Camera Atomica raises questions such as: what has the role of photography been in underwriting a public image of the bomb and nuclear energy? Has the circulation of photographic images heightened or lessened anxieties, or done both at the same time? How should the different visual protocols of photography 'scientific, journalistic, documentary, touristic, and artistic 'be understood'? A unique and engaging exploration of how the camera lens has shaped public perceptions of the atomic age and its legacy of anxiety. The images featured are extremely vivid and were taken by famed photographers including Weegee, Barbara Kruger, Sandy Skoglun and Garry Winogrand from some of the greatest nuclear events to ever happen. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - Photographs have a crucial place in the representation of the atomic age and its anxieties. Camera Atomica examines narratives beyond the 'technological sublime' that dominates much nuclear photography, suppressing representations of the human form in favor of representations of B-52 bombers and mushroom clouds.The book proposes that the body is the site where the social environment interacts with the so-called 'atomic road': uranium mining and processing, radiation research, nuclear reactor construction and operation, and weapons testing. Cameras have both recorded and 'in certain instances' provided motivation for the production of nuclear events.Their histories and technological development are intimately intertwined: at McGill University in the early 1900s, for example, Ernest Rutherford employed photography to identify the properties of radioactive materials, winning a Nobel Prize for his research, and at Los Alamos in the mid-1940s, Julian E.Mack and Berlyn Brixner designed specialized cameras for measuring the blast yield of nuclear weapons. All photographs, including nuclear photographs, have the capability to function affectively by working on the emotions and fascinating audiences.Through a wide range of visual documentation, Camera Atomica raises questions such as: what has the role of photography been in underwriting a public image of the bomb and nuclear energy Has the circulation of photographic images heightened or lessened anxieties, or done both at the same time How should the different visual protocols of photography 'scientific, journalistic, documentary, touristic, and artistic 'be understood'.

Paperback. Condición: New. Photographs have played a crucial role in shaping perceptions of nuclear weapons and nuclear energy. In Camera Atomica, art historian John O'Brian explores the intimate relationship between photography and nuclear events to uncover how the camera lens has shaped public perceptions of the atomic age and its anxieties. Bringing together both vintage and contemporary photographs that have recorded and, in certain instances, provided motivation for the production of nuclear events, O'Brian travels through history - from the bombings of Hiroshima and Nagasaki in 1945 to the triple meltdown at Fukushima Daiichi in 2011. In this vivid volume, readers will encounter more than 200 images that simultaneously document and raise questions about the contradictory roles of photography during this period. Included are Hiromitso Toyosaki and Shomei Tomatsu's photographs of hibakusha (individuals exposed to radiation from atomic bombs), David McMillan's photographs at Chernobyl Nuclear Power Plant, and Sandy Skoglund's darkly humorous Radioactive Cats, along with photographs by Nancy Burson, Edward Burtynsky, Carol Condé and Karl Beveridge, Kenji Higuchi, Richard Misrach, Weegee, and many others.