Isbn: 9781903470817 - rubens's massacre of the innocents (the thomson collection at the art gallery of ontario) (27 resultados)

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Condición: Good. some shelfwear/edgewear, may have remainder mark or previous owner's name - still NICE! Standard-sized.

Trade Paperback. Condición: Fine. First Editiion. Book.

194 pages. Large paperback: H 28cm x L 24.25cm. Dust jacket rubbed; creasing/bumping and 5cm tear at spine head and front panel's top left with tape repair to verso. Light blue paper covers. Impression of removed paper clip at top center margin of pages 79-80; interior pages are otherwise clean. Binding is firm. A very good+ copy in a very good- dust jacket. ISBN 9781903470817. …

Paperback. Condición: Used-Very Good. 1ST. Pap. Slight shelf-wear, else very sound.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Small Tears to the Dust Jacket, Slipcase, or cover.

Soft cover. Condición: Fine. 1st Edition. Qto., 200 pages, illustrated with colour plates. A Fine copy.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. ?The recent rediscovery of Rubenss Massacre of the Innocents (bought by Lord Thomson for 50 million in 2002) offers an important opportunity to reassess the painters early career. Of Rubenss works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally. Num Pages: 128 pages, 80 colour illustrations. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 280 x 241 x 17. Weight in Grams: 1084. . 2009. Illustrated. Paperback. . . . .…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. The recent rediscovery of Rubens's Massacre of the Innocents (bought by Lord Thomson for £50 million in 2002) offers an important opportunity to reassess the painter's early career. Of Rubens's works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally.…

Condición: New.

Condición: New. ?The recent rediscovery of Rubenss Massacre of the Innocents (bought by Lord Thomson for 50 million in 2002) offers an important opportunity to reassess the painters early career. Of Rubenss works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally. Num Pages: 128 pages, 80 colour illustrations. BIC Classification: ACQB; AFC; AGB. Category: (G) General (US: Trade). Dimension: 280 x 241 x 17. Weight in Grams: 1084. . 2009. Illustrated. Paperback. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Softcover. First Edition. Book condition is Very Good+ in wraps. Text is clean and unmarked, still in factory shrink wrap. ; 4to 11" - 13" tall.

Paperback. Condición: new. Paperback. The recent rediscovery of Rubens's Massacre of the Innocents (bought by Lord Thomson for 50 million in 2002) offers an important opportunity to reassess the painter's early career. Of Rubens's works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally. The recent rediscovery of Rubens's Massacre of the Innocents offers an important opportunity to reassess the painter's early career. David Jaffe, senior curator at the National Gallery, London, considers the work in its context, discussing the numerous sources and influences - both visual and literary - from which Rubens drew. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: Brand New. 128 pages. 11.06x9.45x0.71 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: Neuf.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Paperback. Condición: new. Paperback. The recent rediscovery of Rubens's Massacre of the Innocents (bought by Lord Thomson for 50 million in 2002) offers an important opportunity to reassess the painter's early career. Of Rubens's works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally. The recent rediscovery of Rubens's Massacre of the Innocents offers an important opportunity to reassess the painter's early career. David Jaffe, senior curator at the National Gallery, London, considers the work in its context, discussing the numerous sources and influences - both visual and literary - from which Rubens drew. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. The recent rediscovery of Rubens's Massacre of the Innocents (bought by Lord Thomson for £50 million in 2002) offers an important opportunity to reassess the painter's early career. Of Rubens's works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally.…

Paperback. Condición: New. The recent rediscovery of Rubens's Massacre of the Innocents offers an important opportunity to reassess the painter's early career. Of Rubens's works immediately following his return to Antwerp in 1608, it is the most assured, achieving a remarkable complexity both compositionally and emotionally. David Jaffe, senior curator at the National Gallery, London, considers the work in its context, discussing the numerous sources and influences - both visual and literary - from which Rubens drew. He also compares it to contemporary works by the artist, such as the London National Gallery's Samson and Delilah, and discusses it in relation to the latter's first owner, Nicolaas Rockox, the humanist and burgomaster of Antwerp and one of Rubens's most enthusiastic patrons.…