Isbn: 9781889282237 - jim roche: glory roads (17 resultados)

Paperback. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular.…

Paperback. Condición: New. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular.…

Softcover, 88 pages, very good condition, clean and crisp; long inscription on title page in pen, dated 2011 and signed by Jim Roche; no other internal marks. Foreign shipping may be extra.

paperback. Condición: Fine.

Condición: New. Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular Num Pages: 88 pages, 173 color illus. BIC Classification: ACXJ; AGB. Category: (P) Professional & Vocational. Dimension: 6466 x 5499 x 8. Weight in Grams: 431. . 2011. Paperback. . . . . …

Condición: New. Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular Num Pages: 88 pages, 173 color illus. BIC Classification: ACXJ; AGB. Category: (P) Professional & Vocational. Dimension: 6466 x 5499 x 8. Weight in Grams: 431. . 2011. Paperback. . . . . Books ship from the US and Ireland. …

4To Softcover. Condición: Very Good. 88pp. Text and artwork is clean on unmarked, uncreased pages. Hinges are secure, spine is unbroken, textblock is square with pointed corners. Slightest overall shelf/timewear, coverwear, small bookstore stamp on title page.

softcover. Condición: Collectible; Like New. First Edition; First Printing. SIGNED and inscribed on the title page by Jim Roche to Elsa Longhauser, the executive director of the Santa Monica Museum of Art. ; As New. Tight, clean and crisp. Flawless and in perfect condition. As New. Signed.

Paperback / softback. Condición: New. New copy - Usually dispatched within 7-11 working days.

Paperback. Condición: New. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular.…

Paperback. Condición: New. Jim Roche was born to run. His motorcycle exploits have been interwoven throughout his career. Sometimes riding is a dangerous course and he sustained serious injury in 1993 but hasn't abaondoned the source of his glory-road imagery. Known also for his enthusiasm for outsider art, Roche celebrates native heritage. Despite the fact that the internet has created a global visual-arts village, Roche observes a more specific sense of place. His "background piece" at the Whitney Museum of Art in the 1970s catapulted him into the New York Art world, and yet, not long afterward, sent him back out of the city to return to his roots and his inspiration in what was, in that decade, the very deep South.Not to be confined to one medium, Roche has been a ceramist, an assemblage sculptor, a videographer, a curator of Haitian and "outsider" art, and he paints and draws in a lively Florida vernacular.…

Paperback. Condición: New.