ISBN: 9781857094978 - bridget riley: paintings and related work (national gallery london publications) (14 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Bridget Riley: Arcadia (National Gallery London): Paintings and Related Work (National Gallery London Publications) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. …

Soft cover. Condición: Fine. No Jacket Issued. 1st Edition. paperback, illustrated, 78 pages, a fine clean copy. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf B248.

Paperback. Condición: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

SOFTCOVER. Condición: New. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, 78pp on stiff glossy art paper, colour plates (1 folding), etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condición: NEW. Estado de la sobrecubierta: Issued without a dustjacket. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, 78pp on stiff glossy art paper, colour plates (1 folding), etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Softcover, 78 pages; very good condition, except small bump / tear to bottom edge of rear cover near spine; inscribed and signed by Bridget Riley on half-title page; no other internal marks. Foreign shipping may be extra.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title.

paperback. Condición: As New.

4°, 78 S. mit sehr zahlreichen Abbildungen, Orig.-Klappbroschur. Erste Ausgabe.- Auf Vortitel eigenhändige Widmung von Riley an den ehemaligen Direktor des Kunstmuseum Krefeld Martin Hentschel.- Rücken mit kleiner Läsur.

Paperback. Condición: New. For 50 years Bridget Riley has been regarded as one of Britain's most important abstract artists, renowned for large paintings that feature complex, repetitive geometric shapes and undulating linear patterns. It is fascinating to discover that she sees her decidedly modern paintings as following in an Old Master pictorial tradition. This affinity stems from a lifelong passion for paintings in the National Gallery, London, with which she was first associated as a young student, and later as a Trustee and exhibiting artist. This book celebrates the artist's long engagement with the National Gallery. The authors discuss the significance of paintings from the Gallery's collection that Riley chose for exhibition alongside her own works, and they explain how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens, and light blues, translate into the abstracted shapes that appear in Riley's work. The authors also demonstrate how the techniques and methods of modern masters including CÃ zanne, Seurat, and Matisse exert an important influence on Riley's paintings.…