For 50 years Bridget Riley has been regarded as one of Britain's most important abstract artists, renowned for large paintings that feature complex, repetitive geometric shapes and undulating linear patterns. It is fascinating to discover that she sees her decidedly modern paintings as following in an Old Master pictorial tradition. This affinity stems from a lifelong passion for paintings in the National Gallery, London, with which she was first associated as a young student, and later as a Trustee and exhibiting artist.
This book celebrates the artist's long engagement with the National Gallery. The authors discuss the significance of paintings from the Gallery's collection that Riley chose for exhibition alongside her own works, and they explain how the fluid lines of Renaissance and Baroque paintings, together with their palette of ochres, salmon, greens, and light blues, translate into the abstracted shapes that appear in Riley's work. The authors also demonstrate how the techniques and methods of modern masters including Cézanne, Seurat, and Matisse exert an important influence on Riley's paintings.
Exhibition Schedule:
National Gallery London
(11/24/10-05/22/11)
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Colin Wiggins is Head of Education at the National Gallery, London. Michael Bracewell is an independent scholar and writer, focusing on contemporary art. Marla Prather is Curator of 20th-Century Painting at the Metropolitan Museum of Art, New York.
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR004707404
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Librería: WeBuyBooks, Rossendale, LANCS, Reino Unido
Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: rev9028246408
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Librería: Carmarthenshire Rare Books, Carmarthen, Reino Unido
Soft cover. Condición: Fine. Estado de la sobrecubierta: No Jacket Issued. 1st Edition. paperback, illustrated, 78 pages, a fine clean copy. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf B248. Nº de ref. del artículo: 141794
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Librería: David Bunnett Books, London, Reino Unido
SOFTCOVER. Condición: New. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, 78pp on stiff glossy art paper, colour plates (1 folding), etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. Nº de ref. del artículo: T1901436
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Librería: David Bunnett Books, London, Reino Unido
SOFTCOVER. Condición: NEW. 1st Edition. 1st printing. Large 4to. in colour printed stiff card covers, 78pp on stiff glossy art paper, colour plates (1 folding), etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS. Nº de ref. del artículo: TK254416
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Librería: ANARTIST, New York, NY, Estados Unidos de America
Softcover, 78 pages; very good condition, except small bump / tear to bottom edge of rear cover near spine; inscribed and signed by Bridget Riley on half-title page; no other internal marks. Foreign shipping may be extra. Nº de ref. del artículo: BrRiNa100
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Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de America
Paperback. Condición: New. In shrink wrap. Looks like an interesting title! Nº de ref. del artículo: Q-1857094972
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Librería: Dieter Eckert, Bremen, Alemania
4°, 78 S. mit sehr zahlreichen Abbildungen, Orig.-Klappbroschur. Erste Ausgabe.- Auf Vortitel eigenhändige Widmung von Riley an den ehemaligen Direktor des Kunstmuseum Krefeld Martin Hentschel.- Rücken mit kleiner Läsur. Nº de ref. del artículo: 107723
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