Isbn: 9781846314797 - dialectical conversions: donald kuspit’s art criticism: 5 (value: art: politics, 5) (21 resultados)

Condición: Fine. 8vo. pp 276. Contributors include David Craven, Donald B. Kuspit, Rudolf Baranik and others. Fine. First Edition. Hardback. Dust Jacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. First Edition. Gift inscribed by Donal Kuspit to Susan Shatter ( first names only) on title page. Few art critics in Western history have had the lasting international impact of philosopher and psychoanalyst Donald Kuspit. A student of Theodor Adorno, Kuspit introduced in the 1970s a new type of philosophical art criticism drawing on critical theory, phenomenology, and psychoanalysis. This multifaceted art criticism has gained world renown for reasons that critics, art historians, and philosophers from around the world explain here. The first book about one of the most distinguished art critics in history, Dialectical Conversions surveys Kuspit's role in triggering several historic shifts within art criticism. About the Author David Craven is Distinguished Professor of Art History at the University of New Mexico. Brian Winkenweder is associate professor of art history at Linfield College in Oregon. Signed by Author(s).…

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: new.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 276.

Condición: New. This is the first book about one of the most celebrated art critics in US history, Donald Kuspit, whose intertwined careers as a philosopher, art historian, and psychoanalyst have yielded a type of criticism with unrivalled range in Western history. Editor(s): Craven, David; Winkenweder, Brian. Series: Value: Art: Politics. Num Pages: 276 pages, 10 black & white illustrations. BIC Classification: ABA; ACXJ. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 220 x 175 x 25. Weight in Grams: 592. . 2010. Illustrated. Hardcover. . . . . …

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 276.

Hardback. Condición: New. Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspit's role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, "A Phenomenological Approach to Artistic Intention." Dense and demanding, yet deft and incisive, Kuspit's multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspit's insights into art.…

Hardcover. Condición: Brand New. 276 pages. 9.25x6.25x1.00 inches. In Stock.

Hardcover. Condición: new. Hardcover. Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspits role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, A Phenomenological Approach to Artistic Intention. Dense and demanding, yet deft and incisive, Kuspits multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspits insights into art. This is the first book about one of the most celebrated art critics in US history, Donald Kuspit, whose intertwined careers as a philosopher, art historian, and psychoanalyst have yielded a type of criticism with unrivalled range in Western history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. This is the first book about one of the most celebrated art critics in US history, Donald Kuspit, whose intertwined careers as a philosopher, art historian, and psychoanalyst have yielded a type of criticism with unrivalled range in Western history. Editor(s): Craven, David; Winkenweder, Brian. Series: Value: Art: Politics. Num Pages: 276 pages, 10 black & white illustrations. BIC Classification: ABA; ACXJ. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 220 x 175 x 25. Weight in Grams: 592. . 2010. Illustrated. Hardcover. . . . . Books ship from the US and Ireland. …

Hardback. Condición: New. Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspit's role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, "A Phenomenological Approach to Artistic Intention." Dense and demanding, yet deft and incisive, Kuspit's multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspit's insights into art.…

Hardcover. Condición: new. Hardcover. Few art critics in Western art history have ever had the broad-ranging impact over several decades of Donald Kuspit, a philosopher and psychoanalyst who from 1970 until the present has been a commanding figure on the international stage. A student of German thinker Theodor Adorno under whom he earned the first of his three doctorates, Kuspit introduced a new type of philosophical art criticism into the art world. He drew on both phenomenology and Critical Theory before he then increasingly adopted psychoanalysis. Since Kuspit himself has always measured his own place in the history of art criticism by how rigorously he engages with competing approaches, this book is a searching survey of Kuspits role in triggering several historic shifts within art criticism, beginning with his now legendary 1974 article in Artforum, A Phenomenological Approach to Artistic Intention. Dense and demanding, yet deft and incisive, Kuspits multi-faceted art criticism has become world famous for reasons that artists, critics, art historians, and philosophers from at least ten different nations explain from various points of view. Divided into three parts and introduced by a lengthy introduction, the book features comments by recognized artists like Rudolf Baranik, Anselm Kiefer, and April Gornik, as well as critical commentaries by many scholars and critics from around the world on the richness of Kuspits insights into art. This is the first book about one of the most celebrated art critics in US history, Donald Kuspit, whose intertwined careers as a philosopher, art historian, and psychoanalyst have yielded a type of criticism with unrivalled range in Western history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…