Isbn: 9781845194093 - art of time, the art of place: isaac bashevis singer and marc chagall - a dialogue (5 resultados)

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. First Edition. First printing, with complete number line. A Fine copy in like dustjacket.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Near Fine. Hardcover book in Near Fine/Fine condition. Pages are crisp and completely clean bearing no additional markings whatsoever. Dustjacket shows only very minor shelfwear but looks great now that it is protected by a clear removable brodart cover. We ship promptly from the United States and in a box.…

Hardcover. Condición: New. HARDCOVER, BRAND NEW, Perfect Shape, No Remainder Mark,Fast Shipping With Online Tracking, International Orders shipped Global Priority Air Mail, All orders handled with care and shipped promptly in secure packaging, we ship Mon-Sat and send shipment confirmation emails. Our customer service is friendly, we answer emails fast, accept returns and work hard to deliver 100% Customer Satisfaction. …

Hardcover. Condición: Brand New. 120 pages. 11.75x8.50x0.50 inches. In Stock.

Hardcover. Condición: New. The Art of Time, The Art of Place draws a comparison between two of the most prominent Jewish artists in the 20th-century: the Polish-born magician and storyteller Isaac Bashevis-Singer (1904-1991) and the Russian-born creator of visual magic Marc Chagall (1887-1985). In addition to their East European Jewish background, both were exposed to Western culture. Chagall absorbed such turn-of-the-century, avant-garde, artistic styles as Expressionism, Fauvism, Cubism, Abstract, and Surrealism. From these, he created a unique blend to which he brought the various Russian influences he had absorbed, as well as his own special, highly imaginative and inventive personal style. Bashevis-Singer brought to his works philosophical, psychological, scientific, medical, and legal knowledge. While both artists were affected by these Western influences, they remained firmly entrenched within the Jewish culture - the Yiddish language and life in the "shtetl" - from which they drew their inspiration. Their world consisted of a special blend of reality and dream, realism, and fantasy. The book demonstrates that they shared - albeit unwittingly - a common "meta-realistic" style, combining the earthly with the supernatural and the transcendental. Their works allude to real place names, dates, facts, and historical events, while, at the same time, contain occult forces, angels, demons, mysticism, and mystery. Comparisons range over the Jewish "shtetl," Jewish artists, love and despair, the Holocaust and war, religion, and mysticism. In the works of both artists, hope springs eternal; it is a hope emanating from the mystical realm of life as it relates to the magic of creation and the cosmic logic of the Creator. Artist and storyteller sail between hard-core reality and the yearning for redemption, between Judaism and universal values, between exile and revelation.…