ISBN: 9781742755854 - far from a still life: margaret olley (6 resultados)

Paperback. Condición: new. Paperback. With new chapters taking in the last few years of Margaret OlleyP#39;s life, her state funeral and the enormous legacy she has left behind.With new chapters taking in the last few years of Margaret OlleyP#39;s life, her state funeral and the enormous legacy she has left behind.Plt;brPgt;Plt;brPgt;P#39;A great painter, a great woman, a great storyP#39; Barry HumphriesPlt;brPgt; Plt;brPgt;Margaret Olley is arguably AustraliaP#39;s most loved artist. She was also one of the countryP#39;s most generous benefactors to public art galleries.Plt;brPgt; Plt;brPgt;This intimate biography begins in the 1920s in the green, tropical wet of Tully, North Queensland, where MargaretP#39;s early childhood was spent on a cane farm and dairy. The story unfolds to tell of her life-long love affair with painting. At boarding school at Somerville House, Brisbane, Margaret found a mentor in art teacher Caroline Barker, and she went on to blossom as an art student at East Sydney Technical College.Plt;brPgt; Plt;brPgt;The book includes intriguing revelations about her friendships with well-known figures such as Donald Friend, William Dobell and Russell Drysdale, and the success of her first one-person show in Sydney at the age of twenty-five. Bohemian adventures in Europe with fellow Australian artists, including David Strachan, were to follow.Plt;brPgt; Plt;brPgt;She travelled - sketchbook in hand - around England, France, Italy and Spain; met Alice B. Toklas in Paris; and lived on a vineyard at Cassis in the South of France. Her story continued back in Australia where in the late 1950s in Brisbane Margaret struggled with alcoholism and was eventually forced to face up to drying out or drying up creatively. Once sheP#39;d given up her comforting nips, her return to life and painting was joyous. Plt;iPgt;Far From A Still LifePlt;/iPgt; details her bout of personal darkness - her P#39;black holeP#39; when not only did she want to give up painting but also living - and the freedom of a walking frame. Margaret got through those difficult times and continued with her preoccupations of producing art; providing more donations to our galleries; and entertaining the odd celebrity, like Barry Humphries or Maggie Smith, in her notoriously cluttered Paddington terrace.Plt;brPgt; Plt;brPgt;With new material detailing her final travels around regional galleries donating her work and buying that of others and her feverish work painting right up until the day of her death, this is a rich and comprehensive look at eighty-odd years of Margaret Olley, her lovers and friends, and, of course, her painting. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Book, Paperback. Condición: Used. Far From a Still Life. These are USED books. Please only purchase if you are happy with that. Images & Editions We use stock images and database descriptions based on the ISBN. The image shown may NOT be the actual book cover you will receive. Covers, editions, printings, and publishers may differ. If you need a specific cover, edition, or printing, please contact us before purchasing. What "Used" Means Because these books are pre-owned: Colouring books may be coloured in Textbooks may have answers filled in, highlighting, notes, or underlining Workbooks may have writing inside Access codes, download codes, CDs, DVDs, or online content are usually missing or already used Books that originally came with toys, inserts, maps, cards, or bonus items will usually NOT include them Pages may be folded, marked, or show normal signs of use If you are buying a book for anything other than reading (e.g. colouring, study use, collecting, gifts, specific covers, bonus items, or digital access), used books may not be suitable. Condition All books are listed as Used - Good Books are clean and readable but not new Some books may have: Writing, highlighting, or markings Folded pages or minor wear A small warehouse or inventory sticker on the spine Original retailer stickers (we do not remove them) Our Process We purchase books by the pallet and scan thousands at a time. For this reason, we cannot photograph or individually inspect every book. Acknowledgement By purchasing, you acknowledge that: You understand the book is used You accept the condition and limitations described above Stock images and descriptions may not exactly match the item received Thank you for supporting Oak Books and helping give books a second life. …

Trade Paperback. Condición: Very Good. Trade Paperback. 625 pages. *** PUBLISHING DETAILS: Vintage, Australia, 2012. *** CONDITION: This book is in very good condition. More specifically: Covers have no creasing. Edges of covers have superficial edgewear and corners are lightly bumped. Spine is uncreased. . Pages are lightly tanned. *** ABOUT THIS BOOK: Margaret Olley is arguably Australia's most loved artist. She's also one of the country's most generous benefactors to public art galleries. This intimate biography begins in the 1920s in the green, tropical wet of Tully, North Queensland, where Margaret's early childhood was spent on a cane farm and dairy. The story unfolds to tell of her life-long love affair with painting. At boarding school at Somerville House, Brisbane, Margaret found a mentor in art teacher Caroline Barker, and she went on to blossom as an art student at East Sydney Technical College. The book includes intriguing revelations about her friendships with well-known figures such as Donald Friend, William Dobell and Russell Drysdale, and the success of her first one-person show in Sydney at the age of twenty-five. Bohemian adventures in Europe with fellow Australian artists, including David Strachan, were to follow. She travelled - sketchbook in hand - around England, France, Italy and Spain; met Alice B. Toklas in Paris; and lived on a vineyard at Cassis in the South of France. Her story continued back in Australia, where in the late 1950s in Brisbane Margaret struggled with alcoholism and was eventually forced to face up to drying out or drying up creatively. Once she'd given up her comforting nips, her return to life and painting was joyous. Far from a Still Life details her bout of personal darkness - her 'black hole' when not only did she want to give up painting but also living - and the freedom of a walking frame. Margaret got through those difficult times and continued with her preoccupations of producing art; providing more donations to our galleries; and entertaining the odd celebrity, like Barry Humphries or Maggie Smith, in her notoriously cluttered Paddington terrace. With new material detailing her final travels around regional galleries donating her work and buying that of others and her feverish work painting right up until the day of her death, this is a rich and comprehensive look at eighty-odd years of Margaret Olley, her lovers and friends, and, of course, her painting. *** Quantity Available: 1. Category: Biography & Autobiography; ISBN/EAN: 9781742755854. Inventory No: 23070111.…

Paperback. Condición: new. Paperback. With new chapters taking in the last few years of Margaret OlleyP#39;s life, her state funeral and the enormous legacy she has left behind.With new chapters taking in the last few years of Margaret OlleyP#39;s life, her state funeral and the enormous legacy she has left behind.Plt;brPgt;Plt;brPgt;P#39;A great painter, a great woman, a great storyP#39; Barry HumphriesPlt;brPgt; Plt;brPgt;Margaret Olley is arguably AustraliaP#39;s most loved artist. She was also one of the countryP#39;s most generous benefactors to public art galleries.Plt;brPgt; Plt;brPgt;This intimate biography begins in the 1920s in the green, tropical wet of Tully, North Queensland, where MargaretP#39;s early childhood was spent on a cane farm and dairy. The story unfolds to tell of her life-long love affair with painting. At boarding school at Somerville House, Brisbane, Margaret found a mentor in art teacher Caroline Barker, and she went on to blossom as an art student at East Sydney Technical College.Plt;brPgt; Plt;brPgt;The book includes intriguing revelations about her friendships with well-known figures such as Donald Friend, William Dobell and Russell Drysdale, and the success of her first one-person show in Sydney at the age of twenty-five. Bohemian adventures in Europe with fellow Australian artists, including David Strachan, were to follow.Plt;brPgt; Plt;brPgt;She travelled - sketchbook in hand - around England, France, Italy and Spain; met Alice B. Toklas in Paris; and lived on a vineyard at Cassis in the South of France. Her story continued back in Australia where in the late 1950s in Brisbane Margaret struggled with alcoholism and was eventually forced to face up to drying out or drying up creatively. Once sheP#39;d given up her comforting nips, her return to life and painting was joyous. Plt;iPgt;Far From A Still LifePlt;/iPgt; details her bout of personal darkness - her P#39;black holeP#39; when not only did she want to give up painting but also living - and the freedom of a walking frame. Margaret got through those difficult times and continued with her preoccupations of producing art; providing more donations to our galleries; and entertaining the odd celebrity, like Barry Humphries or Maggie Smith, in her notoriously cluttered Paddington terrace.Plt;brPgt; Plt;brPgt;With new material detailing her final travels around regional galleries donating her work and buying that of others and her feverish work painting right up until the day of her death, this is a rich and comprehensive look at eighty-odd years of Margaret Olley, her lovers and friends, and, of course, her painting. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. With new chapters taking in the last few years of Margaret OlleyP#39;s life, her state funeral and the enormous legacy she has left behind.With new chapters taking in the last few years of Margaret OlleyP#39;s life, her state funeral and the enormous legacy she has left behind.Plt;brPgt;Plt;brPgt;P#39;A great painter, a great woman, a great storyP#39; Barry HumphriesPlt;brPgt; Plt;brPgt;Margaret Olley is arguably AustraliaP#39;s most loved artist. She was also one of the countryP#39;s most generous benefactors to public art galleries.Plt;brPgt; Plt;brPgt;This intimate biography begins in the 1920s in the green, tropical wet of Tully, North Queensland, where MargaretP#39;s early childhood was spent on a cane farm and dairy. The story unfolds to tell of her life-long love affair with painting. At boarding school at Somerville House, Brisbane, Margaret found a mentor in art teacher Caroline Barker, and she went on to blossom as an art student at East Sydney Technical College.Plt;brPgt; Plt;brPgt;The book includes intriguing revelations about her friendships with well-known figures such as Donald Friend, William Dobell and Russell Drysdale, and the success of her first one-person show in Sydney at the age of twenty-five. Bohemian adventures in Europe with fellow Australian artists, including David Strachan, were to follow.Plt;brPgt; Plt;brPgt;She travelled - sketchbook in hand - around England, France, Italy and Spain; met Alice B. Toklas in Paris; and lived on a vineyard at Cassis in the South of France. Her story continued back in Australia where in the late 1950s in Brisbane Margaret struggled with alcoholism and was eventually forced to face up to drying out or drying up creatively. Once sheP#39;d given up her comforting nips, her return to life and painting was joyous. Plt;iPgt;Far From A Still LifePlt;/iPgt; details her bout of personal darkness - her P#39;black holeP#39; when not only did she want to give up painting but also living - and the freedom of a walking frame. Margaret got through those difficult times and continued with her preoccupations of producing art; providing more donations to our galleries; and entertaining the odd celebrity, like Barry Humphries or Maggie Smith, in her notoriously cluttered Paddington terrace.Plt;brPgt; Plt;brPgt;With new material detailing her final travels around regional galleries donating her work and buying that of others and her feverish work painting right up until the day of her death, this is a rich and comprehensive look at eighty-odd years of Margaret Olley, her lovers and friends, and, of course, her painting. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…