9781684225095 - Modern Negro Art de Porter, James A. (25 resultados)

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

paperback. Condición: New. Ships in a BOX from Central Missouri! UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

paperback. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: New.

Paperback or Softback. Condición: New. Modern Negro Art. Book.

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. 2020 Reprint of 1943 Edition. Profusely illustrated with halftone plates. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. "James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. "A pioneer in establishing the field of African American art history," writes Jeffreen M. Hayes, who rightly declares that: James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art." Modern Negro Art, first published in 1943, made a broad and profound impact on the study of art in the United States as well as on those future African American artists and academics who would write about African visual art. "James A. Porter." Callaloo, vol. 39 no. 5, 2016, p. 1049-1120. Project MUSE. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Taschenbuch. Condición: Neu. Neuware -2020 Reprint of 1943 Edition. Profusely illustrated with halftone plates. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. 'James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. 'A pioneer in establishing the field of African American art history,' writes Jeffreen M. Hayes, who rightly declares that:James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art.'Modern Negro Art, first published in 1943, made a broad and profound impact on the study of art in the United States as well as on those future African American artists and academics who would write about African visual art. 'James A. Porter.' Callaloo, vol. 39 no. 5, 2016, p. 1049-1120. Project MUSE.

Paperback. Condición: new. Paperback. 2020 Reprint of 1943 Edition. Profusely illustrated with halftone plates. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. "James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. "A pioneer in establishing the field of African American art history," writes Jeffreen M. Hayes, who rightly declares that: James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art." Modern Negro Art, first published in 1943, made a broad and profound impact on the study of art in the United States as well as on those future African American artists and academics who would write about African visual art. "James A. Porter." Callaloo, vol. 39 no. 5, 2016, p. 1049-1120. Project MUSE. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - 2020 Reprint of 1943 Edition. Profusely illustrated with halftone plates. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. 'James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. 'A pioneer in establishing the field of African American art history,' writes Jeffreen M. Hayes, who rightly declares that:James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art.'Modern Negro Art, first published in 1943, made a broad and profound impact on the study of art in the United States as well as on those future African American artists and academics who would write about African visual art. 'James A. Porter.' Callaloo, vol. 39 no. 5, 2016, p. 1049-1120. Project MUSE.

Taschenbuch. Condición: Neu. Modern Negro Art | James A. Porter | Taschenbuch | Kartoniert / Broschiert | Englisch | 2020 | Martino Fine Books | EAN 9781684225095 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Condición: Neu. Neuware -2020 Reprint of 1943 Edition. Profusely illustrated with halftone plates. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Porter's work analyzes the important developments and individuals in African American painting and sculpture from the pre-Civil War period to World War II. 'James A. Porter was an art historian, educator, curator, and visual artist. He is first remembered by academics as an art historian who taught some of the best minds and visual artists who studied at Howard University during the span of his teaching career. 'A pioneer in establishing the field of African American art history,' writes Jeffreen M. Hayes, who rightly declares that:James A. Porter was instrumental as the first scholar to provide a systematic, critical analysis of African American artists and their works of art. An artist himself, he provided a unique and critical approach to the analysis of the work. Dedicated to educating and writing about African American artists, Porter set the foundation for artists and art historians to probe and unearth the necessary skills essential to their artistic and scholarly endeavors. The canon is borne from Porter's determination to document and view African American art in the context of American art.'Modern Negro Art, first published in 1943, made a broad and profound impact on the study of art in the United States as well as on those future African American artists and academics who would write about African visual art. 'James A. Porter.' Callaloo, vol. 39 no. 5, 2016, p. 1049-1120. Project MUSE. 282 pp. Englisch.

Condición: New. Print on Demand pp. 282.

Condición: New. Print on Demand pp. 282.

Condición: New. PRINT ON DEMAND pp. 282.

Paperback. Condición: Brand New. 282 pages. 9.17x6.10x0.75 inches. In Stock. This item is printed on demand.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Klappentextrnrn2020 Reprint of 1943 Edition. Profusely illustrated with halftone plates. Full facsimile of the original edition and not reproduced with Optical Recognition Software. Porter s work analyzes the important developments and individ.