Isbn: 9781517902919 - modernism as memory: building identity in the federal republic of germany (17 resultados)

Paperback. Condición: Very Good+. Crimped corner, otherwise text clean and tight; 8vo 8" - 9" tall; 336 pages.

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Paperback. Condición: New. After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and '20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.While others have characterized contemporary Berlin's museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an "architecture of modern memory" that is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in DÜren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin. Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country.…

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Paperback. Condición: new. Paperback. While others characterize contemporary Berlin'smuseums and memorials as postmodern, Kathleen James-Chakraborty argues that theyare examples of much older and more complex "architecture of modern memory."She demonstrates that how one remembers can be detached from what oneremembers, contrasting ruins with recollections of modernism to commemorateGerman suffering, the Holocaust, the industrial revolution, and new spaces forIslam. After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and 201820s. As Modernism as Memory illustrates, these postwar practices unde Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2018. 1st Edition. Paperback. . . . . .

Paperback. Condición: Brand New. 336 pages. 10.00x7.00x1.50 inches. In Stock.

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Condición: New. 2018. 1st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: new. Paperback. While others characterize contemporary Berlin'smuseums and memorials as postmodern, Kathleen James-Chakraborty argues that theyare examples of much older and more complex "architecture of modern memory."She demonstrates that how one remembers can be detached from what oneremembers, contrasting ruins with recollections of modernism to commemorateGerman suffering, the Holocaust, the industrial revolution, and new spaces forIslam. After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and 201820s. As Modernism as Memory illustrates, these postwar practices unde Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: New. After World War II, West Germans and West Berliners found ways of communicating both their recent sufferings and aspirations for stable communities through buildings that fused the ruins of historicist structures with new constructions rooted in the modernism of the 1910s and '20s. As Modernism as Memory illustrates, these postwar practices undergird the approaches later taken in influential structures created or renovated in Berlin following the fall of the Wall, including the Jewish Museum and the Reichstag, the New Museum and the Topography of Terror.While others have characterized contemporary Berlin's museums and memorials as postmodern, Kathleen James-Chakraborty argues that these environments are examples of an "architecture of modern memory" that is much older, more complex, and historically contingent. She reveals that churches and museums repaired and designed before 1989 in DÜren, Hanover, Munich, Neviges, Pforzheim, Stuttgart, and Weil am Rhein contributed to a modernist precedent for the relationship between German identity and the past developed since then in the Ruhr region and in Berlin. Modernism as Memory demonstrates that how one remembers can be detached from what one remembers, contrasting ruins with recollections of modernism to commemorate German suffering, the Holocaust, and the industrial revolution, as well as new spaces for Islam in the country.…