Idioma: Inglés
Publicado por Edinburgh University Press, Edinburgh, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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EUR 24,08
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Añadir al carritoPaperback. Condición: new. Paperback. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film withLosing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 24,09
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback. Condición: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 24,09
Cantidad disponible: 10 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 22,21
Cantidad disponible: 10 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 26,18
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Edinburgh University Press 2/28/2020, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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EUR 28,52
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Añadir al carritoPaperback or Softback. Condición: New. Kathleen Collins: The Black Essai Film. Book.
Idioma: Inglés
Publicado por Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Rarewaves USA, OSWEGO, IL, Estados Unidos de America
EUR 28,92
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Añadir al carritoPaperback. Condición: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 24,24
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Añadir al carritoCondición: new.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Majestic Books, Hounslow, Reino Unido
EUR 23,24
Cantidad disponible: 3 disponibles
Añadir al carritoCondición: New. pp. 176.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 29,69
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 31,13
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Añadir al carritoCondición: New. pp. 176 Illustrated edition NO-PA16APR2015-KAP.
Idioma: Inglés
Publicado por Edinburgh University Press -, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Chiron Media, Wallingford, Reino Unido
EUR 18,43
Cantidad disponible: 10 disponibles
Añadir al carritoPaperback. Condición: New.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
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EUR 26,44
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Añadir al carritoCondición: New. 2020. Paperback. . . . . .
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 27,44
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Añadir al carritoCondición: New. pp. 176.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 24,89
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
EUR 31,92
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Añadir al carritoCondición: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 30,70
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EUR 36,62
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Añadir al carritoPaperback. Condición: Brand New. 168 pages. 8.25x5.25x0.50 inches. In Stock.
Idioma: Inglés
Publicado por Edinburgh University Press, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 34,99
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Rarewaves USA United, OSWEGO, IL, Estados Unidos de America
EUR 30,71
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Añadir al carritoPaperback. Condición: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Idioma: Inglés
Publicado por Edinburgh University Press, Edinburgh, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 42,37
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film withLosing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
EUR 27,77
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Añadir al carritoKartoniert / Broschiert. Condición: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with Losing Ground (1982). This book uses detailed analyses of Collins s films to contextualise her work in the African American, feminist and world film .
Idioma: Inglés
Publicado por Edinburgh University Press Feb 2020, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 33,01
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons.Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.Geetha Ramanathan is Professor of Comparative Literature at West Chester University, where she teaches and writes on comparative literature, film and women's studies, including feminist and African American film. Her most recent book is The Female in German Modernisms: The Visual Turn (2019).
Idioma: Inglés
Publicado por Edinburgh University Press, GB, 2020
ISBN 10: 147444069X ISBN 13: 9781474440691
Librería: Rarewaves.com UK, London, Reino Unido
EUR 21,39
Cantidad disponible: 5 disponibles
Añadir al carritoPaperback. Condición: New. A philosopher-filmmaker, Kathleen Collins decisively redefined the parameters of African American film with The Cruz Brothers and Miss Malloy (1980) and Losing Ground (1982). This book uses detailed analyses of Collins's films to contextualise her work in the African American, feminist and world film traditions, and it highlights her contribution to each of these canons. Exploring the philosophical aspects of Collins's films and placing her in a genealogy of African American auteurs, Geetha Ramanathan argues that Collins uses film to integrate diverse elements of African American culture, showing how the medium can transform the visual and become a site of convergence for ideas on philosophy, otherness, art, aesthetics and the craft of filmmaking.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 17,39
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Brand New. 168 pages. 8.25x5.25x0.50 inches. In Stock. This item is printed on demand.