Librería: The Enigmatic Reader, Los Angeles, CA, Estados Unidos de America
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Añadir al carritoHardcover. Condición: Very Good. 1st Edition. Ex-library.
Librería: suffolkbooks, Center moriches, NY, Estados Unidos de America
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Idioma: Inglés
Publicado por Ashgate publshing Ltd, Farnham Surrey, 2014
ISBN 10: 1472409663 ISBN 13: 9781472409669
Librería: Dublin Bookbrowsers, Dublin, NONE, Irlanda
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Añadir al carritoHardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. Pp.X11, (2), 325. Ex Lib with protective d.j. cover. usual stamps etc. Else v.g.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Añadir al carritoCondición: New. This is interdisciplinary volume of essays contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of 'Historical Perspectives'. Num Pages: 340 pages, Includes 1 music example. BIC Classification: 1DBR; AV. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 168 x 241 x 28. Weight in Grams: 790. . 2014. 1st Edition. hardcover. . . . .
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Añadir al carritoHardcover. Condición: Brand New. new edition edition. 255 pages. 9.45x6.22x1.14 inches. In Stock.
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New. This is interdisciplinary volume of essays contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland and Music that give rise to multiple sites of identification. Arranged in interweaving sections of 'Historical Perspectives'. Num Pages: 340 pages, Includes 1 music example. BIC Classification: 1DBR; AV. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 168 x 241 x 28. Weight in Grams: 790. . 2014. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.
Librería: moluna, Greven, Alemania
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Añadir al carritoGebunden. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. John O Flynn is Senior Lecturer and Head of Music at St Patrick s College, Dublin City University. He is author of The Irishness of Irish Music (Ashgate, 2009) and has penned numerous book chapters, articles and encyclopaedia entries on a diverse range of t.
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
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Añadir al carritoHRD. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
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Añadir al carritoHRD. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.
Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
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Añadir al carritoHardback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 295,91
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Añadir al carritoBuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether 'music in Ireland' can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of 'Historical Perspectives', 'Recent and Contemporary Production' and 'Cultural Explorations', its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and 'moments') of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O'Connell, Stiff Little Fingers, Frederick May, Arnold.