9781324091479 - who will pay reparations on my soul?: essays de mccarthy, jesse (26 resultados)
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Librería: Bellwetherbooks, McKeesport, PA, Estados Unidos de AmericaBellwetherbooks
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paperback. Condición: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.
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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de AmericaThriftBooks-Atlanta
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Librería: Wonder Book, Frederick, MD, Estados Unidos de AmericaWonder Book
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Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
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Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
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Librería: Big River Books, Powder Springs, GA, Estados Unidos de AmericaBig River Books
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Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
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Paperback. Condición: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.
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Librería: Organic Books, Albuquerque, NM, Estados Unidos de AmericaOrganic Books
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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Paperback. Condición: new. Paperback. Ranging from Ta-Nehisi Coates's case for reparations to Toni Morrison's revolutionary humanism to D'Angelo's simmering blend of R&B and racial justice, Jesse McCarthy's bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the… twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making." Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In "Notes on Trap," he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is "the funeral music that the Reagan Revolution deserves." In "Back in the Day," McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In "The Master's Tools," the relationship between Spanish painter Diego Velazquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley's paintings are viewed, while "To Make a Poet Black" explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, "What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?" For readers of Teju Cole's Known and Strange Things and Mark Greif's Against Everything, McCarthy's essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation. A supremely talented young critics essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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EUR 19,59
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Paperback. Condición: New. Ranging from Ta-Nehisi Coates's case for reparations to D'Angelo's simmering blend of RandB and racial justice, Jesse McCarthy's dazzling essays capture debates at the intersection of art, literature and politics in the twenty-first century with virtuosic intensity.In "Notes on Trap", McCarthy borrows…a conceit from Susan Sontag to dissect the significance of trap music in American society, while in "The Master's Tools", Velázquez becomes a lens through which to view Kehinde Wiley's paintings. Essays on John Edgar Wideman, Terrance Hayes and Claudia Rankine survey the state of black letters. In "The Time of the Assassins", McCarthy, a black American raised in France, writes about returning to Paris after the Bataclan massacre and finding a nation in mourning but dangerously unchanged. Taken together, these essays portray a brilliant critic at work, making sense of our dislocated times while seeking to transform our understanding of race and art, identity and representation.
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Librería: Eighth Day Books, LLC, Wichita, KS, Estados Unidos de AmericaEighth Day Books, LLC
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Paper Back. Condición: New.
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Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 324 pages. 8.50x5.75x1.00 inches. In Stock.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Librería: Brook Bookstore On Demand, Napoli, NA, ItaliaBrook Bookstore On Demand
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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Condición: New. 2022. Paperback. . . . . .
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Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
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Librería: Books Puddle, New York, NY, Estados Unidos de AmericaBooks Puddle
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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Paperback. Condición: new. Paperback. Ranging from Ta-Nehisi Coates's case for reparations to Toni Morrison's revolutionary humanism to D'Angelo's simmering blend of R&B and racial justice, Jesse McCarthy's bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the… twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making." Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In "Notes on Trap," he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is "the funeral music that the Reagan Revolution deserves." In "Back in the Day," McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In "The Master's Tools," the relationship between Spanish painter Diego Velazquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley's paintings are viewed, while "To Make a Poet Black" explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, "What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?" For readers of Teju Cole's Known and Strange Things and Mark Greif's Against Everything, McCarthy's essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation. A supremely talented young critics essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
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Paperback. Condición: new. Paperback. Ranging from Ta-Nehisi Coates's case for reparations to Toni Morrison's revolutionary humanism to D'Angelo's simmering blend of R&B and racial justice, Jesse McCarthy's bracing essays investigate with virtuosic intensity the art, music, literature, and political stances that have defined the… twenty-first century. Even as our world has suffered through successive upheavals, McCarthy contends, "something was happening in the world of culture: a surging and unprecedented visibility at every level of black art making." Who Will Pay Reparations on My Soul? reckons with this resurgence, arguing for the central role of art and intellectual culture in an age of widening inequality and moral crisis. McCarthy reinvigorates the essay form as a space not only for argument but for experimental writing that mixes and chops the old ways into new ones. In "Notes on Trap," he borrows a conceit from Susan Sontag to reveal the social and political significance of trap music, the drug-soaked strain of Southern hip-hop that, as he puts it, is "the funeral music that the Reagan Revolution deserves." In "Back in the Day," McCarthy, a black American raised in France, evokes his childhood in Paris through an elegiac account of French rap in the 1990s. In "The Master's Tools," the relationship between Spanish painter Diego Velazquez and his acolyte-slave, Juan de Pareja, becomes the lens through which Kehinde Wiley's paintings are viewed, while "To Make a Poet Black" explores the hidden blackness of Sappho and the erotic power of Phillis Wheatley. Essays on John Edgar Wideman, Claudia Rankine, and Colson Whitehead survey the state of black letters. In his title essay, McCarthy takes on the question of reparations, arguing that true progress will not come until Americans remake their institutions in the service of true equality. As he asks, "What can reparations mean when the damage cannot be accounted for in the only system of accounting that a society recognizes?" For readers of Teju Cole's Known and Strange Things and Mark Greif's Against Everything, McCarthy's essays portray a brilliant young critic at work, making sense of our disjointed times while seeking to transform our understanding of race and art, identity and representation. A supremely talented young critics essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Librería: moluna, Greven, Alemaniamoluna
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EUR 18,29
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Condición: New. A supremely talented young critic s essays on race and culture, from Toni Morrison to trap, herald the arrival of a major new voice in American letters.Über den AutorJesse McCarthy is Assistant Professor in the .
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
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EUR 17,07
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Paperback. Condición: New. Ranging from Ta-Nehisi Coates's case for reparations to D'Angelo's simmering blend of RandB and racial justice, Jesse McCarthy's dazzling essays capture debates at the intersection of art, literature and politics in the twenty-first century with virtuosic intensity.In "Notes on Trap", McCarthy borrows…a conceit from Susan Sontag to dissect the significance of trap music in American society, while in "The Master's Tools", Velázquez becomes a lens through which to view Kehinde Wiley's paintings. Essays on John Edgar Wideman, Terrance Hayes and Claudia Rankine survey the state of black letters. In "The Time of the Assassins", McCarthy, a black American raised in France, writes about returning to Paris after the Bataclan massacre and finding a nation in mourning but dangerously unchanged. Taken together, these essays portray a brilliant critic at work, making sense of our dislocated times while seeking to transform our understanding of race and art, identity and representation.
