Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Añadir al carritoCondición: New. A pioneering Victorian study of the music of the world's indigenous peoples which sheds light on the origins of music. Series: Cambridge Library Collection - Music. Num Pages: 352 pages, 9 b/w illus. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 20. Weight in Grams: 450. . 2009. Reprint. paperback. . . . .
Idioma: Inglés
Publicado por Cambridge University Press CUP, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Añadir al carritoCondición: New. pp. 352.
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
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Añadir al carritoCondición: New. A pioneering Victorian study of the music of the world's indigenous peoples which sheds light on the origins of music. Series: Cambridge Library Collection - Music. Num Pages: 352 pages, 9 b/w illus. BIC Classification: AVC. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 20. Weight in Grams: 450. . 2009. Reprint. paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: AHA-BUCH GmbH, Einbeck, Alemania
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Añadir al carritoTaschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality.
Librería: Revaluation Books, Exeter, Reino Unido
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Añadir al carritoPaperback. Condición: Brand New. 1st edition. 351 pages. 8.75x5.50x0.75 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
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Añadir al carritoPaperback. Condición: new. Paperback. This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality. A Victorian study of the music, instruments and dance of the world's indigenous peoples from which the author, a pioneer in comparative musicology, develops his theory of the origin of music based on rhythm and an innate sense of time, rather than the melody of speech. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: Majestic Books, Hounslow, Reino Unido
EUR 63,11
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Añadir al carritoCondición: New. Print on Demand pp. 352 9 Illus.
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: Biblios, Frankfurt am main, HESSE, Alemania
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 352.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: CitiRetail, Stevenage, Reino Unido
EUR 52,37
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Añadir al carritoPaperback. Condición: new. Paperback. This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality. A Victorian study of the music, instruments and dance of the world's indigenous peoples from which the author, a pioneer in comparative musicology, develops his theory of the origin of music based on rhythm and an innate sense of time, rather than the melody of speech. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, Cambridge, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 73,74
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Añadir al carritoPaperback. Condición: new. Paperback. This 1893 study of the music, instruments and dance of the world's indigenous peoples reflects the Victorian view that human development moved from primitive to complex along a linear evolutionary path. Despite this standpoint, it was an important contribution to comparative musicology in the late nineteenth century, demonstrating the principle that studying the music of non-European cultures and societies could help Europeans understand their own musical tradition. On the basis of his comparative analysis, Wallaschek developed a theory that music originated from rhythm and dance rather than the melody of speech. His proposed model moved forward that of Wagner, and recognised that music is embedded as a fundamental element of social interaction. The book describes music and instruments around the world, the role of singing and dance, and tonality and harmony, before discussing the origin of music and the role of heredity and external circumstances on musicality. A Victorian study of the music, instruments and dance of the world's indigenous peoples from which the author, a pioneer in comparative musicology, develops his theory of the origin of music based on rhythm and an innate sense of time, rather than the melody of speech. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: moluna, Greven, Alemania
EUR 61,79
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Añadir al carritoCondición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. InhaltsverzeichnisPreface 1. General character of the music of primitive people 2. Singers and composers in primitive times 3. Instruments 4. The basis of our musical system 5. Physical and psychical influence of music 6. Text and .
Idioma: Inglés
Publicado por Cambridge University Press, 2009
ISBN 10: 1108003729 ISBN 13: 9781108003728
Librería: preigu, Osnabrück, Alemania
EUR 64,15
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Añadir al carritoTaschenbuch. Condición: Neu. Primitive Music | An Inquiry Into the Origin and Development of Music, Songs, Instruments, Dances, and Pantomimes of Savage Races | Richard Wallaschek | Taschenbuch | Buch | Englisch | 2009 | Cambridge University Press | EAN 9781108003728 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.