Isbn: 9780980798296 - platform papers 30: indig-curious: who can play aboriginal roles? (3 resultados)

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  • Idioma: Inglés

    Editorial: Currency House Inc, Strawberry Hills, 2011

    0980798299 / 9780980798296

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 17,30

     Gastos de envío gratis 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Paperback. Condición: new. Paperback. Australia's first Indigenous writer, David Unaipon (1872-1967) made a commitment to sharing his stories with non-Aboriginal people. Did he hope that they would be valued as part of our country's cultural expression? Since his time Aboriginal myths and stories have been widely adopted and adapted, often without reference to their origins or history. Homer and Shakespeare are no longer around to defend their work, but Aboriginal people are alive and outspoken about how they are depicted on the page, stage and on the screen.How, if ever, asks Muruwari playwright Jane Harrison, can Aboriginal themes be 'used' by others in a way that is acceptable to Aboriginal people? How can non-Aboriginal people learn to interpret themes, and indeed, what are Aboriginal themes? Who can give permission and who can refuse? What about our shared experiences and common history, do we not all have the rights to that?Harrison treads her way through the challenging issues of exploitation, referencing, literary fraud, blacked-up actors and community ownership. Sharing our history and stories is essential, she writes, for the health of Aboriginal culture. Bur first we must acknowledge who is in control. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

  • Idioma: Inglés

    Editorial: Currency House Inc, Strawberry Hills, 2011

    0980798299 / 9780980798296

    • Tapa blanda

    Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 24,34

    Envío por EUR 32,88 
    Se envía de Australia a Estados Unidos de America

    Cantidad disponible: 1 disponible

    Paperback. Condición: new. Paperback. Australia's first Indigenous writer, David Unaipon (1872-1967) made a commitment to sharing his stories with non-Aboriginal people. Did he hope that they would be valued as part of our country's cultural expression? Since his time Aboriginal myths and stories have been widely adopted and adapted, often without reference to their origins or history. Homer and Shakespeare are no longer around to defend their work, but Aboriginal people are alive and outspoken about how they are depicted on the page, stage and on the screen.How, if ever, asks Muruwari playwright Jane Harrison, can Aboriginal themes be 'used' by others in a way that is acceptable to Aboriginal people? How can non-Aboriginal people learn to interpret themes, and indeed, what are Aboriginal themes? Who can give permission and who can refuse? What about our shared experiences and common history, do we not all have the rights to that?Harrison treads her way through the challenging issues of exploitation, referencing, literary fraud, blacked-up actors and community ownership. Sharing our history and stories is essential, she writes, for the health of Aboriginal culture. Bur first we must acknowledge who is in control. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

  • Idioma: Inglés

    Editorial: Currency House Inc, Strawberry Hills, 2011

    0980798299 / 9780980798296

    • Tapa blanda

    Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 19,38

    Envío por EUR 43,54 
    Se envía de Reino Unido a Estados Unidos de America

    Cantidad disponible: 1 disponible

    Paperback. Condición: new. Paperback. Australia's first Indigenous writer, David Unaipon (1872-1967) made a commitment to sharing his stories with non-Aboriginal people. Did he hope that they would be valued as part of our country's cultural expression? Since his time Aboriginal myths and stories have been widely adopted and adapted, often without reference to their origins or history. Homer and Shakespeare are no longer around to defend their work, but Aboriginal people are alive and outspoken about how they are depicted on the page, stage and on the screen.How, if ever, asks Muruwari playwright Jane Harrison, can Aboriginal themes be 'used' by others in a way that is acceptable to Aboriginal people? How can non-Aboriginal people learn to interpret themes, and indeed, what are Aboriginal themes? Who can give permission and who can refuse? What about our shared experiences and common history, do we not all have the rights to that?Harrison treads her way through the challenging issues of exploitation, referencing, literary fraud, blacked-up actors and community ownership. Sharing our history and stories is essential, she writes, for the health of Aboriginal culture. Bur first we must acknowledge who is in control. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…