9780892369645 - Paragons and Paragone ? Van Eyck, Raphael, Michelangelo, Caravaggio, Bernini (Getty Publications ? (Yale)) de Preimesberger, . (14 resultados)

Condición: New. Brand New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. This title provides an intelligent and illuminating exploration of the rivalry that existed between the artists of the Renaissance and Baroque eras. The paragon - the notion of competition and rivalry among the arts - has been a topic of debate for centuries. It erupted with great force in the Renaissance: sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta in St. Peter's Basilica.

Condición: New. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Num Pages: 200 pages, 25 colour & 24 b&w illustrations. BIC Classification: ACND; ACQB. Category: (G) General (US: Trade). Dimension: 270 x 199 x 17. Weight in Grams: 768. . 2011. 1st Edition. Hardcover. . . . .

Condición: New. pp. xi + 144 45 Illus. (25 Col.).

Condición: new.

Condición: New. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Num Pages: 200 pages, 25 colour & 24 b&w illustrations. BIC Classification: ACND; ACQB. Category: (G) General (US: Trade). Dimension: 270 x 199 x 17. Weight in Grams: 768. . 2011. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. The paragonethe notion of competition and rivalry among the artshas been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eycks Ghent Altarpiece and Michelangelos Pieta in St. Peters Basilica. The authors incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Brand New. 1st edition. 200 pages. 10.80x7.80x0.70 inches. In Stock.

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Hardcover. Condición: new. Hardcover. The paragonethe notion of competition and rivalry among the artshas been a topic of debate for centuries. It erupted with great force in the Renaissance, with sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eycks Ghent Altarpiece and Michelangelos Pieta in St. Peters Basilica. The authors incisive and erudite analysis of social history, biography, rhetoric, art theory, wordplay, and history illuminates these works anew, thus affording a modern audience a better understanding of the subtleties of their composition and meaning. Readers will find surprising insights and unsuspected drama in works of art they may have thought they knew. Provides an exploration of the rivalry that existed between the artists of the Renaissance & Baroque eras. This title features essays on Renaissance and Baroque art that reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. This title provides an intelligent and illuminating exploration of the rivalry that existed between the artists of the Renaissance and Baroque eras. The paragon - the notion of competition and rivalry among the arts - has been a topic of debate for centuries. It erupted with great force in the Renaissance: sculptors vying with painters for superiority, modern artists competing with the ancients, and painting challenging poetry. If the traces of this lively conversation are most evident in the literature, the remarkable scholarship presented here demonstrates how the paragone was rendered visible also in works of art. The essays on Renaissance and Baroque art reveal the paragone to be a crucial motive and key to the interpretation of some of the most celebrated works of art such as Van Eyck's Ghent Altarpiece and Michelangelo's Pieta in St. Peter's Basilica.