9780892073887 - Robert Rauschenberg: Gluts (9 resultados)

Hardcover without dustjacket as issued, 120 pages; in English; good condition: ex-gallery library copy with call number taped around bottom of spine; sticker and stamps and call number on first page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Edition in Italian. Oblong. 117 pages. Printed boards. FIRST EDITION of the Italian language edition. A fine, unread copy.

Flexi-bound. Condición: Fine Condition. Estado de la sobrecubierta: No Jacket, As Issued. 119 pages with 81 illustrations in color. Illustrated boards. Oblong. Preface by Richard Armstrong and Philip Rylands. Published on the occasion of the exhibition from the Peggy Guggenheim Collection, Venice May 30-September 20, 2009. Exhibition History.

Paperback. Condición: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Condición: as new. Wie neu/Like new.

Davidson, Susan, David White et al. . ROBERT RAUSCHENBERG: Gluts. 120 pages, illustrated in color and b&w. Oblong 4to, wraps. Venice, Peggy Guggenheim Collection, 2009. Forty pieces constructed of metal from old traffic signs,automobiles, awnings and exhaust pipes.

Hardcover. Condición: Sehr gut. 117 pp. Very well preserved copy 514 Sprache: Englisch Gewicht in Gramm: 1008.

Paperback. Condición: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.