9780822331247 - making jazz french: music and modern life in interwar paris (american encounters/global interactions) de jackson, jeffrey h. (30 resultados)
Idioma: Inglés
Editorial: Duke University Press Books 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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paperback. Condición: Good.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: New. Between the world wars, Paris welcomed not only a number of glamorous American expatriates including Jospehine Baker and F Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. This title examines how and why jazz became so widely performed in Paris in the 1920s and 1930s and als…o why it was so controversial. Series: American Encounters/Global Interactions. Num Pages: 280 pages, 10 b&w photos. BIC Classification: 3JJG; AVGJ. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 14. Weight in Grams: 400. . 2003. paperback. . . . . Books ship from the US and Ireland.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: New. Between the world wars, Paris welcomed not only a number of glamorous American expatriates including Jospehine Baker and F Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. This title examines how and why jazz became so widely performed in Paris in the 1920s and 1930s and als…o why it was so controversial. Series: American Encounters/Global Interactions. Num Pages: 280 pages, 10 b&w photos. BIC Classification: 3JJG; AVGJ. Category: (P) Professional & Vocational. Dimension: 229 x 153 x 14. Weight in Grams: 400. . 2003. paperback. . . . .
Making Jazz French : Music and Modern Life in Interwar Paris
Jackson, Jeffrey H.; Joseph, Gilbert M. (EDT); Rosenberg, Emily S. (EDT)
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: As New. Unread book in perfect condition.
Making Jazz French : Music and Modern Life in Interwar Paris
Jackson, Jeffrey H.; Joseph, Gilbert M. (EDT); Rosenberg, Emily S. (EDT)
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Idioma: Inglés
Editorial: Duke University Press, US 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback. Condición: New. Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of…jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France's most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Idioma: Inglés
Editorial: Duke University Press 8/5/2003 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback or Softback. Condición: New. Making Jazz French: Music and Modern Life in Interwar Paris. Book.
Idioma: Inglés
Editorial: MD - Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Editorial: Duke University Press Books 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback. Jeffrey H. Jackson, Duke University Press. Between the world wars, Paris welcomed not only a number of glamorous American expatriates including Jospehine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbe…at, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris in the 1920s and 1930s but also why it was so controversial. Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France's most cherished notions of "civilization."At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers.By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.Jeffrey H. Jackson is Assistant Professor of History at Rhodes College. Paperback.
Making Jazz French : Music and Modern Life in Interwar Paris
Jackson, Jeffrey H.; Joseph, Gilbert M. (EDT); Rosenberg, Emily S. (EDT)
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: New. pp. 280 Index.
Making Jazz French : Music and Modern Life in Interwar Paris
Jackson, Jeffrey H.; Joseph, Gilbert M. (EDT); Rosenberg, Emily S. (EDT)
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Más imágenesIdioma: Inglés
Editorial: U.S.A / Duke University Press 2004
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Soft cover. Condición: Good. No Jacket. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial. Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but… also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. Illustrated with 'B&W' photos. /// This is a 2nd impression paperback in good condition-the back cover has a half a centimeter rip to the corner. (267 pages). Originally published 2003.
Idioma: Inglés
Editorial: Duke Univ Pr 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback. Condición: Brand New. 266 pages. 8.75x6.00x0.75 inches. In Stock.
Idioma: Inglés
Editorial: Duke University Press Books 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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paperback. Condición: New. In shrink wrap. Looks like an interesting title.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Condición: New. Between the world wars, Paris welcomed not only a number of glamorous American expatriates including Jospehine Baker and F Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. This title examines how and why jazz became so.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Taschenbuch. Condición: Neu. Making Jazz French | Music and Modern Life in Interwar Paris | Jeffrey H Jackson | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2003 | Duke University Press | EAN 9780822331247 | Verantwortliche Person für die EU: Mare Nostrum Group B.V., Doelen 72, 4831 GR BREDA, NIEDERLANDE, gpsr[at]mare-n…ostrum[dot]co[dot]uk | Anbieter: preigu.
Idioma: Inglés
Editorial: Duke University Press, US 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback. Condición: New. Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets, music halls, and dance clubs, the upbeat, syncopated rhythms of…jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France's most cherished notions of "civilization." At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.
Idioma: Inglés
Editorial: Duke Univ Pr 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback. Condición: Brand New. 266 pages. 8.75x6.00x0.75 inches. In Stock. This item is printed on demand.
Idioma: Inglés
Editorial: Duke University Press Aug 2003 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cab…arets, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France's most cherished notions of 'civilization.' At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed. 280 pp. Englisch.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.
Idioma: Inglés
Editorial: Duke University Press 2003
Serie: American Encounters/Global Interactions, Libro 13 de 60. Libro 13 de 60 - American Encounters/Global Interactions
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Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Between the world wars, Paris welcomed not only a number of glamorous American expatriates, including Josephine Baker and F. Scott Fitzgerald, but also a dynamic musical style emerging in the United States: jazz. Roaring through cabarets…, music halls, and dance clubs, the upbeat, syncopated rhythms of jazz soon added to the allure of Paris as a center of international nightlife and cutting-edge modern culture. In Making Jazz French, Jeffrey H. Jackson examines not only how and why jazz became so widely performed in Paris during the 1920s and 1930s but also why it was so controversial.Drawing on memoirs, press accounts, and cultural criticism, Jackson uses the history of jazz in Paris to illuminate the challenges confounding French national identity during the interwar years. As he explains, many French people initially regarded jazz as alien because of its associations with America and Africa. Some reveled in its explosive energy and the exoticism of its racial connotations, while others saw it as a dangerous reversal of France's most cherished notions of 'civilization.' At the same time, many French musicians, though not threatened by jazz as a musical style, feared their jobs would vanish with the arrival of American performers. By the 1930s, however, a core group of French fans, critics, and musicians had incorporated jazz into the French entertainment tradition. Today it is an integral part of Parisian musical performance. In showing how jazz became French, Jackson reveals some of the ways a musical form created in the United States became an international phenomenon and acquired new meanings unique to the places where it was heard and performed.
