Isbn: 9780822329398 - the flash of capital: film and geopolitics in japan (asia-pacific: culture, politics, and society) (26 resultados)

Condición: good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing.…

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Fine.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condición: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,600grams, ISBN:9780822329398. …

Paperback. Condición: New. The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.…

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Softcover. Condición: Gut. Paperback Ausgabe guter Zustand - 2002 - Buch mit Abbildungen und 316 Seiten - Index: Englische Literatur.

Condición: New. pp. 328 72 Illus.

Condición: as new. Durham, N.C. : Duke University Press, c2002. Paperback.xii, 316 p. : ill. ; 24 cm. - The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borderswhere culture and capital crisscrossand, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond. Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical momenttensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical. Condition : as new copy. ISBN 9780822329398. Keywords : CULTURAL STUDIES, film studies.…

Condición: As New. Unread book in perfect condition.

Condición: New. Looking at a hundred-year history of film and capitalism, this title theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond. Series: Asia-Pacific: Culture, Politics, and Society. Num Pages: 328 pages, 72 illus. BIC Classification: 1FPJ; APF; JFC. Category: (P) Professional & Vocational. Dimension: 227 x 156 x 27. Weight in Grams: 506. . 2002. Illustrated. Paperback. . . . .…

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.…

Condición: New. pp. 328 Index.

Condición: New. Looking at a hundred-year history of film and capitalism, this title theorizes a cultural history that illuminates the spaces where film and the nation transcend their customary borders, where culture and capital crisscross - and in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond. Series: Asia-Pacific: Culture, Politics, and Society. Num Pages: 328 pages, 72 illus. BIC Classification: 1FPJ; APF; JFC. Category: (P) Professional & Vocational. Dimension: 227 x 156 x 27. Weight in Grams: 506. . 2002. Illustrated. Paperback. . . . . Books ship from the US and Ireland.…

Condición: New. In English.

Paperback. Condición: Brand New. 328 pages. 8.50x6.00x1.00 inches. In Stock.

Paperback. Condición: New. The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.…

Paperback. Condición: New. The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.…

Paperback. Condición: Brand New. 328 pages. 8.50x6.00x1.00 inches. In Stock. This item is printed on demand.