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ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por University of Chicago press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por MP-ALB University of Alabama, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por The University of Alabama Press, Alabama, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Añadir al carritoPaperback. Condición: new. Paperback. For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ""Theatre Symposium"" illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ""The Commedia dell'Arte as the Quintessence of Comedy"" introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ""Theatre du Grand Guignol""; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound. Features essays that illustrate the range of material that falls under the heading 'comedy' as it is played on stage. This volume includes essays that address the improvisational nature of 'Commedia'; and the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por The University of Alabama Press, US, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Añadir al carritoPaperback. Condición: New. For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ""Theatre Symposium"" illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ""The Commedia dell'Arte as the Quintessence of Comedy"" introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ""Theatre du Grand Guignol""; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound.
Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por The University of Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por The University of Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Añadir al carritoCondición: New. Features essays that illustrate the range of material that falls under the heading 'comedy' as it is played on stage. This volume includes essays that address the improvisational nature of 'Commedia'; and the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation. Editor(s): Malarcher, Jay. Series: Theatre Symposium. Num Pages: 152 pages. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 229 x 152 x 13. Weight in Grams: 272. . 2008. New. Paperback. . . . .
Idioma: Inglés
Publicado por University Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Idioma: Inglés
Publicado por The University of Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Añadir al carritoCondición: New. Features essays that illustrate the range of material that falls under the heading 'comedy' as it is played on stage. This volume includes essays that address the improvisational nature of 'Commedia'; and the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation. Editor(s): Malarcher, Jay. Series: Theatre Symposium. Num Pages: 152 pages. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 229 x 152 x 13. Weight in Grams: 272. . 2008. New. Paperback. . . . . Books ship from the US and Ireland.
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Añadir al carritoKartoniert / Broschiert. Condición: New. Features essays that illustrate the range of material that falls under the heading comedy as it is played on stage. This volume includes essays that address the improvisational nature of Commedia and the roots of laughter and the expectations inherent .
Idioma: Inglés
Publicado por University Of Alabama Press Sep 2008, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - 'Comedy Tonight!' in 'Volume 16' of the annual journal 'Theatre Symposium' illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.
Idioma: Inglés
Publicado por The University of Alabama Press, Alabama, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
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Añadir al carritoPaperback. Condición: new. Paperback. For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ""Theatre Symposium"" illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ""The Commedia dell'Arte as the Quintessence of Comedy"" introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ""Theatre du Grand Guignol""; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound. Features essays that illustrate the range of material that falls under the heading 'comedy' as it is played on stage. This volume includes essays that address the improvisational nature of 'Commedia'; and the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por The University of Alabama Press, US, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
Librería: Rarewaves.com UK, London, Reino Unido
EUR 41,92
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Añadir al carritoPaperback. Condición: New. For centuries scholars, philosophers, and practitioners have attempted to explain just what constitutes comedy, and though no one has come close to a definitive explanation, each attempt highlights some distinct facet of the genre - the genre that Woody Allen has said eats at the children's table.even in the world of scholarship.The essays gathered in Volume 16 of the annual journal ""Theatre Symposium"" illustrate well the range of material that falls under the heading 'comedy' as it is played on stage.Stanley Longman's essay on ""The Commedia dell'Arte as the Quintessence of Comedy"" introduces us to the inhabitants of 'Commediatown,' character types who are descendents of the Greeks and ancestors, it seems, of almost everyone who came after. Boris Senker, an eyewitness to Croatia's evolution from communism to democracy, reports on the all-too-real 'Commedia' stereotypes that have found their way onto the stage in his homeland.Other essays address the improvisational nature of 'Commedia'; the roots of laughter and the expectations inherent in presenting 'old schtick' to a new generation; comedic technique, verbal and physical, in Moliere; the use of the macabre to create humor in the ""Theatre du Grand Guignol""; the story of Henry Fielding, the theatre practitioner most responsible for the British government's crackdown on subversive material, via the Licensing Act of 1737; Beckett's theatrical connections to the comedy theory of Henri Bergson; and do-it-yourself (DIY) comedy - happenings, situations, gatherings - as practiced in British stand-up comedy. Volume 16 provides a glimpse into the possibilities for comedy on the stage. If the past examples allow for extrapolation into the future, the position of comedy as a means of communicating problems and solutions for society's woes is remarkably sound.
Idioma: Inglés
Publicado por University of Alabama Press, 2008
ISBN 10: 0817355103 ISBN 13: 9780817355104
Librería: preigu, Osnabrück, Alemania
EUR 47,60
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Añadir al carritoTaschenbuch. Condición: Neu. Theatre Symposium, Vol. 16 | Comedy Tonight! | Jay Malarcher | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2008 | University of Alabama Press | EAN 9780817355104 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.