9780813227412 - religious experience in the work of richard wagner de hébert, marcel (12 resultados)
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Librería: 3rd St. Books, Lees Summit, MO, Estados Unidos de America3rd St. Books
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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Very good, clean, tight condition. Jacket in mylar cover. Text free of marks. Professional book dealer since 1999. All orders are processed promptly and carefully packaged.
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Religious Experience in the Work Richard Wagner
Hebert, Marcel; Talar, C. J. T. (EDT); Emery, Elizabeth (TRN); Schloesser, Stephen (FRW)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 64,98
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Condición: New.
Idioma: Inglés
Editorial: The Catholic University of America Press, Washington, 2015
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 67,38
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Hardcover. Condición: new. Hardcover. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of hi…s work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnerienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hebert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hebert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hebert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hebert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hebert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Idioma: Inglés
Editorial: The Catholic University of America Press, US, 2015
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Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
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Hardback. Condición: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siècle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were… a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnérienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hébert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hébert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hébert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hébert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge.
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Religious Experience in the Work Richard Wagner
Hebert, Marcel; Talar, C. J. T. (EDT); Emery, Elizabeth (TRN); Schloesser, Stephen (FRW)
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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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Condición: As New. Unread book in perfect condition.
Religious Experience in the Work of Richard Wagner
Hebert, Marcel/ Talar, Charles (Editor)/ Emery, Elizabeth (Translator)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Hardcover. Condición: Brand New. 192 pages. 9.00x6.00x0.75 inches. In Stock.
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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, IrlandaKennys Bookshop and Art Galleries Ltd.
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EUR 79,25
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Condición: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustaine…d popular interest in Wagner. Editor(s): Talar, J. T. Translator(s): Talar, Charles J. T.; Emery, Elizabeth. Num Pages: 192 pages. BIC Classification: HRAB; HRCM. Category: (G) General (US: Trade). Dimension: 216 x 147 x 20. Weight in Grams: 363. . 2015. Hardcover. . . . .
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Librería: THE SAINT BOOKSTORE, Southport, Reino UnidoTHE SAINT BOOKSTORE
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
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EUR 100,16
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Condición: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustaine…d popular interest in Wagner. Editor(s): Talar, J. T. Translator(s): Talar, Charles J. T.; Emery, Elizabeth. Num Pages: 192 pages. BIC Classification: HRAB; HRCM. Category: (G) General (US: Trade). Dimension: 216 x 147 x 20. Weight in Grams: 363. . 2015. Hardcover. . . . . Books ship from the US and Ireland.
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Religious Experience in the Work of Richard Wagner
Marcel Hébert|Charles J. T. Talar|Elizabeth Emery|Stephen Schloesser
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Librería: moluna, Greven, Alemaniamoluna
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EUR 79,05
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Condición: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work .
Idioma: Inglés
Editorial: The Catholic University of America Press, Washington, 2015
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Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
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EUR 117,63
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Hardcover. Condición: new. Hardcover. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of hi…s work, were a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnerienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hebert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hebert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hebert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hebert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hebert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siecle France, fed by fascination for the medieval history and literature that inspired his work. Philosopher Marcel Hebert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Idioma: Inglés
Editorial: The Catholic University of America Press, US, 2015
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Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 83,80
Envío por EUR 76,16Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardback. Condición: New. Enthusiasm for the operas of composer Richard Wagner (1813-1883) flourished in fin-de-siècle France, fed by fascination for the medieval history and literature that inspired his work. By the 1890s, ""pilgrimages"" to Wagner's burial city of Bayreuth, Germany, home of a regular festival of his work, were… a rite of passage for musicians and the upper crust. French admirers promoted Wagner's ideas in journals such as La Revue wagnérienne, launched in 1885. These writings fueled a mystique about Wagner, his music, and his beliefs.Philosopher Marcel Hébert developed his Religious Experience in the Work of Richard Wagner (1895) from this background of sustained popular interest in Wagner, an interest that had intensified with the return of his operas to the Paris stage. Newspaper debates about the impact of Wagner's ideas on French society often stressed the links between Wagner and religion. These debates inspired works like Hébert's, intended to explain the complex myth and allegory in Wagner's work and to elucidate it for a new generation of French spectators.Hébert's discussion of Wagner, written for a popular audience, might seem an anomaly in light of his better-known academic philosophical writings. Yet Wagner's use of myth and symbol, as well as his ability to write musical dramas that evoked emotional as well as cognitive response, resonated with Hébert's symbolist approach to dogma, and the appeal to religious experience characteristic of Modernist thinkers in general. By writing about Wagner to discuss these themes, Hébert caught the interest of the educated readership who shared his concern about the clash of ancient faith and modern thinking, and who were receptive to his argument that both could be reconciled through his revisionist approach. Thus, Hébert turned Wagner and his work into a vehicle for popularizing the Modernist vision of framing religion through experience as well as knowledge.
