ISBN: 9780810946422 - picture machine: rise of american newspictures (19 resultados)

Condición: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Condición: Acceptable. hardcover The item is fairly worn but still readable. Signs of wear include aesthetic issues such as scratches, worn covers, damaged binding. The item may have identifying markings on it or show other signs of previous use. May have page creases, creased spine, bent cover or markings inside. Packed with care, shipped promptly.…

First Edition. First edition. Oblong hardcover. First printing. 288 pages. Text by William Hannigan and Ken Johnson. Includes 300 duotone images. A very near fine copy in a near fine dust jacket.

Hardcover. Condición: Used-Very Good. dj. Cloth, dj. Slight shelf wear. Tear in jacket at bottom of spine, covered by tape. Else clean copy.

hardcover. Condición: Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Book and dust jacket solid VG condition. Full number line.

hardcover. Condición: near fine. very good(+). Illustrated with 300 black and white photographs. 288 pages, oblong 4to, decorative boards, d.w. (minor shelf wear). New York: Abrams, (2004). Some offsetting on title page from frontispiece, otherwise fine in a very good(+) dust wrapper.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. First Edition First Printing. A tribute to the origins & development of photojournalism in the US that explores this historical, social, & cultural significance of the leading news agencies & the images they created. In 288 pages with Index in rear, this is a FIRST EDITION, First Printing, from 2004. Large (10" x 11.25") oblong hardcover has medium/light blue cloth-covered boards. Condition is Near Fine: as clean & bright as Brand New, but downgraded due to corner bumping, with mild tearing to bottom outer corners of both front & back board. Else, virtually flawless & completely unmarked. The unclipped DJ is also Near Fine, with slight rubbing to those same corners; nicely protected in new clear mylar cover Free (removed for photo accuracy)! Our photos depict the Exact book you will receive, never "stock" images of books we don't actually have! Same Day Shipping on all orders received by 2 pm Weekdays (Pacific time); later orders, weekends & holidays ship very next business day. SORRY: book is too large for expedited domestic or any international shipping without preapproval of extra postage (at least double per USPS rates).…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. First Edition. Hardcover in dust jacket. First printing of first edition. Book is As New, crisp and clean. Gift-giving condition. Binding is tight and corners are sharp. Dust jacket is also As New, fresh and bright. Luminous black-and-white photos throughout. Many will be familiar but the book puts them into context. Oblong 4to. 287 pp. including index. Heavy--will require additional postage if shipped priority or outside the U.S.…

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. 288 pages, chiefly illustrations; 26 x 29 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Profusely illustrated. *** "A retrospective of the American news wire picture services examines their rise and the historical and cultural significance of the images they created, drawing on the United Press International archives to demonstrate how such images captured and molded American identity during such events as the Hindenburg disaster, the Scopes trial, and Charles Lindbergh's trans-Atlantic flight." - Publisher. *** CONTENTS: Making American images, by William Hannigan; Eye news: a short history of picture news in America, by Ken Johnston. Size: Oblong. Collectible.…

Condición: New. Satisfaction Guaranteed or your money back.

Rilegato. Condición: nuovo. New. With Ken Johnston., Ill. bn: --, Ill. colori: 300 in duotone, Peso: 1895 gr.

Rilegato. Condición: nuovo. New. REM. With Ken Johnston., Ill. bn: --, Ill. colori: 300 in duotone, Peso: 1895 gr.

Condición: Neuf.

Couverture rigide. Condición: Très bon état. In-8 relié 27,7 cm sur 24,9. 288 pages. Très bon état d'occasion. in-8°.

Harry N Abrams, 2004. Hardcover with dust jacket. Oblong: 25,5 x 28,5 cm. Illustrated in b/w throughout. 288 pages - cont [Photography / International [Internationale Fotografie] ].

Hardcover. Condición: Brand New. 288 pages. 11.00x9.75x1.25 inches. In Stock.

Hardcover. Condición: New. The first retrospective devoted to the legacy of American news wire picture services, Picture Machine examines the rise of these organizations and the historical and cultural significance of the images they created. Using photographs culled from the United Press International archive-the largest consolidated archive of historical wire photography, now part of the Bettmann Archive at Corbis-the authors show how these images both captured and molded American identity, beginning early in the 20th century. The insatiable demand for photographic images led the news wire agencies to create a complete record of American life, and this book provides a fascinating look at the symbiotic nature of the photojournalistic process. Among the 300 photographs included in these pages are pictures of major events such as the crash of the Hindenburg, the Scopes trial, and Charles Lindbergh after his trans-Atlantic flight. But Picture Machine is not simply a chronology of world events or a collection of iconographic images. Even more interesting to the contemporary reader are the photographs created on "off" or slow-news days, including pictures that have not been seen since their original publication. AUTHOR BIO: William Hannigan is vice president of the portraiture division of Corbis, which houses the Bettmann Archive, one of the most extensive collections of historical content in the world. He is also editor and author of New York Noir: Crime Photos from the Daily News Archive. Ken Johnston, now managing editor of historical collections for Corbis, began his career with historical images in 1985 as an employee of the Bettmann Archive. Both authors live in Brooklyn.…